tag:blogger.com,1999:blog-14421760538903579472024-03-13T20:27:05.155-07:00點‧心設計邀請展 Dian Shin / Design Refreshment「 點‧心設計邀請展」籌創於2006年,是個由台灣設計師合力促成的設計聯展,每年透過五十件作品來反應一個共同的議題,並在台灣各地巡迴展出。這是設計師意識到台灣整體所面臨的轉型挑戰時,所選擇的一種自我檢視與發聲方式。八年來透過不同的題材,嘗試與台灣的生活文化對話。Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comBlogger17125tag:blogger.com,1999:blog-1442176053890357947.post-5515842779107419342015-08-18T00:34:00.001-07:002015-08-18T00:46:29.674-07:002014 點・心設計邀請展-見本 Fundamentals/參展作品<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-large;"><b>見本 <span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Fundamentals</span>-參展作品</b></span><br />
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Utilizing a short leg wooden sitting stool. that has been refurbished, a short wooden shovel handle has been attach to provide a backrest and handle, for ease of movement and placement it can be used as a stool or end table. </span></div>
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<b><span style="font-size: large;">婆娑</span></b><br />
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結合傳統竹才包管技術,配合現代材質,創造傳統工藝的新想像。<br />
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<span style="font-family: Georgia, Times New Roman, serif;">Utilizing traditional bamboo technology, designing modern.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>窗的風景</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">直接讓改變發生在老物件上,希望藉由日常生活中,人們真實的使用,讓老或新,皆能繼續這份單純而美好。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">I have tried to make objects have a relationship with daily life. By making aged windows lived in our daily life, we can make the scene with tranquility and beauty be preserved.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>上善若水</b></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><br /></span><span style="font-family: Georgia, Times New Roman, serif;">淨空你的心靈</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">縹緲 無形</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">像水一樣</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">你將會發現真實的本我</span><span style="font-family: Georgia, Times New Roman, serif;"></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Empty your mind </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Be formless , shapeless </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Like water </span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">You will find yourself .</span><span style="font-family: Georgia, Times New Roman, serif;"></span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>月洞竹影</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">靈感源於紅樓夢中的《月洞窗》,書中描繪月洞窗上籠着薄紗,上面掛著回念詩的鸚哥,窗外千桿竹影翠潤,書香、木色與雲霧懸繞在牆上,猶如一片景致。柾割-兩道竹的剖面,仰賴竹匠師傅精準的切割技藝,在日本被廣泛使用於建築領域。 我們思考的是如何把經典意涵與傳統工藝結合,詮釋簡約本質。隨性將絲巾、領帶、配件或待穿衣物掛上,或者留白。望過月洞,皆成風景。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">This product serves as a causal hanger to drape over your scarves, neckties, accessories, and prepared clothes. Its form was an implication of moon lattice which was a type of window widely used in traditional Chinese architectures. Instead of implanting a lot of design into a product, we choose to present the simple and beautiful cross section of bamboo to act as holders. This manufacturing technique of bamboo has been used in interior decorating in Japan for several years. Whether you put some accessories on it will always be a picturesque scenery.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>衣角,掛窗</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">繁複的鐵花窗,是城市裡不可或缺的一幅美景,設計師試著將這美麗的風景帶入室內,以虛實、現代的手法將鐵花窗的意像重生。讓室內多了許多美好的記憶。</span><br />
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Complicated Tiehua windows, is an integral part of the city beautiful, designers try to bring these beautiful scenery indoors to the actual situation, modern techniques will Tiehua window imagery rebirth. Let Indoor many more good memories.</div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>軌跡</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">經由點,線,面所構成的不只是實用的城市地圖,更是一段段令人感動的歷史軌跡。</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">產品的本質在於使用,圖案的本質在於觀賞,將這兩種特質整合並轉化出兼具實用與美感的家飾品設計。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Map of the city is not just a practical point, line, surface posed, it is touched the historical section after section the track.</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">Nature of the product is used.Nature of painting is ornamental.Integrate the two qualities.Design both practical and beauty design home accessories.</span><br />
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<span style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: large;"><b>對峙/姿</b></span></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">見本,以人為本,運用人的姿態發想,設計出有趣且多功能的衣架。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Look for the essenceof human, create a posture for the hanger.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>座日見影椅</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">座日乘離蔚, 見影照古今。</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">傳承木工藝技法,保留具歷史文化價值的圖案,同時品研將其整合至新產品設計上。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">功能一:可以坐在上面. 。</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">功能二:可以欣賞椅面上的傳統圖案. 。</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">功能三:三張椅子連在一起可以組合成一張大圖。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"> Passing down the woodwork techniques and the traditional patterns into chair design.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">These seat surfaces is a complete traditional pattern when these chairs put together, but each one still a good chair with it own unique pattern.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">將旅店淘汰的浴巾、毛巾藍染成不同層次的藍色。再用各種不同的綑繞方式只做成各種不同圖樣的圓凳的坐面與鐘面。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Reuse the old white bath towel from hotels, and make its to different level of blue by nature indigo dye. Then binding and sewing its to seat top or clock face with special pattern.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>凸餅便利吸</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">凸餅頂上的圖案各式各樣,有的是品牌LOGO,有的則是吉祥字彙。</span><span style="font-family: Georgia, 'Times New Roman', serif;">把凸餅化身小小便利吸,可固定文件或照片,亦可作為MEMO吸鐵。</span><span style="font-family: Georgia, 'Times New Roman', serif;">每顆凸餅字款不同、不同涵意,可作為MEMO內容的分類或提醒。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">The Puff Bun has been shrunk into a small memo magnet, it firmly fix notes, photos and even documents onto the memo board. It comes in variety of graphic printing on top of Puff Bun; some are the logo of the companies, some are the Chinese characters with meaning of good fortune.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>辦桌,伴桌-餐桌</b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">「辦桌」是台灣婚禮中非常重要的一環,大家一起慶祝喜事,象徵著昭告天下的堅定信念。</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">讓「辦桌」成為家的一部份,每一頓飯都是慶祝。</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">原來,只要家人聚在一起,就是最大的喜事。</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Originating from the table in Taiwanese traditional weddings, the "X" structure is easy for folding and storage, creating a flexible living space.</span><br />
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藝見-看清編織工藝的材質細節與技法。</div>
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顏水龍先生一九四O年定居台南,在學甲、北門、關廟等地設置南亞工藝社,用自身的示範、製作來推展竹、草、舊絲線、芭蕉絲、鳳梨刈等纖維編織、染色工藝。本作品以兩片設計過的鋁圈夾住放大鏡片,再用膠圈固定,膠圈外可結合各種編織工藝媒材如,竹、藤、皮、麻甚至是最近超流行的彩色橡皮圈編織,以達到拿起放大鏡的防滑效果!作品展出時,現場以各種編織工藝對顏老師的工藝推廣致意!!並藉由本放大鏡可讓現場民眾拿起來看清作品的細節!!</div>
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傳統竹編運用在不同的器物上會有不同的編織方式與功能,將竹編簡化成為幾何圖案,加工於竹集板上,呈現單純的數理美感。<br />
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In tradition, different objects apply to different bamboo weaving technique and functions, not just present the wisdom of ancestors, also the beauty of geometry and logic.</div>
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<span style="font-size: large;"><b>線杯系列</b></span></div>
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玻璃杯底部的線條。</div>
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靈感為圖學裡面的基本線條。</div>
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實線 虛線 中心線。</div>
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三種線條有各自要表達的意思。</div>
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<span style="font-size: large;"><b>鴛鴦</b></span></div>
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鴛鴦臉盆是台灣生活的共同記憶,新的型態解構其為圖案、器皿及色彩,透過人們的重新解讀,探討它的根本,延續它的內涵。<br />
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Deconstruct the Yuanyang washbowl which imprinted on Taiwanese's memory and reinterpret it.</div>
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<span style="font-size: large;"><b>竹鋼筆</b></span></div>
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竹材搭配天然漆與黃銅件,做成可長久使用的鋼筆。竹材與製作皆在南投,以在地工藝創作貼近生活的實用工藝品。<br />
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The bamboo fountain pen is made of natural bamboo, finished with natural lacquer, and brass parts. The bamboo material is sourced from central Taiwan, and hand crafted by a local studio. </div>
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<span style="font-size: large;"><b>小椅子</b></span></div>
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為成長中的小孩設計的椅子。隨著小孩一天天長大,要更換的物品很多,對環境資源都是很大的挑戰,如果物品不使用後,希望可以有其他的利用價值。<br />
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This little chair is designed for children. As kids grow up, many items need to be replaced. Resources are limited in our global environment and we would like to find a better way to utilize what we have.</div>
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<b><span style="font-size: large;">銀鼎新芽杯壺組</span></b></div>
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銀鼎載新芽, 綠葉沁芬芳。</div>
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融合傳統銀工藝與現代設計手法, 老工藝新詮釋。</div>
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可以當茶杯與茶壺使用, 並且在放入飲品後, 可以欣賞銀工藝透過液體曲面折射產生的變化。<br />
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Traditional silver craft combine modern desing technique make the old craft with new face.</div>
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This product is a teapot set, when the color of tea put into the cup, users will enjoy the refraction between silver craft and glass.</div>
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<span style="font-size: large;"><b>竹手環</b></span></div>
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此設計為採用環保素材的“竹手環”構造,竹皮的質感不亞於“皮革手環”,把竹手環的風雅帶著走吧。竹,四君子之一,淡雅高潔,以它的雍容大度,折服古今文人的心。</div>
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此設計為採用環保素材的“竹手環”構造,竹皮的質感不亞於“皮革手環”,把竹手環的風雅帶著走吧。<br />
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Bamboo is a symbol of the harmony between nature and human being in ancient China. Chinese designated the plum, orchid, bamboo and chrysanthemum as "four gentlemen”. </div>
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The bamboo is considered a gentleman with perfect virtues. It combines upright integrity with accommodating flexibility; it has the perfect balance of grace and strength, or the Yin and the Yang. </div>
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Bring in the bamboo spirit with you by wearing this bamboo bracelet.</div>
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<span style="font-size: large;"><b>水影杯</b></span></div>
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風掠樹影, 水映南柯.</div>
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傳承保留具歷史文化價值的圖案,同時品研將其整合至新產品設計上。</div>
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分成蓋子,茶膽 與 杯身三部分, 放入茶葉沖泡後, 可一邊品嘗茶飲, 一邊欣賞茶膽與杯身上的傳統圖案。<br />
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Pinyen Creative Inc. integrate the patterns which are historical and cultural into new product design for passing down and retention.</div>
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This product is a tea cup, when the color of the tea covers the illustrations surrounding the cup, that means your tea is ready and you can taste the tea and enjoy the beautiful traditional patterns.</div>
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<span style="font-size: large;"><b>光蕈</b></span></div>
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光蕈是用來盛置光的容器。以蕈為名,以三足鼎立,以溫潤的瓷胎滲出溫柔的光,滿溢的明亮從倒置的器口流淌出來。在桌上擺置幽浮般的小蕈,木質的腳吸取來自土地的能量,傳到蕈冠。如一株雨後土中冒出來的小植物,默默地照亮一桌的寧靜。<br />
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Light Mushroom is a container for light. The glowing Mushroom illuminates through the translucent porcelain and stands on three wooden legs, like an ancient Chinese container “Ding”. Placing on a table, Light Mushroom sprouts from where it is rooted, as a fungus absorbs energy from the root to the cap. The cap lights up the table and creates a miniature scene. </div>
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<span style="font-size: large;"><b>線加工</b></span></div>
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台南早期為成衣加工業的重鎮,針車線扮演著很重要的角色.利用早期綑織帶的手動機具,將線透過加法式的塑形結合製生活產品上。<br />
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Tainan was a main city of garment processing in Taiwan, and thread played an important role during the time. Using an old machine that was used to bundle ribbon to combine thread and lifestyle products together.</div>
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<span style="font-size: large;"><b>米量</b></span></div>
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「米量」表示米的數量,也是煮米的容器。包裝設計強調個人亦可輕鬆享受台灣各種米,以大家熟悉的電鍋造型吸引消費這青睞。<br />
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Rice Cup is the container for measuring, cooking, and serving rice. packaging design emphasized a person can easily enjoy different verity rice of Taiwan, and the Rice Cup can be cooked in the rice cooker. </div>
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<span style="font-size: large;"><b>氣</b></span></div>
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氣是一個線香的容器, 利用擺動的方式創造氣流讓線香的香氣和煙霧能隨著這個氣流流動。<br />
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Qi is a device for incense. When gently swaying Qi creates airflow to release the incense fragrance and helps suffuse the desired space. </div>
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<span style="font-size: large;"><b>平衡之翼</b></span></div>
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在天願做比翼鳥, 美食當前各分飛。</div>
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以沖壓方式打造三支叉子大略的型體,再以手工細修其邊角與曲面。使用時可以讓三人共分享一份食物。叉子的尾端較大的圓弧面,可用來食用冰淇淋類或是膏狀的甜品。這組食具可以組合成一隻平衡鳥,在視覺上以及使用上提供無限玩味。</div>
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趣味設計小食具, 三支叉子&湯匙可以組合成一支平衡鳥。<br />
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This design idea of the fork set is from Taiwan folk game: balance bird. Each part is a small fork for fruit or icecream, and compose the three parts will become a balance bird.</div>
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<span style="font-size: large;"><b>傳承</b></span></div>
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磨石子地板常見於舊式建築中,雖然現代已少見,但在傳統映像中仍是一種對"家"的記憶。將這素材放入太陽眼鏡不僅是擷取它的冰涼感,也是對家的依戀。</div>
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外盒〝家書〞一樣是取自遊子對家的思念之情,古蹟的線條象徵家鄉,台灣眼鏡製造起源於台南,這都有其歷史意義,也是傳承的開始。<br />
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Terrazzo, used to be in old Taiwan buildings, is a symbol of home in many people's memory. So we put this emotion in our designed sunglasses. Besides its cool material feature, it also symbolizes people's homesickness.</div>
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The overwrap "Letter From Home" is from the same idea. The lines of Tainan historical buildings are our homeland. The beginning of glasses manufacturing is in Tainan. So this design has its historical meanings.</div>
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<span style="font-size: large;"><b>來去七桃</b></span></div>
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那條巷弄、那間餐點、那個微笑,旅途中總是充滿驚奇與未知,讓我們帶著一台相機、一只錢包、一隻手機,就能裝載滿滿的回憶。</div>
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<span style="font-size: large;"><b>留住味道-醬油碟</b></span></div>
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早期玻璃窗所使用的是壓花玻璃,將壓花玻璃的紋路重新詮釋,轉化運用在醬油碟上,透過沾醬的動作讓紋路更加浮現,讓早期的文化美學與歷史記憶能夠保留下來。<br />
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Early windows used is embossed glass, patterned glass lines will reinterpret, conversion and application in the soy sauce dish, sauce through the action so that more lines emerge, so early cultural aesthetics and historical memory can be retained.</div>
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<b><span style="font-size: large;">輕盈隨行</span></b></div>
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藺草編織與皮革結合,可收納鑰匙、錢包等重要物品,懸掛在腳踏車橫桿,也可接上背帶隨身攜帶,將運動時的負擔減至最低。<br />
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Leather and rush weaving frame bags attach directly to your bike without a rack, so you obtain the benefits of moving weight from your body to your bike. Frame bag is an ideal place to store wallet, keys, and phone, and it is easy to put on and to take off as you zip around the city or head off the beaten path.</div>
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<span style="font-size: large;"><b>微笑君</b></span></div>
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使用親膚性與隔熱性佳的藺草材質製作暖暖包,達到溫熱舒緩身體不適的效果,為了讓大家加深對藺草特色的認識,包裝取用堅韌的三角結構凸顯出藺草特徵。<br />
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Miss Smile is a heat insulation bag which is hand weaved with skin-friendly material-Triangle Rushes. An inner cotton bag filled with red beans can be placed in a microwave oven and reheat many times. Heated cotton bag should be placed into Miss Smile. For the reason to deepen people's impression of Triangle Rush, The packaging design emphasized the tough characteristic of Triangle Rush.</div>
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<span style="font-size: large;"><b>童趣屋</b></span></div>
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想找出小時候玩香時的記憶,將香舉起然後快速下拉,就可製造出煙圈狀白煙,常常看著煙圈形狀的變化。</div>
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煙圈結合房屋外形,煙囪冒出一朵朵白煙,宛如置身於童話故事中。</div>
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<a href="http://3.bp.blogspot.com/-sLAjmfUHIT8/VdLWMqXxBeI/AAAAAAAACb8/bPygN_s8xoI/s1600/%25E8%25A6%258B%25E6%259C%25AC.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="480" src="http://3.bp.blogspot.com/-sLAjmfUHIT8/VdLWMqXxBeI/AAAAAAAACb8/bPygN_s8xoI/s640/%25E8%25A6%258B%25E6%259C%25AC.jpg" width="640" /></a><b><span style="font-size: large;">層盛</span></b></div>
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設計概念是解決餐桌、茶几或書桌上的物品,可容納入書籍、ipad、手機等等日常用品,將其錯落有致擺放,使其一目了然。</div>
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運用不鏽鋼與皮革所設計出多層次的盛裝空間。盛裝物品之後呈現出「豐富」、「豐盛」的多層次樣貌。</div>
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Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-2032793006611963702014-08-30T23:09:00.003-07:002014-08-30T23:10:57.719-07:002014 點・心設計邀請展-見本 Fundamentals<div class="separator tr_bq" style="clear: both; text-align: center;">
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<b> <span style="font-family: Times, Times New Roman, serif;"> 2014「點・心設計邀請展」-【見本】</span></b><b><span style="font-family: Times, Times New Roman, serif;"> 2014 Dian Shin / Design Exhibition - Fundamentals </span></b><br />
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<span style="font-family: Times, Times New Roman, serif;"><span style="color: #666666;">「點・心設計邀請展」開始於2006年,以設計策展,集合來自全台各領域的設計師共同參與,透過設計作品反應主題,嘗試以不同的題材與台灣的生活文化對話。自2011年在台南的策展-「五十禮」及「五十禮+」,感受到一股熱烈支持原創嘗試的力量,而在去年的「寶用」起,主題回歸至最基礎的生活當中,找到未來更有品質的生活方式,表達出我們對生活的美好想像。具台灣觀點的設計,不再只是設計師心中的海市蜃樓,而是一股能集眾人之力,開啓更多未來可能的能量。</span><span style="color: #666666;"><br /></span><span style="color: #666666;">邁入第八年的「點・心」,以「見本」為展覽主題,邀請大家一起探見設計的根本。 「見本」一方面致力將概念表達為完整的商品,展出作品都已如「樣品」般成熟;另一方面也不要忘記設計創作的根本價值,真誠面對設計的社會職責,是要真實地提升人的生活品質,讓社會朝向品質與品味兼具的生活邁進。<br /> </span><span style="color: #666666;"><br /></span></span><span style="color: #666666;"><br /></span><span style="font-family: Times, Times New Roman, serif;"><span style="color: #666666;"><br /></span><span style="color: #666666;">“Dian Shin / Design Refreshment” established in 2006, was set up to explore subjects of local culture and life. It gathers passionate designers around Taiwan with the same vision of an explorative topic through such annual design exhibition. During our curatorial programs from 2001 in Tainan, “Fifty Manners” and “Fifty Manners Plus”, we have received great support from our participants o the originality of designers’ works. Last year, the theme “Treasure Trove” showcased practical and aesthetic design of common items for daily use. We also hope to redefine the basic design in things that we might easily ignore or take for granted. Design from a Taiwanese point of view is no longer a mirage which only existed in a designer’s mind ; It unites the strength from people to continue realizing its full potential.<br /> </span><span style="color: #666666;"><br /></span><span style="color: #666666;">“Dian Shin / Design Refreshment” has officially entered its 8th year. The purpose of this year, fundamentals, is leading users to comprehend the value of our products and the fundamentals of design. Not only quality is concerned but also its positive influence on our daily life.</span></span></blockquote>
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<span style="font-family: Times, Times New Roman, serif; font-size: x-small; font-weight: normal;"><span style="color: #cc0000;"> 展覽時間│8/29(五)~9/28(日) 09:00-17:00</span><br /> 展覽地點│文創PLUS-臺南創意中心(原愛國婦人館,臺南市中西區府前路一段197號)<br /> Tainan Creativity Center<br /> No.197, Sec. 1, Fuqian Rd., West Central Dist., Tainan City 700</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-small; font-weight: normal;"><br /><span style="color: #cc0000;"> 展覽時間│10/03(五)~10/12(日)</span> 展出時間:週日~週四:10:00~18:00(17:30 停止入場)<br /> 週五~週六:10:00~21:00(20:30 停止入場)<br /> 展覽地點│台灣設計師週 - 設計概念創作展<br /> 松山文創園區:北向製菸工廠 1F(台北市信義區光復南路 133 號)<br /> Taiwan designers’ week - Concept Show<br /> Songshan Cultural and Creative Park: Tobacco Factory<br /> No.133, Guangfu S. Rd., Xinyi Dist., Taipei City 110</span><span style="font-family: Times, Times New Roman, serif; font-size: small;"><br /></span><span style="font-family: Times, Times New Roman, serif; font-size: small;"><br /></span><br />
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Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-78705666220357639952014-07-08T19:00:00.000-07:002014-07-08T04:13:21.995-07:002013「點‧心設計邀請展」【寶用】/ 2013 Dian Shin Treasure Trove<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #444444;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">「點‧心設計邀請展」原旨在以設計策展,探索本土生活與文化的相關議題。在歷經多年發展後,逐漸朝向以「設計」促進城鄉文化意識與生活美學創新。同時設計師參與的實質精神,也由個人發抒設計想法,有意識地轉化為具品牌意識的原創實驗場。</span></span></blockquote>
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<span style="color: #444444;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">2013年「點.心」以「寶用」為題,持續深耕台南。 台灣文化大多是 融於日常的生活片段,透露著鮮活的生命力 ,在理解與珍惜外,適當的轉化,妥善予以保存與運用。回歸生活最基礎的「用」,為自己找到未來更有品質的生活方式,創造出值得珍惜的永續價值,這好像也該是我們設計師對待文化創新的觀點。正如在青銅器物銘文上常見的「子子孫孫永寶用」,在叮嚀聲下透露出對當下生活的得意之情,以及幸福永續的祈願。「寶用」是我們對台南的態度與心情,也是對我們作品的永續期許。</span></span></blockquote>
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<span id="yui_3_7_2_1_1372735410406_2001" style="font-size: x-small; letter-spacing: 0px;">2013 Dian Shin / Design Refreshment keeps focusing on Tainan for our third year.</span></div>
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<span id="yui_3_7_2_1_1372735410406_2001" style="font-size: x-small; letter-spacing: 0px;">The adhering theme for all participating designers is "Treasures of Tainan," showcasing practical and aesthetic design of common items for daily use. We also hopes to redefine the basic design in things that we might easily ignore or take for granted. As the phrase, "May descendants forever treasure and cherish them" expresses the hopes and bless of the ancients when it came to family heirlooms, it is also our attitude toward Tainan and our design works.</span></div>
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<span style="background-color: white; font-size: x-small;"><b>展覽時間│<span style="color: #b45f06;">8/23(五)~9/22(日) 09:00-17:00</span></b></span></blockquote>
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<strong><span style="font-size: x-small;">展覽地點│<span style="color: #b45f06;"><span id="yui_3_7_2_1_1372928002709_1930" style="color: #333233; letter-spacing: 0px;"><span style="color: #b45f06;">文創PLUS-臺南創意中心</span></span><span style="letter-spacing: 0px;">(</span><span id="yui_3_7_2_1_1372928002709_1916" style="letter-spacing: 0px;">臺南市中西區府前路一段</span><span id="yui_3_7_2_1_1372928002709_1918" style="letter-spacing: 0px;">197</span><span id="yui_3_7_2_1_1372928002709_1944" style="letter-spacing: 0px;">號</span><span id="yui_3_7_2_1_1372928002709_1945" style="letter-spacing: 0px;">)</span></span></span></strong><br />
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<span style="font-size: x-small;"><b><br /></b> <strong>展覽時間│<span style="color: #b45f06;">9/27(四)~10/6(日)</span></strong><span style="background-color: white; color: #b45f06;"> </span></span></blockquote>
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<strong><span style="font-size: x-small;">展覽地點│<span style="color: #b45f06;">花博公園 圓山爭艷館</span></span></strong></blockquote>
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<br />Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-46473958170491832482014-07-08T03:57:00.000-07:002014-08-29T01:30:54.451-07:002013 寶用 TREASURE/參展作品<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Verdana, sans-serif;"><span style="color: #999999;">【日星鑄字行】以對昔日鉛字和活版印刷的傳承初心,積極</span></span><span style="color: #999999; font-family: Verdana, sans-serif;">推廣復刻正體漢字的計畫,由習字而惜字的演化過程</span><span style="color: #999999; font-family: Verdana, sans-serif;">,讓台</span><span style="color: #999999; font-family: Verdana, sans-serif;">灣下一代瞭解中華漢字的博大精深和歷史價值。</span></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">【文林堂】從一個新的視角巧妙反映昔日漢字的價值,融入</span><span style="color: #999999; font-family: Verdana, sans-serif;">常民生活的物件,對當代漢字文化具有借鑑之寶用意</span><span style="color: #999999; font-family: Verdana, sans-serif;">義。</span></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">【Ri Xing Type Foundry】With the sincere mind to deliver letterpress printing and type in old days to</span><span style="color: #999999; font-family: Verdana, sans-serif;"> next generation, Rixing is active to popularize the project to recast the traditional Chinese characters </span><span style="color: #999999; font-family: Verdana, sans-serif;">positively. While people go through the transition of learning the words to cherishing words, the </span><span style="color: #999999; font-family: Verdana, sans-serif;">broad and profound Chinese character and its history value can be passed down to the next </span><span style="color: #999999; font-family: Verdana, sans-serif;">generation.</span><span style="color: #999999; font-family: Verdana, sans-serif;"> </span></div>
<span style="color: #999999; font-family: Verdana, sans-serif;"><br /></span><span style="color: #999999; font-family: Verdana, sans-serif;">【WEN LIN TON】From a new perspective to reflect the value of Chinese character, it merge type </span><span style="color: #999999; font-family: Verdana, sans-serif;">into daily life gadget. this design from【WEN LIN TON】is a complement to modern Chinese character </span><span style="color: #999999; font-family: Verdana, sans-serif;">culture.</span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> </span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">春節時,人們往往將對於未來日子的期許和希望,寄託於張貼在家門口的紅紙上的詩句,這就是自古以來春聯所承載的文化內涵。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">將「春滿乾坤福滿門」的語意,用紙張具象的呈現出來,以圓心散花表乾坤世界,葫蘆是為福祿圓滿。立體花樣展開成為平面圖形,在仔細組裝時靜下心祈求明年的福氣及順遂,就像往日細心研墨寫出心中的祝福一般。希望在住宅型態漸漸改變的今後,這種美好的文化行為能夠藉由新的載體傳承寶用。</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">During the Spring Festival, people post spring couplets on red paper that carry good wishes for the coming year at the front gate of their house. This 3D paper, sculpture represents the meaning of the spring couplet of the“Spring Fills the World, Blessings Fill the Household.” The blossoms around the circular pant floral pattern express the space of the world, and the calabash symbolizes blessings and good fortune, words with similarly pronounced in Mandarin. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">After carefully assembling the flat pattern into a 3D figure, you can pray for good fortune and happiness in the new year at the same time, just as people write down their wishes with ink and writing brush. Though this transformation, I hope this new design can become an information carrier, and let this wonderful cultural behavior continue into the future. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>絡子杯</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「中國結」古稱絡子,為中國傳統編結藝術。中國結每一個基本結皆根據其形、意命名,並且各具有其吉祥、祝福之象徵意義。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">作品「絡子杯」,是以線材編織而成的中國結為胎,在線結上髹漆,以達到結藝與漆藝之融合,並將中國結展現於飲用杯上。圍繞杯身的紅線除富有送禮之意涵外,杯上的中國結還具有纏繞茶包棉線、防止滑落之功用。宴會裡,中國結能用作自身杯子的辨識特徵。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Chinese Knot Cup</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The Chinese knot, is part of the traditional Chinese knitting art. Each basic Chinese knot has a name according to its shape. Each one also has a unique symbolism for auspice symbolism and blessings.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This Chinese Knot Cup combines Chinese knots and lacquer art into one. On this cup, the Chinese knots is comprised of threads and lacquer. The red threads surrounding the body of the cup have the meaning of offering a present. Moreover, Chinese knots functions to avoid sliding and can be viewed as a recognized symbolism in banquets. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>吹南風</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">夏日午後,台灣吹着南風,恬靜、舒適又帶點甜蜜的炙熱感。在台南,時間可以過得慢一點,生活感可以重一點。漫步在大樹下、小巷口,帶把小扇子,藉著你的手讓南風繼續輕拂,並將台南的風氣帶到生活中。我們希望透過這些清涼的小扇子,讓你浮躁的的心靈沈澱一下。也許,離開過度舒適的生活,才能享受寧靜的沁涼。帶點甜氣的南風,正在發生。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>fan NO.1</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Away from those over- convenience city lives, we embrace and respect life style from the old times. Turn off the air condition, back to the old fashion; we talk about life in Tainan. And enjoy breeze brings from Tainan. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">在我在地台南人的生活經驗裡,屬每個新年寺廟參拜和求得新的福氣/護身符貼身攜帶最深入記憶。當思考身為台南人(屬馬)想贈與友人的寶,便覺得想製作一讓人把好福氣貼身攜帶的物件,於是發想出用小馬兒當主角諧音“馬上,”結合台南的地名和中文字排列不同閱讀方向便造成的祝福語,一如:右讀到安平,左讀平安到。再加入我喜愛的台南傳統產業-刺繡的元素,便是我為親愛的你來親愛的台南而獻上的寶。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Good Luck Package Immediately </b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As a Tainan resident (born in year of the horse), I wanted to make an easy-to-carry good luck present for friends, incorporating the theme of “horse”, which is a homonym for “immediately” in Chinese. The characters of Tainan place names are arranged to form blessings if read from various angles. For example, the characters for “Anping”, when read in the opposite direction form the word for “Peace”. I then added elements of my favorite traditional Tainan handicraft, creating a little treasure for my favorite people - you; from my favorite city - Tainan.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「茄苳入石柳」是早期台南傳懂嵌木技法,為傳統家具之代表特色。應用兩種不同顏色之木材做為視覺上的對比差異,先在較深色的基材上挖鑿繪圖案線條,以較淺色的嵌木凸嵌在線條圖案上,使其浮起於平面基材上的裝飾做法。因此,利用兩種不同顏色木頭鑲嵌再一起,將對比色分割成男女剪影,比喻夫妻之間恩愛包容,可做成結婚用印。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Couple Seals</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Shi-Liu in Jia-Dong is a commonly wood inlaying technique used in the creation of Tainan traditional furniture. To tack advantage of the contrasting effect of two different wood colors, the craftsmen select woods with different colors and grains as materials, and carve the lines of a given pattern on the wood of the darker color, and inlay these lines with the wood of lighter color. The whole wooden decoration is then embossed on the surface. The silhouette of a couple using two contrasting colors inlaid with each other symbolizes the love between husband and wife. It can be used as a wedding seal.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「毛筆」是文房四寶最具代表性的文具,「胎毛筆」在傳統台灣文化中,是嬰兒滿月時,剃髮所做成的筆。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">因此,設計師在毛筆中另藏一支胎毛筆,除了具有實用功能外,也可紀念這個美麗而重要的時刻。它是小寶寶出生的第一個紀念禮物,也是父母親表達對小孩的期許之情,精緻的筆盒也可當作硯台、筆架與紙鎮使用。如同「寶用」的概念,永遠留存。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Pen Within a Pen</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">“Calligraphy pens” are the most fundamental stationery item of the “Four Treasures in the Study.” In the traditional culture of Taiwan, parents make a calligraphy brush using the hair of their newborn baby, in order to commemorate this wonderful and joyous moment. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Our designers have incorporated a baby hair calligraphy into this calligraphy pen to serve as a baby’s first commemorative gift, filled with the best wishes of their parents. This exquisite pen box can serve as ink stone, penholder, or paperweight, and is sure become a family heirloom.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">在台灣的老房子中,「磨石子地磚」一直都是建築的經典元素之一,然而,它因為繁複的工法及環保的問題日漸式微。因此,我取用了磨石子所呈現的特殊圖案,創作出各式日常用品,如:絲巾、抱枕、坐墊等,重現它們昔日的美麗。將軟材質輔以不同的填充物,以反差的手法重新表現記憶中的硬質材料。或是擷取其配色圖塊,化身為現代的時尚配件。從此那熟悉的磨石子印象不再只是建材,而是以環保友善的姿態進入了我們的生活。</span> </div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Terrazzo Cloth-cushion</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Terrazzo floors are one of the key classic elements of traditional houses in Taiwan. However owing to its complex construction and related environmental problems, it is rarely seen these days. To revive this traditional beauty, I make my daily products, such as silk scarves, throw pillows and, cushions with the special patterns of terrazzo. To create a contrasting effect, I use soft materials stuffed with soft fillings to “re-present” terrazzo, the once hard material in our memory. Moreover, I use its patterns and colors to make fashionable and trendy accessories. Terrazzo is not only a kind of building material it can become part of our daily life in an eco-friendly way.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「茄苳入石柳」是台南兩百多年前的傳統工藝,它結合木雕技藝及線鋸(丟丟銅),將深淺不同的木頭鑲嵌雕琢,在台灣傳統傢俱中扮演了十分經典的角色。設計師讓傳統手工藝結合日常生活的實用功能,利用工藝中的深淺木頭質感結合優美的線條體現於木盤上,『寶留』這個十分具有價值且美麗的台南傳統工藝,以工藝置入生活,將傳統融入現代,透過生活的實用讓傳統工藝被需要而得以『寶留』下來。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Treasure Hold</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Shi-Liu in Jia-Dong’ was a kind of inlaying technique typical of Tainan furniture around 200 years ago. Combining wood-carving and sawing technique, ‘Shi-Liu in Jia-Dong’ used the natural colors of wood to create attractive designs which became the characteristic feature of Taiwan furniture. To integrate this art with practical functions in our everyday life, our designers make wooden plates with fine lines, decorated with different wood colors and textures. Our valuable and beautiful, Treasure Hold decorates life with art and infuses modern times with tradition. Through Treasure Hold, we hold a traditional treasure with the practical value. </span></blockquote>
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<a href="http://2.bp.blogspot.com/-54BHiSwkNUg/U7uq2DT9hRI/AAAAAAAACKw/MxfJFK5muUM/s1600/%E7%B6%9C%E5%90%88%E6%8B%9B%E8%81%98%E5%BB%A3%E5%91%8A%E8%A2%8B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-54BHiSwkNUg/U7uq2DT9hRI/AAAAAAAACKw/MxfJFK5muUM/s1600/%E7%B6%9C%E5%90%88%E6%8B%9B%E8%81%98%E5%BB%A3%E5%91%8A%E8%A2%8B.jpg" height="536" width="640" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>綜合招聘廣告袋</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">設計靈感來自台灣本地報章的分類廣告。台灣傳統報章雜誌與海報一直是代表台灣傳統意向的經典,五零年代的台灣,無論在冰菓室、小吃店或候車亭的牆壁上,都可以見到其豐富鮮艷的色彩與生動活潑之編排。在文化蘊存的台南,亦保存了許多經典的電影海報與分類廣告,縱使經過時光的刷洗,仍然聲韻猶存。以此為概念發想,設計師將分類廣告獨有的顏色和排版方式,重新轉化詮釋,將平時常見或聽到的用語幽默地表達出來。 </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Taiwan Tote Bag</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This design is inspired by classified advertisements found in Taiwanese newspapers,</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">expressing their everyday sense of humor through unique colors and typesetting.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>工地酒杯</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">男子漢的下午茶,就是保力達或維士比,加上維大力或是莎莎亞椰奶。簡單來說,這是一種專屬勞工朋友的雞尾酒,而往往勞工朋友們會使用白色塑膠杯,來做為飲用的容器,這也是台灣社會裡獨具特色的一抹風景。我想把這種阿莎力的氣氛帶回到我們的日常生活中,原本的白色塑膠杯長了個腳座,襯托出男子漢的不凡品味,而這混雜著男子漢的優雅與生活的風景的「工地酒杯」,也讓餐桌多了點不一樣的味道。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Construction Site Glass</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Paolyta B or Whisbih mixed Vitali are kind of energy drink for laborers to drink while they are working. Workers usually use a white plastic cup as a container to drink this kind of“cocktail, “I wanted to take this kind of scenario back to our daily life. When a white plastic cup is given a stand, it acquires an air of elegance which contrasts with the otherwise macho world of the manual laborer. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>謝籃</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">偶然在茶席中見茶人擔起謝籃承裝茶席用品,便想為這舊器物創造現代的版本。此盛裝容器,舊時不僅用來裝載各式儀典中的器物,也用在日常生活裡,型小者為器皿可手提,型大為家具可肩擔。現代版的謝籃,保留其基本的型制與盛裝搬運的功能,用現代的工法與隱約的在地設計意象,讓謝籃重新進入生活。在日常的使用中感受工藝的溫度與常民器物的美感。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Thanking Basket</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This“Thanking Basket” design is inspired by the traditional thanksgiving baskets used in tea ceremonies. The tea master used to use a shoulder pole to carry thanking baskets full of tea brewing utensils. In the old days, it was a common container for both ceremonial occasions and daily use. The large ones functioned as movable furniture, and smaller ones more like containers. This modern version of a thanking basket applies new manufacturing processes and subtle local design elements, while retains basic framework of the original design. By reintroducing the basket to modern life we hope, the beauty of craftsmanship in ordinary objects can be appreciated. </span></blockquote>
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<a href="http://1.bp.blogspot.com/--2Socu8mbhk/U7utMk1SCuI/AAAAAAAACLM/zQeWGpixKsE/s1600/%E8%88%8A%E6%9B%B8%E5%8C%85%E6%94%B9%E9%80%A0%E5%9D%8A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/--2Socu8mbhk/U7utMk1SCuI/AAAAAAAACLM/zQeWGpixKsE/s1600/%E8%88%8A%E6%9B%B8%E5%8C%85%E6%94%B9%E9%80%A0%E5%9D%8A.jpg" height="536" width="640" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>舊書包改造坊</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">古都台南總是能從舊的事物中將美好的價值延續下去,或是從中演繹出適於現代生活的新感官體驗。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">近年來,各式各樣的老房子改造,不僅呈現視覺上新舊和諧交融的美麗,也不斷從現代文明沈澱出質樸實用的生活價值。帆布書包是大家讀書時期的美好記憶,我將台灣每個學生都擁有的帆布製學校書包,注入新的元素,重新詮釋,讓畢業後書包的紀念收藏更有意義。就像台南的老房子改造一樣,原本的老靈魂,有了新生命!</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Old Schoolbag Reconstruction Workshop</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As a traditional city, Tainan is always able to preserve the great value of old things, or evoke a new sensory experience from them which is adopted to modern living. Various reconstructions of old houses not only represent the harmonious intersection of old and new, but also reveal the simple and authentic values of modern civilization. This canvas schoolbag, which every Taiwanese student has, is reinterpreted by infusing new elements into it. In this way it makes the schoolbag even more meaningful after graduation - becoming a memorable collector's item. Just like the reconstruction of an old house in Tainan: an old spirit is given a new life!</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">曾祖母那老舊卻優雅的架子床,是我小時候最深、最濃厚的回憶,而其複雜卻精緻的夔龍床腳,是在我腦海中揮之不去的美麗印象。某次返家,發現老家的角落仍然遺留著這個美麗卻已破損的架子床,憑著美麗記憶的印象,透過重新組合與重建,讓它成為現代的生活物品。也提醒我們,不可遺忘那段無法重拾的老舊時光,透過夔龍床腳每一個精細的刻紋,不斷緬懷與回味那越陳越香的歷史與回憶。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Memories of the Kuilong Dragon</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Grandmother's canopy bed is one of my most vivid childhood memories. The“Kuilong”foot of the bed was an important feature. With some repair and reconstruction, it has become a useable item again, reminding us not to forget the history and memories of bygone days.</span></blockquote>
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<a href="http://4.bp.blogspot.com/-isnNYHdTu5g/U7uuS3111ZI/AAAAAAAACLc/ZeeZDlsTZZI/s1600/%E8%BE%B2%E7%94%A8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-isnNYHdTu5g/U7uuS3111ZI/AAAAAAAACLc/ZeeZDlsTZZI/s1600/%E8%BE%B2%E7%94%A8.jpg" height="536" width="640" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>農用</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">早期農用工具是農人們為了生存,在生活中非常重要而不可缺少的工具,因為有這些工具,才能種植出健康的作物,成為每天餐桌上的美味菜肴。但在現今物質發達生活便利的時代,我們不再有這樣的經驗與回憶,但我們不可以忘記,是因為有了這些簡單確實用的工具,我們生活才得以變成如今的豐富美好。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">因此,將農具意象轉化為餐桌燈具,讓人們在享用美食時,憶起農人們曾如此辛苦的揮汗種植作物,讓我們更懂得感恩與珍惜。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Farm Light</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Early agricultural tools were indispensable to food production,We could have food on the table only because farmers were able to utilize these tools.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">But in the modern era, people do not possess these kinds of memories. Through the use of these simple tools, life is enriched and becomes better. These table lamps remind us that while we are enjoying fine dining. farmers have been using these tools in plantations and trying to nourish us. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">方塊几凳的設計概念,來自傳統台灣文化中,因空間狹小自然而然所形成的桌椅使用習慣。透過不同高低茶几的自由組合與搭配,使用者自己就是設計師,組成了不同高度、不同形狀的桌子或椅子,提供多元的展示方式與不同的使用方法,呈現不僅只是傢俱,亦是展示架的功能設計。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Cube Case</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Made from old Hinoki wood and taking advantage of its true texture and beauty, these chairs can be arranged into various appearances. The design concept of cubic chairs is derived from the traditional culture of Taiwan—especially the custom of arranging narrow spaces to appear larger.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Through freely mixing and matching chairs of different heights, users become designers themselves. With various display functions, our cubic chairs are not just fabulous furniture but also wonderful display frames.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>窗的風景</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">在臺南,傳統巷弄中的鐵窗十分吸引人,簡單的材料與精緻的加工,讓它散發出不同的古老而沈著的美。而和其單純相襯的是,數十年來的安靜,在歷史悠久的台南街道,組合成一幅單純且美好的景色。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">我嘗試在老鐵窗上放入新的活力,與生活息息相關的活力。直接讓改變發生在老物件上,希望藉由日常生活中,人們真實的使用,讓老或新,皆能繼續這份單純而美好。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Aged Windows, Vital Spirit</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Tainan’s aged windows with iron grilles are very attractive. These aged windows conjure up images of old houses, in narrow lanes. Such scenes are beautiful. I have tried to make some objects that have a direct relationship with daily life, and put them on the aged window frame. By making the aged windows more apparent in our daily life, I hope the scene of tranquility and beauty can be preserved.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">設計師希望能主動減少垃圾掩埋的行為,對“Will Be”的設計堅持,手工精心製作、當地生產,從廣告帆布回收的材質使每個袋子成為獨一無二, 且對環境有益。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">為了滿足人們旅程中要攜帶各式東西的需求,我們的袋子比大多數袋子的容量大,並著重可調整背帶達到單雙肩都舒適的設計訴求。 袋子的內層加上防水處理的棉帆布使其更堅固,而內部空間利用魔鬼氈的隔板提供隔間,水壺甚至電腦都可以安置。在袋子外面的兩側有一系列的小口袋,方便拿取隨身小物件。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Big Willy and Little Mombo</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Our bags are hand crafted and produced locally. Made from recycled advertising material, each bag is unique, a one of a kind visual statement whose production is a proactive act, designed to reduce the amount of waste reaching landfills. Its waterproof, vinyl sheath is reinforced with a sturdy cotton canvas interior and makes for a great traveling bag. Inside, its roomy interior can be divided with Velcro into two compartments, providing a better organizational experience. Each bag has a built in water bottle holder, and a padded computer compartment fastened with straps to keep your computer snug and safe. On the outside is a series of small pockets that provide secure, easy access for everyday items, such as keys, cell phones, sunglasses or spare change, so no more rummaging around the bottom of a cluttered bag. We designed our bags to be both practical and aesthetically pleasing. Because, we believe that objects define cultures, and the ways they are used define the cultural value system therein. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">台南孔廟有著全台首學的稱號,一磚一瓦培育了許多文人賢士。本設計以「習字磚」這件代表著教育傳承的傳統器物為發想,取名「磚薪」,除代表要專注學習外,更有薪傳之義,以呼應本次主題「寶用」之傳承器物。本設計案與台南六甲鄉頗具歷史的瓦窯廠「居廣陶」合作,九宮格習字磚除可信手拈來學寫字外,亦可當一般吸水杯墊使用,長久使用後磚頭材質會在表面產生時間的磨蝕紋理,用越久越有古樸之味!是件可以永流傳的「寶用」器物。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Learn</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Tainan Confucius Temple is famous as the first school in Taiwan, and many Taiwanese scholars have been cultivated under its bricks and tiles. This design was inspired by a traditional utensil called a “penmanship brick,” which represents our educational inheritance. We named it “Zhuan-xin”which creates a pun from the similar pronunciations of the words for “brick”and “concentrate”in Chinese. “Zhuan-xin” not only stands for the concentration of learning, but also means inheritance, and this name also responds to our theme─ heritage artifacts which are “practical”.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The “penmanship brick” can be used to practice hand-writing skills, and can be used as a coaster as well. After long-term use, abrasions will appear on the surface of the brick’s material. The longer we use it, the more quaint it will become. It is definitely an artifact which can be handed down from generation to generation.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">夕陽漸漸落山,西邊那頭是一道紫的橘的燦爛;窄巷外掛上紅的燈籠,綠的褐的空瓶已經排排站在地上,划酒拳的喊聲一來一往…府城,是興致高昂、飲酒快樂的好所在。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">喜歡喝酒,時常與好友無話不談、把酒言歡,飲酒時刻對我是享受與休息,想把時間停在那溫暖又親切的美好時光,每一刻都值得紀念!「開瓶憩」以回收酒瓶製作,保留每次歡聚的回憶,除了再開啟下次的歡樂更打開每顆想要放鬆的心,是舊物回收的嶄新生命和台灣活潑飲酒文化的創新結合。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>New Life Opener</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Tainan is famous for its vibrant culture of merry drinking and high spirits. In this city, drinking with others is not an activity reserved for celebrations or ceremonies, but rather something often done purely for enjoyment and respite. Every cheerful moment of drinking is worthy of being valued and preserved. This ‘New Life Opener’ is made of recycled beer bottles to retain cherished memories of friendly reunions. It creates more pleasant times by opening more beverages. ‘New Life Opener’ integrates the idea of reusing discarded materials into Taiwan's lively drinking culture.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「米量」是量米杯,也是煮米的容器。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">「米量」表示米的數量、量米用的杯子、還有糧食的「糧」, 也體現台灣以米為主要糧食的文化特色。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">「煮一人份的飯真的很傷腦筋!最好每天都能吃不同的米!」</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">大包裝的米以及大容量的電鍋很難滿足單身或小家庭的生活需求,這啟發了我們使用在地風味的稻米,包裝一次可以煮出一碗飯的半杯米,在台南種植的四種品種米(台南11號、台農11號、台梗9號、和越光米),其白米和糙米的口感,剛好滿足我們七天吃遍台南米的想法。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Rice Cup</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This Rice Cup is for measuring and cooking rice. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Try the taste of these different varieties of rice from local farmers in Tainan. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">It is easy to measure, rinse, and cook rice with the Rice Cup . Just add a half cup of rice into the Rice Cup, and then gently stir, rinse, and drain the rice two to three times. Fill up the other half cup with cold water, and then place it in a steamer for 15 minutes. Eventually a bowl of cooked rice, which normally serves one person, will be done. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I would like to give special thanks to the bamboo craftsman, Young-Wang Chang, and his assistant, Huei-Ting Tsai for offering their unique knowledge and technical support with the bamboo; the local bamboo factory Mei Zhu for laser engraving services; and some local farmers in Tainan for different kinds of rice.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">懷念依在窗邊,陽光灑落,享受片刻寧靜的氛圍。將閱讀的過程融入光、悠閒、寧靜等元素,結合老鐵窗的幾何形式呈現「喜」字,讓我們在悠閒的午後,一起享受「靜」、「定」、「悅」的歡愉。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">賦予陳舊的檜木全新的生命,以圖騰與自然營造的氣氛傳達老物欣力的自然肌理與美感,並且透過使用者的使用方式,它將呈現不同的面貌,在角落裡靜靜的站放光芒。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>In Zen</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Do you miss the days when we, sat by windows bathed in sunlight and enjoyed the moments of tranquility? Why not add some light, leisure and peace to your reading hours with our old iron window grill? The grill forms the shape of the character “X,” which means “happiness.” Let’s enjoy the pleasure of quietness, peace, and delight in every free hour of the afternoon.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>騎食台南</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">我們再次跨上單車,隨意自在的在台南的巷弄中穿梭,以悠哉輕鬆的步調,從大街到小巷,從老市區到新建築,用口鼻將台南的味道、飲與食內化;用雙腳輕輕踩踏單車,留下悠閒的軌跡;用眼睛紀錄府城的人文風貌,深深映在腦海中,放鬆的沉浸在台南特有的氛圍之中,與身邊的景物融為一體,彷彿就是台南街景中的一部分,逍遙自在。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Bike and Bite and More</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Hopping on the bike once again</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">pedalling spontaneously</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">from boulevards to back alleys</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">from the old town to new buildings</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">discovering the best kept secrets</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">pampered by local flavours</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Immersed in the city with a smile on the face</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>拼板豬公</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「儲蓄是一種美德」,相信大家從小到大都有過各式各樣的撲滿小豬,雖然過程總是充滿曲折與煎熬,時常會有各種理由忍不住偷偷把錢幣挖出來,但最大的成就與樂趣就是等到殺豬公的時候。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">「拼板豬公」將平面的板材組合成為立體的豬公撲滿,以卡榫的方式形成穩固的架構,適當的間隙,使零錢不會掉出來,也可以看見小豬一天天養胖的過程。重要的是要取出錢幣就得打散、重新再拼一次,考驗著智力與耐力,藉此可以減少偷殺豬公的衝動。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Puzzle Piggybank</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">"Saving is a virtue." I believe most people have owned piggybanks of all sizes, from small to large. It is a moment of great achievement and pleasure when one "slaughters" the piggy bank. Of course, it’s always a moment of suffering when one tries to hold back the impulse to dig the savings out. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This "Puzzle Piggybank" forms a 3D solid structure using plates and tenon-mortise joints. The leak-free design with proper slits secures the coins, ensuring they don’t fall out. And due to its hollow structure, the owner can watch money in the piggybank growing day by day. Most importantly, the whole structure must be dismantled completely in order to take the coins out. A test of intelligence and endurance will be started again. The idea is to reduce the urge to "slaughter" the piggybank.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>府城‧成人禮茶罐</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">七夕節「奉茶,尊親感恩」,為府城做十六歲家庭的習俗活動之一。藉由兒女行成人禮儀式,沖泡一杯茶向父母親奉茶感謝養育提攜之恩,聽聽父母親的叮嚀與期許,一同慶祝邁向成年的喜悅。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">循此成人奉茶感恩禮儀推出「成人禮茶罐」,在內蓋頭的小七娘媽亭廟宇之造型設計為祈福「平安.成長」的象徵,充滿了文化味、感恩心與成長的責任意義,讓台灣傳統工藝設計成為表彰尊親感恩之孝心精神的傳家之寶,歲歲永寶用,年年恆珍藏。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>FuCheng Coming-of-age Rite Tea Jar</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In Tainan (traditionally knownas FuCheng), children who have reached 16 years of age engage in a tea serving ceremony during Qixi to show respect and gratitude toward their parents. In this coming-of-age ritual, children serve parents a cup of tea to express their gratitude for their upbringing and guidance. They listen to their parents’ exhortations and expectations and celebrate the joy of moving into adulthood together.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">To accompany this tea serving ceremony, we introduce the Coming-of-age rite tea jar. A small Qiniangma Pagoda shape handle on the inner lid is designed as symbol of peace and growth. This jar is full of cultural flavor, gratitude, and the meaning of growing responsibility. Let this Taiwan traditional craft design become an heirloom which praises the filial spirit of respect and gratitude. We hope this jar will be carefully used and treasured forever.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>凸餅杯</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">自古人們將文字貼附於器物上,可祈求心願。例如米缸的《滿》、窗櫺的《春》與門板的《福》,是文字也是藝術,歷千年來以各式風格姿態呈現。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">凸餅不僅是台南特有糕點,也是婦女的產後補品,它安養生息了府城每位母親;但隨著現代化的腳步,它也漸漸被遺忘及忽略。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">我將凸餅化身茶杯,頂部的吉祥文字傳達了人們的祈願,《圓滿》、《喜樂》、《幸福》。透過設計,再現傳統生活點滴。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Bouffée Cup</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Since ancient times, people have been writing characters on objects to pray for a wish. They might write, “Full" on a jar, “Spring” on a window, or“Happiness” on a door. It is a form of writing as well as a form of art. Throughout the centuries, it has been articulated in various styles.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This Bouffée Cake is not only a unique Tainan pastry, but also a nutritional supplement for women during the early postnatal period.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">It has comforted and solaced every mother in Tainan. But along with modernization, it has gradually been ignored and forgotten gradually. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The designer exploited the form of a Bouffée Cake, and transformed it into a cup. The character on the cup conveys the wishes and prayers of people – satisfaction, joy, and happiness.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Through, this design, the tradition has come to life again.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>海安路虛建築教我們的事...</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">台南海安路「虛」建築給我們的啟示,是在需要與想要之間找一個平衡。面對需要,先人的智慧早就告訴我們,知足常樂。而飲食文化就像是一個時代的生活態度縮影,現今為了表達面子與熱情而準備的過多華而不實的菜餚,往往最後因不真實需要,而造成浪費。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">因此,一半的器皿透過鏡子的反射,形成一個完整的形體,鏡子裡反射虛的影像是滿足人們「想要」更多的「虛」求,實質上人們「需要」的部分卻還是和原來的一樣。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>What “Virtual Architecture” on Haian Road Teaches Us</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">What “Virtual Architecture” on Haian Road teaches us is to strike the balance between our real needs and our fancy desires. Old wisdom has already taught us that happiness lies in contentment. However, in our dietary culture, we tend to waste excessive amount of food and over-prepare dishes in order to save face or proclaim our generous hospitality.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In this “Virtual Architecture,” the half bowl becomes complete with the other half reflected in the mirror. The reflection in the mirror seems to be like our fancy desires while in reality our actual needs are not as great as we thought.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>擔挑台南 </b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">往往在外面吃飯時,坐在小凳子搭配小矮桌的店家用餐,輕鬆自在的氛圍總是讓人不自覺的聯想到台南擔仔麵,想到老闆在烈日之下,揮汗挑著扁擔,沿街叫賣的畫面,這是多麼深刻的文化記憶。因此我希望能夠藉由小凳子的概念,讓大家用身體來感覺台南、回味台南,感受台南的樸實、自在與不拘謹,就像是一個被輕輕挑起的擔子,隨身攜帶著,難以忘懷的的美麗回憶。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>The Load</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">When we go out to dine, we often sit on small stools with a low table.This type of seating is most frequently associated with Tainan Dan-tsu Noodles, and makes us think of the street-hawkers carrying portable kitchens on shoulder poles. This is part of our cultural memory. With this stool, we can use our bodies to feel Tainan, simple, comfortable and unreserved. Tainan is truly a lovely place.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>果‧皮盤</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">運用手感思維讓使用者的感官聯結「觸感」記憶,與物產生「共生情感」,是此產品的設計概念。盤子表面放上六種蔬果皮表面紋理,讓使用者與產品接觸後,能夠抽離蔬果的大小與色彩條件,直接從觸覺重新感受「物」,創造「物」與「人」之間的新感官連結。同一規格的盤,結合六種水果或蔬菜的紋理,可搭配蛋糕、零食、醬料、果醬等...點心類食物使用。</span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This product design links a user's senses to their tactile memory, and generates symbiotic emotions between the user and the object. A single plate is thus designed using six kinds of peels, whose textures are combined. A user would come into contact with the product without feeling the real shape or color of any fruit or vegetable.</span></blockquote>
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<a href="http://2.bp.blogspot.com/-4NlzxHX3Pco/U7u2PhmsxLI/AAAAAAAACNg/rzWiqowZZx0/s1600/%E9%BB%9E%E5%BF%83%E7%AA%A9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-4NlzxHX3Pco/U7u2PhmsxLI/AAAAAAAACNg/rzWiqowZZx0/s1600/%E9%BB%9E%E5%BF%83%E7%AA%A9.jpg" height="536" width="640" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>點心窩</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「什麼是閒適?」</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">父親說:「晨間提著他心愛的鳥籠,在公園裡呼吸著都市難得清新的空氣,就是屬於他的閒適。」而我說:「能和知心好友分享生活大小事,享受著甜美的午茶時光,這才是理想的閒適。」</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">老爺子的溜鳥與輕熟女的聚會,優雅的中式鳥籠與西式下午茶甜點,兩個不相干的事物,透過設計轉化,以鳥籠的造型元素結合蛋糕蓋的功能,感覺像是…幫點心們找一個窩。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Cage for Snacks</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As a traditional city, Tainan is always able to preserve the great value of old things, or evoke a new sensory experience from them which is adopted to modern living. Various reconstructions of old houses not only represent the harmonious intersection of old and new, but also reveal the simple and authentic values of modern civilization. This canvas schoolbag, which every Taiwanese student has, is reinterpreted by infusing new elements into it. In this way it makes the schoolbag even more meaningful after graduation - becoming a memorable collector's item. Just like the reconstruction of an old house in Tainan: an old spirit is given a new life!</span></blockquote>
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<a href="http://1.bp.blogspot.com/-S2oECr1tb7k/U7u2rBwE-pI/AAAAAAAACNo/Xw96NO8deqk/s1600/%E4%B8%83%E5%B7%A7%E5%9F%8E%E5%B8%82new.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-S2oECr1tb7k/U7u2rBwE-pI/AAAAAAAACNo/Xw96NO8deqk/s1600/%E4%B8%83%E5%B7%A7%E5%9F%8E%E5%B8%82new.jpg" height="460" width="640" /></a></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">我們認為的寶用,代表產品設計上必須要有層次、有故事,22™的產品一直是以當代建築、都市生活為啟發,這次我們期望藉由一組可任意排列組合的水泥雕塑,來表達都市多樣的面貌。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">一組七件由水泥製作而成的立體雕塑,各自代表都市中不同的建築物,高樓大廈、公寓、平房、別墅、工廠、倉庫以及公園。將七種不同型態的建築物任意的排列擺放,恰似城市不同的面貌,趣味中也讓人彷彿體驗現代都市的種種風貌。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Tangram City Sculptures</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">We believe that if a product is to be called a treasure, it must be unique, and its design profound. 22™'s inspirations have always been from urban life and contemporary architecture. In this exhibition, we would like to focus on the diversity of a city and to see how different architectural arrangements can affect the atmosphere of a city.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">We designed a set of mini concrete sculptures shaped like a skyscraper, an apartment, a house, a villa, a park, a warehouse and a factory respectively. Like a tangram puzzle, they can be arranged to create any city skyline you prefer.</span></blockquote>
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<a href="http://3.bp.blogspot.com/-oFJB6FTMWUw/U7u3Efvc7AI/AAAAAAAACNw/M1JAxFq5jZQ/s1600/%E6%A8%B9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-oFJB6FTMWUw/U7u3Efvc7AI/AAAAAAAACNw/M1JAxFq5jZQ/s1600/%E6%A8%B9.jpg" height="540" width="640" /></a></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">樹木,是大自然賜予我們的一份禮物,不論是所結的果子、樹葉、樹幹、樹枝、甚至是樹根、樹汁,幾十萬年來為我們帶來各種幫助,因此,我們將深愛的樹木帶進了家裡,成為日常生活中各式各樣的物品陪伴在我們身邊。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">木製家具的質感讓人感受到溫暖,堅固耐用的特性,往往一用就是好幾代,而在工業科技發展與自然生態被破壞之下,樹木的美更顯珍貴,以局部木頭搭配現代感的壓克力材質,延續我們與樹木之間那逐漸消失的情感。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Tree of Joy</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Trees are a gift to us from nature, whether via the fruit, leaf, trunk, branch, </span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">root or sap. </span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">For hundreds of thousands </span><span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">of years, trees have been of great help to us, and have also become an </span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">indispensable part of our lives. </span><span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In this project, we would like to 'reintroduce' trees to everyone's </span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">home, to be used as a versatile daily item and appreciated as amiable </span><span style="color: #999999; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">companions.</span></blockquote>
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<a href="http://4.bp.blogspot.com/-3BZDJLOs2bA/U7u4LWGKSFI/AAAAAAAACN8/rZ2fyRNPRKs/s1600/%E8%B2%A0%E7%A9%BA%E9%96%93.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-3BZDJLOs2bA/U7u4LWGKSFI/AAAAAAAACN8/rZ2fyRNPRKs/s1600/%E8%B2%A0%E7%A9%BA%E9%96%93.jpg" height="536" width="640" /></a></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">利用簡單幾何構成繁複花形的鐵花窗,是台南老房子為人所知的重要特色,美麗造型加上台南溫暖的光影點綴,變化萬千巧妙各有不同,形成了台南街區巷弄美麗豐富的獨特風貌。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">我試著讓「實」的鐵窗變成「虛」形,讓「透的鏤空」的變成「實的淺盤」,藉由鏤空與淺盤的虛實交替,創造不同的感官經驗,重新詮釋過後,試著將鐵窗花的美好帶進生活之中。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Negative Space</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Window grills with simple geometrical patterns or complicated patterns are one of the characteristics of old houses in Tainan. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I tried to convert window grills to negative space, and cavities to solid plates, incorporating the beauty of window grills into our lives.</span></blockquote>
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<a href="http://4.bp.blogspot.com/-P3obLG__b4g/U7u4pXfQe4I/AAAAAAAACOE/2BliBbDaYFM/s1600/%E5%AF%B6%E8%93%8B%E7%87%88.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-P3obLG__b4g/U7u4pXfQe4I/AAAAAAAACOE/2BliBbDaYFM/s1600/%E5%AF%B6%E8%93%8B%E7%87%88.jpg" height="536" width="640" /></a></div>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「宀」,象屋頂之形,俗稱「寶蓋頭」。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">此作品以此字之甲骨文之意象為形。除有懸掛與手提的功能上提示外,「家」亦與「寶」用之主題呼應。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">概念源於鐵線編織的簡易工作燈,因輕便,維修容易。除工地外,夜市攤販也常能見到它的蹤影,甚至因其完全型隨機能的風格,也被應用在一些工業風餐廳與咖啡廳。 「宀」保有工作燈之多工性,經簡化線條、改變材料與表面處理,並加上能站立的桌燈型態後,讓原本工業或商用的產品也能轉化為家用。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Roof</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">“宀”is the radical of the character“家” (Home), and means “roof”.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The origin of the shape of the “Roof” can be traced back to an ancient Chinese character. The roof shape hints that an object could be hang or held in the hand. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In addition, this project is also inspired by the traditional Taiwanese portable work light. While maintaining its multi-purpose function, a simplified structure and quality material finish, it has been modified to the different modes of use, such as in the living room or bedroom. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">小時候從來沒參加過流水席。所以每次看到路邊擺出長長的辦桌陣,都會投以好奇的眼光。對於那鮮紅的桌椅更是印象深刻。相信在許多人的回憶中,這樣的場景都非常熟悉。但似乎大多數人只會用它,卻從不曾看它。我們曾發現一直承載著各種幸福的他們,其實本身也很美麗嗎?所以我們希望藉由《辦桌,伴桌》,讓大家「從新看見」這個見證多少重要時刻的器物。利用它原本的結構與美學,發展出富時代意義的系列傢俱。讓這件見證多少重要時刻的器物,在新的時代以新的姿態繼續陪伴著我們前進。辦桌,繼續陪伴著我們,走過各式各樣的人生。</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Bando</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Local traditional Taiwanese “bandoh” (outdoor banquet-style) dining is the culmination of another collection of food culture.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Selected traditional outdoor banquet table frame characterizes the modern design.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Use its foldable leg frame as a unit to assemble various tabletop or cabinets in sizes to develop functions of different uses.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As a witness of the old time that demonstrates the cultural flows and inheritance for the Past and the Future.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>好盒</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">位於台南的臨水夫人廟,是針對求子及庇佑小孩平安的婦幼專門廟,傳統拜花後女性需將紅花(求女)或白花(求男)放置於房間隱秘處,佩戴三晚後,乾燥放置至生子滿月後帶回廟中還願。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">本作品對應祭拜程序,紅白花置於梳妝台木盒中,生子後則可放置臍帶或平安符之祈安銀鎖片,長大後珍藏父母欲留給孩子的首飾或遺物。珍貴花梨木及純銀所製之木盒與銀飾,象徵了父母對小孩的無盡關心,一人一盒,寶用一生。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Wish Box</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Lady Linshui Temple, which is located in Tainan City, is a sanctuary where women pray for pregnancy. and Lady Linshui is also a guardian angel for all children.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This product corresponds with the process of praying Lady Linshui Temple. The rosewood box can be used to save flowers from the temple, and store gifts from parents to their future baby. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>幸福時刻</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">「幸福時刻」銀製耳環,刻上幸福與祝福美麗優雅的紋樣,將永恆地承載刻在妳心中,平安、幸運與幸福的時刻。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Engraved Happiness</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Inspired by the culture of wearing jewelry in Chinese weddings, designer Yu-Chiao Wang used the symbols of peace, fortune and happiness to create a set of silver earrings, called "Engraved Happiness." These earrings symbolize the idea that good things keep happening during our lives.</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>記得爺爺來的地方</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">他寫下戰爭的故事,跟來台灣的經過。「如守城待斃,不如英勇求生」,當年在海南島的叢林戰,字裡行間,透露年少離家,跟六十幾年沒有回到家鄉的想念。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">而如今,99歲的爺爺親手做了一些筷子。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">我想做一個盒子,放進一雙爺爺做的筷子,成為一種紀念價值的載體。透明的盒蓋有展示作用,盒底刻上姓氏和爺爺的老家位置,提示子孫,別忘了我們是誰,我們來自何方。小巧精緻的它亦可做為攜行盒之用。</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Remember Where Grandpa Came From</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">He wrote stories about the Chinese civil war, and how he came to Taiwan.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">He was very homesick, because he left home when he was very young. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">He hasn't returned home for more than sixty years.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Fought in many places in China;</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">finally, they fought in the jungle for a year, on Hainan Island.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A legion with only one hundred people left alive.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">They all said, “Freedom or death!”</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">They broke out successfully, and sailed to Taiwan with nothing.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">My ninety-nine-year-old grandfather made some chopsticks by hand.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I wanted to make a box to</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">put Grandpa's chopsticks in</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">to commemorate him.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The transparent lid that helps exhibit the chopsticks.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Our last name, and location of my grandfather's home are engraved on the bottom of the box.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Reminding our children,</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">not to forget who we are, and where our ancestors came from.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This box can also be used as a portable box for travel.</span></blockquote>
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<a href="http://4.bp.blogspot.com/-QcaNU8CQaRE/U7u7Q-ahZkI/AAAAAAAACO0/8HU1zof_66c/s1600/%E5%8D%97%E9%83%BD%E5%A4%9C%E6%9B%B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-QcaNU8CQaRE/U7u7Q-ahZkI/AAAAAAAACO0/8HU1zof_66c/s1600/%E5%8D%97%E9%83%BD%E5%A4%9C%E6%9B%B2.jpg" height="536" width="640" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>南都夜曲-結緣</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">《南都夜曲》為臺灣知名填詞人陳達儒與作曲家陳秋霖的一首臺語歌曲。描寫一位中國南京風塵女子的悲哀,後因政治因素將內容改為描寫安平港、東平山等臺南風土。設計師以此為概念,受歌詞中「顛來倒去君送金腳鍊,玲玲瓏瓏叫醒初結緣」所描寫的「結緣」概念吸引,希望透過此,能讓人跟台南結下不解之緣。因此,希望由鑰匙圈的組合,連結心中那個人與人之間的情份。寶用對我而言,就是人之間最重要的情誼,透過鑰匙圈的組合,來表達聚散之間的糾結情感凸顯本次主題的意涵。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Key Ring for Connection</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The design concept of this key ring came from an old song that describes a couple's sentiments when they first came to Tainan, as well as their complicated emotions when they develop a feeling of affinity together. The keyring represents the complicated feelings when a man leaves and a woman waits for him at the place they first met. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>平安獅</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">安平是台灣開發初期的人口匯集地,隨著渡臺先民的遷徙,自然的將獅子為趨吉避邪之瑞獸因此每逢佳節慶典,必定會有舞獅表演以象徵驅邪、迎吉之意。在荷蘭、明鄭、清朝、日據的歷史中,安平獨特的守護瑞獸-劍獅一直守護著家家戶戶的安全,避煞祈福的作用,進而安頓人心。透過將劍獅的型態轉化為現代具設計感的鑰匙圈飾品,如同平安符一樣隨身攜帶,即便是型態有所不同,守護、祈福之意味卻不曾改變。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Peace Lion</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Through periods of Dutch and Japanese occupation and Chinese influence brought by the migrants, the Sword-lion has held a special place in Anping people's hearts. This product transforms this spirit into a modern Sword-lion keyring holder with a sleek touch. This unique carry-on keyring retains charm of the traditional sword-lion in a functional modern-day item. </span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>針線盒</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">我外婆從民國五、六零年代開始在一對住在台南的美國夫婦家中幫傭,二十幾年來,他們培養出家人般的情誼,當他們離去時,美國阿嬤把她的針線盒留給了外婆,而如今也傳到母親手中。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">盒子破了隨時可以換,但外婆和母親珍惜的是那個盒子背後所無可取代的情誼與回憶。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">錫器為中南部傳統工藝,我以它為材料,取其諧音(「惜」或「喜」)及含意(錫在古籍解釋為「賜與」或「賜福」),並以蓋上的青鳥和喜鵲圖騰,表達對下一代的祝福,更藉此紀念外婆的美麗故事。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Sewing Box</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">"My mother has an old chocolate box and it has been used as a sewing box since long ago. Although the box is broken and is in pretty bad condition, my mother still keeps it. She does not want to replace it, because she is emotionally attached to it as it was handed down from my grandmother.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">My grandmother used to work as a housekeeper for an American couple (I used to call them my American grandparents when I was very little) who used to live in Tainan a long time ago. My grandmother worked for them for more than 20 years, and became part of their family, so when my American grandparents were leaving Taiwan, they left many things for my grandmother, including this sewing box. </span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Based on this story, I have created a tin (*1) box with a family-crest-like stamp (*2) engraved on top of it to commemorate my grandmother, my American grandparents and the memories they left us, and to express the lasting legacy of their relationships.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">*1. The word “Cherish” in Chinese also means “Legacy” in Taiwanese. *2. The family-crest-like stamp is composed of a symbol of a bluebird and a magpie. They both mean happiness, prosperity, good health and the arrival of Spring."</span></blockquote>
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<span style="font-family: Verdana, sans-serif; font-size: large;"><b>愛心便當包</b></span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">在那段學校還離家裡很近的記憶裡,中午時刻,總是會看到校門口等著一排為孩子送上愛心滿滿的午餐的媽媽們,孩子們那種打開便當布包的心情,又是期待又是驕傲。現在當媽了之後,才知道原來過去有愛心便當的我是何其幸運,而為家人準備便當的這種感覺叫做幸福。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">就是這樣的出發點,我設計出這款愛心便當包。它裝得下滿滿的愛心,而將包包全部攤開後,可直接當餐墊;享用完餐點後,直接將角落收起,讓享受愛心變成更簡單的幸福!</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Lunch Box</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Back in the days when schools were still close to home, there would always be a line of mothers eagerly waiting to hand lunch boxes full of love to their children at the front door of the school. Kids were so excited and proud to open their lunch boxes. Now, being a mother, I understand that was a blessing to have those homemade lunches and it is true happiness to be able to prepare lunch for your loved ones.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This is how this lunch box came about. It can be loaded with lots of love. It can be used as a mat when fully opened. And just fold the corners to turn it back into a bag. It enriches the happiness of enjoying the food.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">被保存珍惜的物件對它的主人熜是有特別的涵義和意義。因此,我想像這個物件帶有美麗和精湛手工的精神。它常與主人互動,因為這個物件能夠反映它的周遭,它的主人與主人的故事,就像是一個隨著時間寫的故事,靜靜的在角落記錄著主人生活中的美好或失落。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">設計師希望「House Mirror」是一個美麗並帶來愉快的物件,透過我們熟悉的小屋子形狀帶給我們親切感,拋光後的它反映出它的周遭與周圍的人,默默記錄著動人的故事。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>House Mirror</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">An object that is kept and treasured has meaning and significance to its owner. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I can imagine this object, through beauty and craftsmanship, brings joy to its master. It is probably often held by its owner and an 'interaction' might have taken place between them.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The object is also a reflection of its owner, and the story of his or her surroundings, or a story written over time</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This is a story written over time.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">House Mirror is first and foremost a pleasant object that brings a sense of elation. It is in the familiar shape of a </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">house, polished to reflect the people around it. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">台南新化的街屋,融合了華麗的巴洛克建築式樣與台灣傳統石雕或交趾陶的傳統吉祥圖案;高低起伏的天際線和不同型式的山牆,每一棟都像是精雕細琢的藝術品,形成了極為獨特優美的台南街景。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">「老街印象」是一個雜誌收納盒,每一個收納盒就是一棟街屋:狹長的建築,高低不同的天際線以及繁複優美的立面,將優美的台南街景重現在書桌上。因為街屋的形式繁多,每到台南一次就加購一組不同的街屋,也別有一番收集的樂趣!</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Old Street Houses (Special Edition)</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The “street houses” in the Hsinhua district of Tainan, combine Baroque style facade with traditional Taiwanese motifs. Every street house is like a fine handicraft item, and represents the good old times of Tainan.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">“Old Street Houses” is a magazine file. Each file is like a single street house: long and narrow shaped, with skylines of different heights, and sophisticated façades. When three or four “Old Street Houses” are standing in line, they become a small street and bring the beautiful memory of Tainan back to your mind. </span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">在這個冰冷而疏離的現代,求物不如求心,自助才得神助。我們相信,當人們走進廟宇,真正該祈求的不是物質的豐足,而是樸實真誠的本心。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">書衣是全台首學,台南孔廟,代表著選一本好書,閱讀生命的智慧;戒指則象徵神威定海大天后宮,繫一條紅線,牽起和美的姻緣。名片盒以台灣開山聖王延平郡王祠為概念設計,刻一段金玉良言,惦記真摯的初衷。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>Pious Prayer</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">We believe that when you walk into the temple, all you have to do is focus on the basics,pray humbly,and know that everything we need is in our own heart.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Dust jacket: Tainan Confucian Temple - The First Academy of Taiwan. Choose a good book and explore the wisdom of life.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Ring: Grand Matsu Temple - Bonded by a length of red string, it symbolizes a wonderful marriage.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Card case: Koxinga Temple - Temple of the King who settled the mountains in Taiwan.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">2011年到訪台南,就被別具風味的文化色彩與人們的熱情所感動,愛上了這個古城。尤其台南街上琳琅滿目的招牌,或印或寫著各種新奇的字體,有古字、新創字,有的端正、有的歪斜,共冶一爐,如此有特色的街景成了我腦海的台南印象。</span><br />
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<span style="color: #999999; font-family: Verdana, sans-serif;">過去製作「遊南帖」時,初次嘗試把這印象以書法帖的方式呈現出來,經兩年沉澱,我把零散的單一招牌組併成完整的圖案,透過帆布袋工藝師李小柏團隊的巧手,製作出這「遊南」款印有台南店名的帆布袋。</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>De Tainan Stijl</b></span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">During a visit to Tainan in 2011 various shop signs came into sight when I was walking on the street. Printed or written on the shop signs were all kinds of novel, interesting text types. A very special street scene was formed by the text types, skewed or upright, and words, ancient or newly invented. This kind of scene became my impression of Tainan.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">After two years of contemplation, I put the separate street signs into a complete picture and made this canvas bag of “Traveling Tainan,”constructed by the skillful hands of the team of Guang Fu Hao, a craftsman of canvas bags. When examining the names of shops printed on the bag, do you discover any places you haven’t visited? If so, do remember to take a look at them when you go to Tainan next time!</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">懷念起~明朝~起義。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">在那久遠的時代,為了理想打拼奮鬥,看著台南斑白的圍牆,回想起將軍在此地的過往一切,小說中的歷史故事。在重陽節上抬著雙腳對著敵人說一聲:重陽祭祖…。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">為了理想的國度,喝杯家鄉的濃茶與清酒,共商起義的兩人對話,我是韋小寶,你是陳永華<近南>...下台一鞠躬!</span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The uprising of the Ming loyalists was a war of idealism.</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">thinking of General a Chen’s past life in this place,</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">and imagining the scene in a history novel - soliders lifting up their feet tattooed and yelling during the insurrection against the Manchus,for an ideal country. </span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Drinking tea and wine from home,</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">talking about this righteous rebellion.</span><br />
<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I am Wei Xiaobao, and you are Chan Wing-wah( alias Near South) ~ THE END ~</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">阿美蛋糕是我還沒搬來台南定居的時候,令我十分難以忘懷的台南甜點。它沒有多餘修飾的外表,只有簡單且樸實的味道,就因為這樣的單純,讓人想一嚐再嚐,總是吃不膩。因此我想將這樣的美食所帶給我的快樂,體現在設計上,設計一套美好的餐具來用心品嚐阿美蛋糕,利用特製的餐具凸顯蛋糕簡單樸實,卻別具優雅的一面,讓使用者在吃甜點時也可以體會到台南單純、優雅的美。</span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A-mei's Cakes from Tainan are so delicious. They taste simple, pure and good. We want to make the moment of eating become more elegant. The concept combines the eating process with the design of a set of tableware.</span></blockquote>
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<span style="color: #999999; font-family: Verdana, sans-serif;">七娘媽亭是府城做十六歲祭祀七娘媽生不可或缺的供品,已成為七夕節的代表圖騰,象徵著「平安.成長」。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">設計桌上擺飾能用來吊掛飾品,下方層層堆疊的圓盒,以台灣傳統工藝傳承精神的概念,傳達著長輩對兒女的期盼,為「轉大人」的青少年祈福,歲歲永寶用,年年恆珍藏。</span><br />
<span style="color: #999999; font-family: Verdana, sans-serif;">古禮祭品如胭脂花粉,鏡子、梳子、粉餅等彩妝用品;或剪刀、尺與針線等縫製衣服用品,也能一起收納入其中留念。</span></div>
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In Tainan (traditionally known as FuCheng), Qiniangma Pagoda is an indispensable gift for the Qiniangma birthday. Celebrated on “Qixi - the seven day of the seventh lunar month - this is a ritual for People who have turned sixteen that year. Qiniangma Pagoda has become the totem representing the Qixi festival, a symbol of “peace and growth.”</span><br />
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<span style="color: #999999; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In this manner, we introduce FuCheng Qiniangma Pagoda, the coming-of-age rite gift box. It can be used as a table decoration to hang accessories on. The layers of stacked round boxes below can store gifts received from elders or a variety of small objects. [ By embodying the Taiwanese traditional of passing on handicrafts through the generations, this gift box] conveys the high aspiration of parents for their children, and give blessings to the youth who are coming of age. We hope the gift box will be carefully used and treasured forever.</span><br />
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Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-43585761987923416552013-07-05T00:59:00.000-07:002013-07-05T01:01:07.369-07:002012 五十禮十 50 Manners+ / 主題說明<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><span style="font-size: small;">「五十禮plus」,是持續前一年以「伴手禮」為媒介,與臺南進行有趣的文化對話。 在熟悉卻又充滿新鮮角度的五十件創作中 , 喚起民眾對環境與生活的文化與美學意識。 「PLUS」是設計師的自我期許,期盼再一年的耕耘與探索,更能加強詮釋與創新的深度與廣度。不但更注重連結城市活動與在地企業,貼緊區域發展的脈動,也持續邀請國際設計師的參與,使展覽中呈現的觀點更多元,更具生活與時尚感,為城市文化注入更多新鮮活力與美學內容。也希望關心台灣設計前景的朋友,可以從中看見許多具品牌概念與原創精神的產業契機。</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: small;">50 Manners Plus, which extends the concept of “gifts” in the previous year, engages in interesting cultural dialogues with Tainan. 50 creative artworks which seem familiar and full of fresh angles awake the cultural and aesthetic awareness of the environment and life. PLUS is the designers’ self-expectation. They expect through another year of hardwork and exploration to enhance the depth and broadness of the interpretation and creation. They not only pay more attention to link the city activities with the local enterprises, but also get closer to the pulse of local development. International designers are also invited continuously, which enables the viewpoints displayed in the exhibition more multiple, the senses are more practical and fashionable, injecting more fresh energy and aesthetic into city culture. We hope that those friends who care about the design future in Taiwan will find more industry opportunities with brand concept and original creative spirit.</span></span></div>
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<br />Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-13427942296522101272013-07-05T00:58:00.000-07:002013-07-05T01:01:00.846-07:002012五十禮+「50 Manners+」/參展作品<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Verdana, sans-serif;">好事成雙筷,好字以女、子二子組合而成,如一對新人的結合一般,將此二字分別至於兩支筷子上並以蜂巢紙筷架固定,以張燈結綵及燈籠的造型作為意象,象徵帶來好運;藉著帶有喜氣意涵的配色,以帶給使用筷子的人們在用餐時擁有如同喜宴時帶有開心與祝福的用餐情緒。</span></div>
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<b><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: large;">Lucky Chopstix</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">In these lucky Chopstix, the Chinese character for woman – nu (女) – and the character for man – nan (男) – are printed separately on each chopstick. When combined together, these two characters form a new character – hao (好), which means good, representing a happy couple. The chopsticks are held together by paper honeycombs, employing the colors of red and purple, which represent happiness and luck in Chinese culture, and remind people of the happy atmosphere of a wedding banquet. These honeycombs have been made in the shape of traditional Chinese lanterns, which are displayed at weddings and festivals, and they also function as a chopstick rest. These lucky Chopstix epitomize the meaning of chopsticks in Chinese culture.</span></blockquote>
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<span style="font-family: Verdana, sans-serif;">台南古都遍及美食店家,每次去逛台南都有許多美食選擇,不知這次要吃哪一家,很想抽籤決定,本設計結合古早味的尪仔標,回憶童年打出一張牌的遊戲經驗,排上印有美食照片與地址,分為冷食與熱食兩款各36張,可當美食導覽手冊,分並結合樸克牌的娛樂功能,讓到台南的遊客享受美食和遊戲的雙重樂趣。</span></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">There are so many great things to eat in Tainan, you really don’t know where to start. I often just want to draw lots to decide. This design combines the traditional Gourmet Poker Cards with a game I remember from my childhood. The cards contain pictures of delicious foods and the addresses they can be found at, so they can serve as a culinary guidebook. Of course, they can also be used as playing cards, so that people can enjoy both food and games when they come to Tainan.</span></blockquote>
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<span style="font-size: large;"><b>檜木 </b></span></blockquote>
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靈感來自於臺灣稀少珍貴的檜木,我想用檜木的特性表現出臺灣特有的文化與傳統的民間信仰,於是我設計了兩個以檜木為主而製作而成的碗,碗的終焉有一個漩渦形成的洞,象徵著自然生命力的流動與永續;這個洞也有助於通風,讓擺放在上面的水果能常保新鮮、不易腐爛。</div>
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<b><span style="font-size: large;">Hinoki</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">This project pays tribute to Taiwan’s rare and beautiful Hinoki cypress. I wanted to use the characteristics of this precious timber to express elements of Taiwan’s culture and religion. Therefore, I used it to design and turn these two bowls. The inside of the bowls is shaped in the form of a swirl, and represents the power of nature. The hole at the bottom of the swirl also allows air to circulate through the displayed fruit, helping to keep it fresh.</span></blockquote>
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<span style="font-size: large;"><b>府城印記‧糕餅鏡 </b></span></blockquote>
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糕模不僅是製作糕點的模具,透過代代傳承的木雕紋飾其多樣的造型圖案,持續發揚民間流傳已久的符號美學,同時也把傳統的飲食文化刻鏤下來,在糕點上構成了不同內涵的文化印記。 <br />
時代在變,傳統印模多被取代,優美的台灣傳統糕餅文化已逐漸流失,因此設計了此具地方特色的印模「糕餅鏡」彩妝組,希望能賦予人們對糕餅無限的懷舊想像。 </div>
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<b><span style="font-size: large;">Mirror with Tainan’s Imprint of Pastry</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The mold of cake is not only used for cake making but it is also a woodcarving with a pattern handed down from generation to generation and it can be given various patterns and shapes to continue to develop the historic folk aesthetics of symbol and also engrave the traditional food culture on our memory.<br />The cakes are composed of the cultural imprints of different contents. <br />Times are changing and most traditional molds are being replaced. The elegant Taiwanese traditional cakes and pastry culture has been gradually disappearing. <br />Therefore, we produced the make-up mirror, with local characteristics, specially designed after the mold of cake, hoping to arouse people’s memories of cakes and pastry.</span> </span></blockquote>
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<span style="font-size: large;"><b>府城成人禮‧拜啟給十六歲的你~許願配帶信物 </b></span></blockquote>
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「七娘媽生‧做十六歲」是台南七夕獨特之處,其重要意義是教導下一代人生階段的躍進。台南尊崇古禮的家庭,當孩子滿十六歲,外祖母要「作頭尾」,還會送配帶在身上的鎖片等禮物,做為慶祝孩子「轉大人」的紀念。 因此設計了給做16歲成人禮的子女別具意義之許願配帶信物,有剪刀鏡子尺的符號之意為用『剪刀』剪掉懷習慣、照『鏡子』反省自己、心中一把『尺』 事事分寸得宜,以期盼子女長大了能懂得檢討、反省、分寸,體會生命的意涵。</div>
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<b><span style="font-size: large;">Tainan’s Adult Ceremony is Held Solemnly for Sixteen-Year-Old You to Make a Wish and Wear a Token. </span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">On Seven Star Goddess’s birthday (Vega Goddess), a ceremony is held solemnly for sixteen-year-old people. This is a unique custom in Tainan on July 7 of the lunar calendar. It is of significance as it is an occasion to teach young people to seriously face their next stage of life. In Tainan, for the families respecting ancient rituals, a child aged 16 will receive the gifts symbolizing completeness (literally as ‘beginning and end’) as well as a locking tab to wear offered by his or her maternal grandmother to celebrate the child becomes an adult. Therefore, here is a meaningful wish-making token to wear specially designed for a child aged 16 at the adult ceremony. The scissors, mirror and ruler are the symbols used to advise the child to get rid of (cut off) bad habits using scissors, reflect on his or her own words and actions using mirror, and measure his or her behavior using ruler. It’s the way to hope the child can review, reflect on and measure his or her own words and actions and realize the meaning of life.</span> </span></blockquote>
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<span style="font-size: large;"><b>憩窗 </b></span></blockquote>
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老鐵窗傳統的加工方法,散發出獨特的懷舊韻味。將前人的智慧扭轉形的美,重現於人們的餐具當中,此款刀叉組可以提供四個人分別使用,亦可收納成組。溫潤質感的木製榫接窗框,變化成收納的器皿使其更增添古老簡樸的氛圍。藉由樸質的觸感引領大家的思緒,穿越重重時空,喚回遺忘許久的記憶。</div>
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<b><span style="font-size: large;">Time Window</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The traditional method of making iron window grills conjures up reminiscences of the past. This design turns the twisting shape created by the wisdom of our ancestors into a traditional aesthetic value, which is realized in objects that accompany us in everyday life – in this case, cutlery. This set of knives and forks can be used by four people, and then stored together. The wooden case takes the shape and texture of a window frame, adding to the sentimental value of the creation. </span></blockquote>
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<span style="font-size: large;"><b>鹽飾物 </b></span></blockquote>
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鹽結晶的形狀與色彩如同寶石般絢爛奪目、光彩耀人,又,自古以來,鹽具有淨化功能與保佑平安、賜下福氣的重要意義。因此,將「鹽結晶」的概念發展成珠寶飾品,可以佩掛或隨身攜帶,成為可佩帶的飾物,保留住鹽帶給人們古老而深刻的意涵與祝福。</div>
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<b><span style="font-size: large;">Salt Jewelry</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Salt crystals look like gem stones, and since ancient times have long been associated with purity and blessings. Therefore, the designer has used salt crystals to create these jewelry items – decorations that can be worn!</span></blockquote>
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<span style="font-size: large;"><b>銅板美食明信片存錢包 </b></span></blockquote>
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臺南小吃經濟實惠,帶著零錢也可以吃透透!把食慾換成行動力,將零錢存入印有臺南美食的小吃零錢包,遊玩時,馬上拎著錢包衝到這一攤去解饞吧!旅人可以買下他最滿意的小吃或景點明信片錢包寄送給朋友,讓朋友下次要去吃或拜訪絕對不會忘記!</div>
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<b><span style="font-size: large;">Purse for Coin Gourmet</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"> Tainan’s snack food is cheap and delicious. You can sample it all, and pay for it with your loose change. This change purse is printed with the characters “Tainan Cuisine.” When you’ve saved enough coins, grab the purse and head out for a snack! Travelers can buy this snack purse with stickers depicting their favorite snack food, and give it to their friends as a personal recommendation. Or they can save their pennies for their next gourmet trip to Tainan!</span></blockquote>
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<span style="font-size: large;"><b>帖窗 </b></span></blockquote>
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白色的細圓鐵窗與由窗縫竄出的綠色植栽,是台南巷弄常見的風景,護衛家園的硬派理由下,隱藏著曲線線條纖細的美麗。<br />
擷取常見的鐵窗線條元素,化成立體的框架,如習字帖的框線花器.容器.文具.燈具...,待你自由填滿對於鐵窗的記憶與想像。</div>
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<b><span style="font-size: large;">Windows</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">White iron window grills are a familiar sight in Tainan. This design incorporates the idea of the traditional iron window grill into a three-dimensional framework, which can be used as a vase or a pencil holder.</span></blockquote>
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<span style="font-size: large;"><b>帖窗-傘架 </b></span></blockquote>
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白色的細圓鐵窗與由窗縫竄出的綠色植栽<br />
是台南巷弄常見的風景<br />
護衛家園的硬派理由下<br />
隱藏著曲線線條纖細的美麗<br />
本作品擷取常見的鐵窗線條元素<br />
化成立體的框架,形成美麗的傘架<br />
底部則採用舊時水槽常使用的的鵝卵馬賽克<br />
兼顧機能與美感<br />
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<b><span style="font-size: large;">Windows - Unbrella Stand </span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">White iron window grills are a familiar sight in Tainan. This umbrella stand consists of a solid frame that is inspired by design of the traditional iron window grill.</span></blockquote>
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<span style="font-size: large;"><b>萬試保庇薰香台 </b></span></blockquote>
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藉由精油或是薰香,在念書時輔助集中注意力,念書後的勞累也可以藉由芳香療法來紓放,如此一來,讓準備考試變得事半功倍。臺南市三步一小廟,五步一大廟,萬事皆可求保佑,因此以廟宇香火鼎盛之意像為設計元素,結合薰香台與存錢功能,希望祈願者在達成心願後,別忘了回到臺南還願喔 !</div>
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<b><span style="font-size: large;">All-Pass Incense Stand</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Aromatherapy has been employed since time immemorial for a wide range of purposes, such as the treatment of minor illnesses, soothing stress, and aiding sleep. The use of aromatherapy oils or incense sticks can also help to promote concentration and enhance memory while studying, or reduce weariness from overwork. In Tainan, there are many temples that students can visit to pray for good luck in exams. This “All Pass” incense stand incorporates the design of a temple incense burner, and also functions as a piggy bank. After all your wishes have come true, don’t forget to come back to Tainan!</span> </span></blockquote>
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<span style="font-size: large;"><b>官財板零錢包 </b></span></blockquote>
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棺材板可以說是臺南小吃中最生猛的中西合併代表,以西式料理方式融合各種中式配料,為臺南最驚奇的特色小吃之一。官財板零錢包在這樣的精神下,以現代簡潔的包包造型為設計主軸,融合中式華麗、色彩鮮艷的花布為內襯,使官財板零錢包成了實用、美感兼具的生活小物,也是暗許「升官(棺)納財(材)」、越裝越多錢的好運零錢包。</div>
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<b><span style="font-size: large;">Coffin Toast Money Holder</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The "coffin toast" could represent the most iconic fusion of western and eastern styles in terms of Tainan's local food. It's applied with western cooking style, which uses fried toast and potage as the base, and stuffed with various kinds of eastern ingredients. Therefore, it has became one of the most amazing local foods in Tainan. Following thus spirit, the "Coffin Toast Money Holder" is constructed with modern and simple look, at the same time applied with oriental pattern as interior lining. It's not only a practical accessory for daily use, but also the fortunate money holder since both chinese characters "guan tsai" represent promotion and fortune in oriental culture. ("guan" represents promotion in terms of work and "tsai" represents fortune. "guan tsai" is the chinese pronunciation of coffin.)</span></blockquote>
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<span style="font-size: large;"><b>記憶之鐘 </b></span></blockquote>
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記得小學時候,暑假期間,總會跟著爺爺到臺南找朋友,記憶之中的臺南街道,沿路都開滿了色彩鮮艷的鳳凰花,爺爺就牽著我的手沿著街道尋友去,街道兩邊連接形成了一長條壯闊的拱門模樣,縱使時間流逝,與爺爺遊臺南穿越鳳凰花街道的鮮明記憶,卻始終縈繞我心。</div>
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<b><span style="font-size: large;">Memory Clock</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">I remember I always followed my grandfather to Tainan to find a friend in memory of Tainan street, along the road full of colorful Phoenix flowers, grandpa holding my hand down the street with friends, find love and romance on both sides of the street connected to form a long magnificent arches look like, even if the passage of time through a distinct memory of the Phoenix flower street, and grandfather tour Tainan has always linger in my heart.</span></blockquote>
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<span style="font-size: large;"><b>枕香棉 </b></span></blockquote>
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在遙遠的回憶中,茶葉是臺南府城悠久的記憶。啜一口溫熱香醇的茶,漫步在府城的道路上,回憶著茶葉的芳香。<br />
將府城建築思維加入兒時的回憶,並使用自然的染料將茶葉的香氣設計結合。將傳統工藝,以及府城的茶葉融合為新的文化思維,提供給使用者視覺、觸覺與味覺上的全新饗宴。</div>
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<b><span style="font-size: large;">Occipital Hong Cotton</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tea is indelibly associated with memories of Tainan. Take a sip of tea, and let the fragrance of tea accompany you around the streets of the city. This bag integrates the architectural concepts of Tainan city with the natural color and fragrance of tea, combining traditional handicrafts with Tainan’s tea culture to produce a new way of thinking about culture.</span> </blockquote>
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<span style="font-size: large;"><b>鐵工戒指 </b></span></blockquote>
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傳統鐵窗曾經是工業社會和經濟成長下誕生的結果,如今面臨大環境的衰退,甚至有那麼一天就會消失,只成為一種僅供紀念的文化符號。但是它獨特而優美的線條是令人難以忘懷的。鐵工戒指利用鐵窗特殊的符號,將之轉化成為可以配戴在手指上的美好象徵,使人能永懷於心。</div>
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<b><span style="font-size: large;">Ironwork Ring</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Traditional window grills appeared as a result of Taiwan’s economic growth, and evolution into an industrial society. However, these grills are becoming less common these days, and may one day disappear altogether. These rings commemorate this important cultural symbol.</span></blockquote>
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<span style="font-size: large;"><b>出入平安 </b></span></blockquote>
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臺南擁有豐富的宗教文化,保留許多悠久的寺廟建築與祭祀禮俗。在這樣的城市氛圍下,希望能將神祗的保佑大眾的善念及祝福的力量,帶入大家的生活當中,透過具體的護身符形象與其鑰匙保護套,雙重保佑/護的意涵,貼近現今的生活形態與使用習慣,並更易分享給身邊的朋友,讓宗教得以走入日常的生活當中。</div>
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<span style="font-size: large;"><b>時序 </b></span></blockquote>
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「鳳凰花可以做成蝴蝶歐!」,「東豐路的阿勃勒盛開時很像黃葡萄在樹上」,「下完雨的隔天,黃花風鈴木下方會出現金黃色的腳踏車道」,「蘋婆蒸熟後很好吃,像栗子」,各種植物伴隨臺南人成長,並且開花結果為大自然報時,也提醒人們黃金風鈴木開完了,下一棒還有鳳凰花。大自然隨時有不同的美好等著我們,「Any time is a good time!」</div>
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<b><span style="font-size: large;">Time of Nature</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Did you know that flame tree flowers can be arranged to look like butterflies? Or that the golden shower flowers on Dong Feng Road look like yellow grapes? Or that the bike path under Tainan’s Golden Trumpet trees will become yellow after rain? Or that Noble Bottle-tree fruit are delicious when steamed, and taste a little like chestnut? Tainan has a rich variety of plant life, which serves as nature’s timekeeper. When the Golden Trumpet flowers wither, we know they will soon be replaced by the Phoenix flowers. Nature always has something beautiful waiting in store for us!</span></blockquote>
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<span style="font-size: large;"><b>獨坐幽篁裏 </b></span></blockquote>
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臺南,像是一首深邃的俳句,只需意會,毋需詮釋 。獨坐幽篁裏,使用時方為印記花押,毋用時可為一枯山水。「無用之用,是謂大用」,究竟是用時才謂擁有實際作用的設計還是毋用時成為一方枯山水的閒暇心境,在每個人的心中,擁有不同的詮釋,各有各的定奪。</div>
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<b><span style="font-size: large;">Meditation at Karesansui</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan is like a profound Haiku poem. It just needs to be perceived – not interpreted.</span></blockquote>
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<span style="font-size: large;"><b>凸餅錢筒 </b></span></blockquote>
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食用凸餅時,習慣先將它的頂部敲破再配合酥脆的餅皮與香甜的黑糖內餡一齊食用。將這個概念融合進設計中,可愛逗趣的凸餅外形化身成存錢筒,底部可投入錢幣儲蓄金錢,另則可當桌面擺飾或文鎮,存滿金額時,若欲取出錢幣則必須將凸餅錢筒頂部打破!凸餅錢筒頂部的章印圖案可依需求、搭配而有所變化。</div>
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<b><span style="font-size: large;">Puff Bun Bank</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">When we eat puff buns, it’s customary to break them open from the top. This idea has been incorporated into the design of this puff bun piggy bank. It can be used as a decoration or paperweight while you’re saving your coins. Then, when you want to get the money out, smash open the top! The graphics on top of the puff bun piggy bank can be changed and customized.</span></blockquote>
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<span style="font-size: large;"><b>祈福銀飾:求子系列 </b></span></blockquote>
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祈福銀飾,是以祈願與祝福為概念主軸,並融入現代感而設計的首飾。展出的求子系列,是採擷了民間與祈求子嗣有關的俗諺與傳說,以意寓於形的手鍊和項鍊墜飾設計,包括:觀音送子(紅蛋)、連生貴子(蓮蓬)、麒麟送子(麒麟)、佛求子(佛球子)、懷子(求子牌)。</div>
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<b><span style="font-size: large;">Blessing Charms: Progeny Series</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Blessing Charms, a series of sliver jewelries, were created with ‘wishing and blessing’ as the core concept, and were designed with a modern touch. The concept of the Progeny Series derived from the proverbs and folk legends about praying for descendents. The charms were designed in shapes and details that symbolize the blessing messages as follows:</span></blockquote>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">- Goddess of Mercy granting descendents (red egg)<br />- Giving birth consecutively (lotus seed head)<br />- Kirin delivering descendents (kirin)<br />- Buddha praying for descendants (Buddha in a spherical shape)<br />- To bear baby (disc pendent bearing baby motif)</span></blockquote>
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<span style="font-size: large;"><b>台南好熱 </b></span></blockquote>
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臺南的天氣總是豔陽高照、日日是晴天,這一兩年老房子的改造以及老東西的翻新,賦予臺南另一種不同的活力與生命力。老物件的故事與記憶都使臺南變得so hot!在老房子的巷弄中穿梭,感受鐵窗花背後的燈光,彷彿透著過去生活中的單純與快樂。 臺南的天氣so hot,老物新生so hot,臺南so hot!</div>
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<b><span style="font-size: large;">Tainan So Hot</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The weather in Tainan is so hot! In the last couple of years, Tainan has been revitalized by the renovation of old houses and other ancient artifacts. The old stories and memories rediscovered through this work have made Tainan “hot” in a different sense! As you walk along the alleys full of old houses, feel the sunlight coming through the window grills, and recall happy memories of the past. We have incorporated these memories into this light, so that in the midst of your busy life, you can be reminded of the simple and innocent lifestyle of the past.</span> </span></blockquote>
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<span style="font-size: large;"><b>城市.時間.記憶 </b></span></blockquote>
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臺南的圓環是獨有的特色,圓環與放射狀的街道建構了這個城市現代化面貌,超過百年歷史的圓環早已是臺南人的共同記憶;以民生綠園、火車站、東門、西門、小西門等五個圓環為靈感來源,並紀錄圓環周圍重要的歷史建物,我嘗試結合這古老城市與不斷轉動的時間做「動、靜」的對比,呈現古都永恆的歷史。</div>
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<b><span style="font-size: large;">City, Time, Memory</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan’s roundabouts are a unique feature of this city. They represent the modern face of the metropolis, even though they have been around for more than 100 years. This design represents the five traffic circles of Minsheng Green Park, Tainan Railway Station, Dongmen Circle, Hsimen Circle and Little Hsimen Circle, and records the historical buildings around these roundabouts. I have tried to integrate the ancient culture of this city with the idea of constant change, creating a contrast between the static and the dynamic, and representing the continuity of history of this ancient city.</span></blockquote>
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<span style="font-size: large;"><b>遇水則透 </b></span></blockquote>
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以臺灣傳統的毛玻璃為主體設計而形成的花器。「遇水則透」運用毛玻璃遇水則透的特性,構築花器、花和水間的模糊之美。藉由明與不明之間的灰色地帶,讓使用者在植栽的過程中,經由調適水、花與花器的過程中變化出不同的圖案,找尋到完美的和諧與自由的美感。</div>
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<b><span style="font-size: large;">Frostimpid</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Older buildings in Taiwan frequently have glass windows which are frosted on one side, in order to maintain privacy and keep out the heat and glare of the sun. This vase design uses frosted glass, taking advantage of its tendency to appear transparent when viewed through water. In this way, a sense of beauty and harmony is created through the interaction of glass, flower and water.</span> </span></blockquote>
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<span style="font-size: large;"><b>扭轉系列-茶几 </b></span></blockquote>
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茶几是扭轉系列的第三件家具,「扭轉」是臺灣傳統鐵窗上面的最簡單的元素,這一系列作品利用大家所熟悉的圖樣元素設計成系列傢俱。在本設計中,桌腳是由三個三角形的單元所組成,扭轉元素的使用使茶几在三角形結構裡面可以增加結構強度。</div>
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<b><span style="font-size: large;">Twist-Grille</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">This coffee table is the third item in a series of “twisted grill” furniture. Twisted metal is a characteristic feature of the traditional Taiwanese window grill. The legs of the coffee table are composed of three triangular elements, to which the twisting of the metal gives added structural strength</span>. </span></blockquote>
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<span style="font-size: large;"><b>台座 </b></span></blockquote>
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一片薄木順著底座的弧度彎曲做調適。代表臺灣擁有個不斷在彎曲調適的文化。不同的文化與歷史都在這個海島上留下深淺不一的歷史軌跡與影響力,而人民本身在這樣的浪朝中,吸收融合成獨特的自身文化,將這樣的想法帶進設計當中,體現出臺灣強韌卻也柔軟的包容力。</div>
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<b><span style="font-size: large;">Pedestals</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Taiwan’s culture is characterized by continuous adaptation and adjustment. This thin sliver of wood adapts and adjusts to the shape of the base.</span></blockquote>
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<span style="font-size: large;"><b>桃花平安服 </b></span></blockquote>
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這是以平安符的概念所設計的男用與女用內衣組,有了月老桃花服的加持,穿著此套幸運服飾,讓單身已久的你/妳更添個人魅力,能夠快速遇到美滿的幸福。希望透過這樣的設計,不管在什麼樣的場合之中、什麼樣的境遇底下,每個人都能遇見好桃花、獲得好人緣。</div>
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<b><span style="font-size: large;">Wear is Love</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">This is a pair of underwear which is designed for those who are looking for romance. The label with lucky charm shape will increase personal attraction to make you popular in any occasion.</span></blockquote>
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<span style="font-size: large;"><b>月光寶盒-枕頭套 </b></span></blockquote>
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許願,獨特而私密,如同生日最後那一個願望,都會被放在心底。<br />
將寄託放在每日所休息的地方。月光寶盒—枕頭套右下方有一個小口袋可放置使用者所求得的幸運物或平安符。當最私密的時刻,精神與思想盡情放鬆的同時,就讓神明的庇護、心裡的祈求,融入心靈的磁場。透過睡眠,更接近幸福。 </div>
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<b><span style="font-size: large;">Moon Case - Pillow Case</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Like a wish, it is intimate and secret, the secret you kept deep down in your heart. <br />The charm you make a wish for, placed in the pouch the pillow case, when you are in peace, it is close by your side relief your mind and soul, it bring your mind closer to the dream, to the fantasy you ever dream of. </span></blockquote>
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<span style="font-size: large;"><b>戳小三、斬爛桃花餐具 </b></span></blockquote>
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以臺南武廟月老的特色為產品發想主軸,並結合拐杖、關刀的造型意象,透過較為活潑、可愛的手法,設計出三種型態的「戳小三水果叉」及「斬爛桃花抹醬刀」。 在愛情關係中,人人都希望能夠遇到對的人。我們期盼結合在地文化,設計出令人喜愛且逗趣的伴手禮產品。</div>
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<b><span style="font-size: large;">Additional Silverware Set</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Inspired by the shapes of the weapon which are attributed to the martial god, we designed three diverse types of fruit fork and butter knife with a youthful and fun twist. With cultural elements from the local myth, our idea and products are intended to be enjoyable and favorable</span></blockquote>
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<span style="font-size: large;"><b>月光寶盒-大觀音亭 </b></span></blockquote>
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愛情城市 - 臺南,有著最多月老駐點服務,專門解決全省善男信女的疑難雜症 …<br />
信徒們感念在心,有所請託時,可以奉獻心意,針對此項需求,我們設計了具圓滿、甜蜜涵義的桂圓紅棗茶,搭配專屬四位月老的伴手禮 … <br />
大觀音亭<br />
結合臺南傳統的「膨餅」及西洋的「幸運餅乾」為主軸,加入「上上籤詩」,設計出「迷你幸運膨餅」。</div>
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<b><span style="font-size: large;">Tainan Tea Brick</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan: A City in Love<br />Tainan is not only famous for its historical sights and various street foods, but also renowned for the belief in the god of matchmaking (We-Lau). Whether you have a good relationship, desire romance or just went through a terrible one, We-lau is always at your service. In fact, there are different roles for the god of matchmaking from many temples to make your wishes come true, and consequently the idea of We-Lau can be distinguished into four specialized ones. The results are frequently satisfying and rewarding and therefore the believers would like to offer a thanksgiving to them whenever they have a chance or request. According to the custom, we designed several boxes of assorted gifts. In each of them, there is longan and Chinese date tea which implies good luck and joyfulness, and the box is also accompanied with special product which bases on the purpose. The description of these four particular products will include:</span><br />
<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Grand Kuan Yin Temple<br />Traditional fortune cookies “Pon-Bing” in mini version! With a little guidance, this product gives those hesitant people an opportunity to confirm a potential relationship and even more.</span></blockquote>
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<span style="font-size: large;"><b>月光寶盒-大天后宮</b></span></blockquote>
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愛情城市 - 臺南,有著最多月老駐點服務,專門解決全省善男信女的疑難雜症 …<br />
信徒們感念在心,有所請託時,可以奉獻心意,針對此項需求,我們設計了具圓滿、甜蜜涵義的桂圓紅棗茶,搭配專屬四位月老的伴手禮 … <br />
大天后宮<br />
情人節送巧克力為發想,設計「具幻想香氣的芒果」及「微醺白蘭地」口味的「戀愛滋味」巧克力做為伴手禮。</div>
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<b><span style="font-size: large;">Moon Case - Grand Matsu Temple</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan: A City in Love <br />Tainan is not only famous for its historical sights and various street foods, but also renowned for the belief in the god of matchmaking (We-Lau). Whether you have a good relationship, desire romance or just went through a terrible one, We-lau is always at your service. In fact, there are different roles for the god of matchmaking from many temples to make your wishes come true, and consequently the idea of We-Lau can be distinguished into four specialized ones. The results are frequently satisfying and rewarding and therefore the believers would like to offer a thanksgiving to them whenever they have a chance or request. According to the custom, we designed several boxes of assorted gifts. In each of them, there is longan and Chinese date tea which implies good luck and joyfulness, and the box is also accompanied with special product which bases on the purpose. The description of these four particular products will include:</span><br />
<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Grand Matsu Temple<br />Chocolate is a classic way to celebrate a love story on Valentine’s Day. Accordingly, we created mango and brandy flavored chocolate. This product will increase your confidence in expressing your admiration and loving care.</span></blockquote>
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<span style="font-size: large;"><b>月光寶盒-武廟 </b></span></blockquote>
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愛情城市 - 臺南,有著最多月老駐點服務,專門解決全省善男信女的疑難雜症 …<br />
信徒們感念在心,有所請託時,可以奉獻心意,針對此項需求,我們設計了具圓滿、甜蜜涵義的桂圓紅棗茶,搭配專屬四位月老的伴手禮 … <br />
武廟<br />
以戳小三、斬爛桃花的月老特色為產品主軸,結合拐杖、關刀的造型意象,設計出「戳小三水果叉」。</div>
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<b><span style="font-size: large;">Moon Case -The Martial God Temple</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan: A City in Love. Tainan is renowned not only for its historical sites and vast variety of street foods, but also for belief in the god of matchmaking – We-Lau. Whether you are in a stable relationship, desire romance, or have just suffered a traumatic break-up, We-Lau is always at your service. In fact, the god of matchmaking offers four different specialized “services” at different temples, all designed to make your romantic wishes come true. Prayers to We-Lau are usually answered, and grateful lovers frequently come to temples to offer thanks for his intercession. Based on this custom, we have designed several boxes containing a variety of gifts. In each one, there is a longan and Chinese date tea, which represents good luck and happiness. Each box also contains a special product related to one specialized purpose. This one accompanies the blessings attained at the Martial God Temple, which is visited by people who are concerned about their partner’s fidelity. The box contains a fruit fork which will help eliminate rivals from your relationship. The shape of the forks is inspired by the Martial God’s cane and blade – cheaters beware!</span> </span><br />
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<span style="font-size: large;"><b>一碗台南 </b></span></blockquote>
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臺南,給我的第一印象是美食與美景。臺南的建築刻劃了歷史的腳步,食物則傳承了歷史的記憶。當我來到這城市,希望能有一個「碗」可以把這一切都裝盛起來,因此發想出「一碗台南」的設計。這一個碗,刻劃我到臺南的所見所聞,碗上的刻痕,延續我看到、觸摸到的記憶,讓臺南的美永遠留在心中。</div>
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<b><span style="font-size: large;">One Bowl of Tainan</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">To me, Tainan is characterized by its delicious food and beautiful scenery. Both its food and its historic buildings connect us with the city’s colorful history. When I came to Taiwan, I wished I could put everything I experienced into a “bowl” to take home with me, so I later designed this “bowl of Tainan.” The engravings on the bowl record my experiences in the city, and allow these memories of Tainan to linger in my heart.</span></blockquote>
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<span style="font-size: large;"><b>新化街屋二三式 </b></span></blockquote>
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「新化街屋二三式」以老街為靈感,設計出RP量產的房屋模組。利用模組化概念,製作出文件匣或筆筒等整套的系列商品,精巧細致的縮小世界彷彿將美好的老街風景又重現在眼前。使用者可選擇購組合好的產品,也可以只選購房屋磁鐵單體,既能享受蒐集樂趣又能發揮創意做出各種居家擺飾!</div>
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<b><span style="font-size: large;">Shin-Hua Street Houses</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The “street houses” in Tainan’s Shinhua town were designed by a Japanese architect, adopting the European baroque style, and built by Taiwanese craftsmen. Each of these houses is a work of art, and together they represent the district’s past glory. These “Shinhua Street Houses” are slightly simplified models of the original houses, with magnets on the back. They can be attached to magazine files, pen holders, or other products. Users can also buy these small buildings individually to create a collection, or use them to create unique decorations of their own.</span></blockquote>
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<span style="font-size: large;"><b>騎食台南 </b></span></blockquote>
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去年,我們按圖索驥,大街小巷,吃遍台南 今年,我們以車代步,騎食台南,用雙腳與味蕾體驗城市,載著腳踏車的悠遊,穿梭牆磚紅瓦,遊蕩於市井的豐富味覺間。</div>
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<b><span style="font-size: large;">Bike and Bite</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Pedaling through streets and alleys, discovering local delicacies<br />Experiencing the city with bike and taste buds.<br />Enjoy the richness outside and within, we bike and bite in Tainan</span></blockquote>
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<span style="font-size: large;"><b>祈心 </b></span></blockquote>
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所謂的成就,來自堅毅。<br />
所謂的通達,源自智慧。<br />
所謂的安適,出自平靜。<br />
求財不如求心,自助才得天助,在這個花錢買不到平安,學歷不等於順利的年代,我們返本還源,叩問天際,你所真正需要的,其實全繫乎本心。<br />
大天后宮:心寧:香盤<br />
臺南孔廟:心澄:燭台<br />
延平郡王祠:心定:印章</div>
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<b><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: large;">Heart Pray</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan’s snack food is cheap and delicious. You can sample it all, and pay for it with your loose change. This change purse is printed with the characters “Tainan Cuisine.” When you’ve saved enough coins, grab the purse and head out for a snack! Travelers can buy this snack purse with stickers depicting their favorite snack food, and give it to their friends as a personal recommendation. Or they can save their pennies for their next gourmet trip to Tainan!</span></blockquote>
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<a href="http://2.bp.blogspot.com/-t5Sy-F1RgPQ/UdPn4Xp0qYI/AAAAAAAAB3U/Dlzyt4BEyK4/s740/%25E5%258F%25B0%25E5%258D%2597%25E4%25B8%2580%25E5%25B1%25A4%25E4%25B8%2580%25E5%25B1%25A4%25E7%258E%25BB%25E7%2592%2583%25E7%25A2%259F-%25E5%258A%2589%25E7%25BE%258E%25E5%259D%2587.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-t5Sy-F1RgPQ/UdPn4Xp0qYI/AAAAAAAAB3U/Dlzyt4BEyK4/s640/%25E5%258F%25B0%25E5%258D%2597%25E4%25B8%2580%25E5%25B1%25A4%25E4%25B8%2580%25E5%25B1%25A4%25E7%258E%25BB%25E7%2592%2583%25E7%25A2%259F-%25E5%258A%2589%25E7%25BE%258E%25E5%259D%2587.png" height="514" width="640" /></a></div>
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<span style="font-size: large;"><b>台南一層一層玻璃碟 </b></span></blockquote>
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「台南一層一層」玻璃碟以三件不同年代的臺南鳥瞰圖,滄海桑田在這個城市顯現了極清晰的脈絡,臺南地區從一個昔日的商業大港變成今日的文化古都。僅不到一百年前,整條海安路以西幾乎都是魚塭濕地。把這些街道、水道、建築鳥瞰圖重疊起來,彼此對照,對於臺南城市地貌變化即了然於心。</div>
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<b><span style="font-size: large;">Layers of Taian Glass Dish</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Layer by layer, these glass dishes manifest the changing landscape of Tainan. By stacking the dishes, which are engraved with local maps, one can read the city’s history across the centuries.</span></blockquote>
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<span style="font-size: large;"><b>花窗記事 </b></span></blockquote>
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幾次遊歷臺南,漫步於蜿蜒的巷弄間,隨處可見古韻老屋、斑駁磚牆、輕鏽鐵窗,深感臺南是個充滿歷史紋理的城市。<br />
「花窗記事」以臺南街屋的鐵窗為藍圖,將其轉化為簡約的圖紋,運用在筆記本與文具設計上。老鐵窗的鏽色紀錄了過往迎來的臺灣典型生活,花窗間的經緯交錯,留下了關於你的霎那片刻。</div>
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<b><span style="font-size: large;">The Note with Iron Deco'</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">I have traveled in Tainan several times, strolling through the winding streets and alleys. As you see the ancient houses, with their characteristic red brick construction and rusty iron window grills, you gain a strong sense of this city’s ancient history. This design is called “window notes,” and is inspired by Tainan’s traditional window grills. The shape of these windows has been transformed into a decorative pattern, and used to create a notebook and stationery. The color of the rusty iron grills evokes the image of typical Taiwanese life, both past and present, and the horizontal and vertical lines of the windows capture a moment of your life.</span></blockquote>
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<span style="font-size: large;"><b>隨 </b></span></blockquote>
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隨。隨心所欲,隨時制宜。是我對臺南生活態度的詮釋。順隨自己的需要,環境的條件,也許是隨手可得的物品,拼湊創造隨興、獨特的物件。直接、簡單、實用更是臺南人務實天性的基本。這件作品,除了表達以上簡單的想法,也期望能創造更有永續想法的家具。<br />
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<b><span style="font-size: large;">Whatever Works</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Tainan is characterized by the easygoing, laid back lifestyle and attitudes of its residents. This design reflects the Tainan spirit, being constructed of readily available items put together to create a unique object. Like the pragmatic Tainan people, it is straightforward, simple and practical. Using a simple metal framework, it can be assembled without the use of any tools, and can serve as a coffee table, a stool, or ….</span><br />
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<span style="font-size: large;"><b>旅箸 </b></span></blockquote>
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在異地慢慢的品味一切生活的小細節,帶著「旅箸」遊走在街道巷弄間的在地美食,將筷子的前端加入叉子與刀子的小功能,不論在吃水果甜點或是塗果醬及台灣美食時,只要一雙旅箸就可以得心應手並好好品嘗小吃。對現代繁忙的都市人來說,是場奢華又樸實的生活饗宴。</div>
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<b><span style="font-size: large;">Trip Chopsticks</span></b></div>
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<span style="color: #999999;"><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Nowadays, there is a growing trend to travel abroad. Amidst the hustle and bustle of daily life, many people are wanting to pause and relax for a moment. They want to enjoy life, and take the opportunity to experience other places and cultures. While they’re traveling, they love to explore the local area and enjoy the local delicacies. This trend towards a simpler and more relaxed lifestyle is particularly appealing to city dwellers.</span> </span></blockquote>
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<span style="font-size: large;"><b>平安符卡套 </b></span></blockquote>
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用臺南的心情,過臺北的生活。在趕搭捷運的路途中,看到平安符卡時便可以重新感受到曾經旅遊在臺南的慢活風景中,為人帶來一股清新閒適的新感動。將刺繡工藝結合平安的意象融合在悠遊卡套的設計,讓旅者將在臺南美好的時光可以帶回臺北慢慢回味,細細品嚐。期待下一次與臺南的邂逅。</div>
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<b><span style="font-size: large;">Lucky Charm Cardholder</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">This Lucky Charm Cardholder draws its inspiration from the Tainan lifestyle, and aims to share this with people from all over the world. It employs a traditional form of embroidery which has been employed for many years in Tainan, and can be seen in local folk art, temple decorations and fashion items. I wanted to put this traditional handicraft in a new context, by combining it with my skills in designing leatherwork.</span><br />
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<span style="font-size: large;"><b>擔囉(等路)_外帶一份台南 </b></span></blockquote>
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偶然經過臺南巷弄裡的老房子,一張張貼在窗上的窗花吸引了目光,像是對未來的美好期待,祈求幸福與平安的濃情味,暖洋洋地。<br />
每到臺南,總會想帶個伴手禮回家,這次,如果可以把暖暖的人情味一併帶著好吃好玩的小東西當作「等路」提回家,感覺格外有人氣!一起,外帶一份臺南!<br />
註:「等路」是臺灣俚語伴手禮的意思。</div>
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<b><span style="font-size: large;">Dan-Luo - Tainan To Go (Souvenir Package Design)</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">By chance, I visited an old house in one of Tainan’s alleys, and my attention was caught by rows and rows of paper-cuts posted neatly on the windows. It was not so much their mottled appearance that attracted me, or their unique style, but rather the sense of anticipation or a wonderful future, and the human prayers they contained for happiness and peace. Whenever people go to Tainan, they always want to take some gifts home with them. This time, why not take back a touch of Tainan’s friendly spirit? Sweets in a paper-cut are delicious and fun. Take a piece of Tainan home with you!</span></blockquote>
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<span style="font-size: large;"><b>窗外 </b></span></blockquote>
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台南街景,忘不掉的是滿街依循著花期開的熱鬧的鳳凰花、阿勃勒...等,在每戶人家窗外沸揚搖曳。於是我們著手和府城繡莊合作,將台南讓人日夜夢懷的街景融入作品中,得以收藏。<br />
燈: 以鐵花窗做燈骨,繡莊繡上植物為燈罩,不開燈時花朵素雅,開燈時鐵花窗赫然炫麗。<br />
卡片:卡片上印有臺南各季節的花,繡上窗花,宛如在家中透過鐵窗細細品味街上的風光。</div>
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<b><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: large;">Outside the Window</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">“Who would have thought Tainan would have such spectacular scenery? The streets and alleys are full of flame trees. They look like fires consuming other fires. Every time to you step outside, as soon as you raise your head you will see them. You don’t even need to be paying attention – wherever you go, wherever you look, you will be confronted by this raging forest fire of flame trees” (From “A Thousand Moons on a Thousand Rivers). Tainan’s beautiful streetscapes are unforgettable, vivid with plants and flowers and framed by traditional iron window grills. We have worked with an embroidery shop to integrate these plants and window frames into our products, so that travelers can take memories of Tainan’s streetscapes home with them.</span><br />
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臺南四草濕地孕育著豐富多元的自然生態,而溼地本身更兼具有能過濾污染物的功能性。當河水挾帶著污染物經過時,上面的水生植物便會減緩水流,吸附重金屬,將其沈澱至底部,而這些植物也能將太陽能轉換成為微生物能量及氧氣,供給其它生物所需的養分。</div>
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<b><span style="font-size: large;">PlugInn</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Sihcao wetlands are a protected ecological environment in Tainan. The wetlands contain the filter pollutants functionality. when the river carry pollutants meet the wetlands, the plants above will slow down the water speed and adsorb the heavy metal to precipitate to the bottom.</span></blockquote>
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<span style="font-size: large;"><b>香燻花 </b></span></blockquote>
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臺灣人相信神像被香燻得越黑力量越強,從無形到有形,人類的意念傳遞形塑的意象,在記憶中妝點出一種獨特的人文價值觀。 <br />
從文化的價值去探討時間流動的生命感。木頭,一種認知時間的媒材,隨著時空轉變,會以圖像的形式被依附著,材質呈現出分明的質感,而那股深邃的穿透力無形中成了時間自然刻劃的美感。</div>
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<b><span style="font-size: large;">Smoked Flowers</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">In this design, I wanted to utilize the effect of smoking incense to bring out different textures on the surface of a wood block. The burning incense (or cigarette) begins to outline carpels, and then gradually draws out complete blossoms over time. This illustrates how an object develops a reciprocal relationship with its owner, and attains more complex emotion and life over time. The unique characteristics of wood leave behind traces and scents of each interaction, forming an unforgettable memory.</span><br />
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<span style="color: black; font-size: large;"><strong><b><span style="font-size: large;"> 神冰,利器 </span></b></strong></span></div>
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<span style="color: black; font-size: large;"><span style="color: black; font-size: large;"><span style="color: #999999; font-size: small;">臺灣或許沒有幸運餅乾,但我們有滿天神佛帶給我們力量,保佑我們平安!在炎炎夏日之中來上一根沁涼心胸的冰棒,吃完後還可以看見神明給我們的鼓勵,在消暑解渴之餘又能補充精神上的能量向前進!吃完冰棒後,棒子還能夠留下當做水果叉使用,既不製造垃圾又可以讓神明在生活中繼續為我們護航!</span></span><span style="color: black; font-size: large;"><span style="color: #999999; font-size: small;"></span></span></span></div>
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<span style="font-family: Verdana;">Fortune God</span></strong></span><br />
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<span style="color: black; font-size: large;"><span style="color: black; font-size: large;"><span style="color: black; font-size: large;"><span style="color: #999999; font-size: small;"><span style="color: black; font-size: large;"><span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: small;">Religion is one of the most interesting elements of Taiwanese culture, and Tainan is the place with the highest density of religious buildings in the country. However, it’s also one of the hottest places. To integrate these two features of Tainan, we have designed this popsicle featuring the most famous god in Tainan, to help you keep your body and your heart warm, and give you the strength to keep moving! After you have finished the popsicle, you can keep the stick and use it as a fork, an environmentally friendly way to carry the gods’ blessings home with you! </span></span></span></span></span></span></div>
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<strong>杯中南影</strong></span><br />
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<span style="font-size: large;"><span style="color: black; font-size: large;"><span style="color: #999999; font-size: small;">鐵花窗為臺灣傳統的美學,把其意象融入在設計當中,以臺南窗花造型為概念,設計出一系列之咖啡杯套,可套用於紙杯隔熱使用,來到臺南遊玩的遊客們,使用這套咖啡杯套喝飲料的同時,除了觀賞沿路美好風景之外,在喝咖啡的同時更能融入在臺南文化之中。</span></span><span style="color: black; font-size: large;"><span style="color: #999999; font-size: small;"></span></span></span></div>
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<b><span style="font-size: large;"><span style="color: black;">The Tainan Coffee Cup Holder</span> </span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The design concept was come from window decoration in Tainan, and we used the pattern of the decoration to the coffee cup holder design. Let the tourist enjoy the moment in Tainan.</span><br />
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<span style="color: #999999;"><span style="font-size: large;"><b><span style="color: black;">台江黑面琵鷺水果叉</span> </b></span></span></blockquote>
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<span style="color: #999999;">設計出一組黑面琵鷺水果叉,以圖畫構圖的方式,架構成一幅琵鷺的自然生態,來宣傳臺南得天獨厚與亟待大家愛護的珍貴生態資源,並嘗試喚醒人們保護自然生態的精神,人類在追求更美好的生活同時,也應該負起保育自然生態的責任,使地球上的每一個物種都能夠擁有合適的居住環境。</span></div>
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<span style="font-size: large;"><b>愛情線 </b></span></blockquote>
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在傳統習俗裡,向月老祈求綁住夫妻之足的紅線,正是期盼著快點能尋找到紅線另一端的佳偶,希望「此繩一繫,便定終身」。將紅線帶在身上,除了可帶來好運以及好姻緣外,也可辟邪保平安。 22™將傳統紅線的概念,給予現代的簡約設計,使愛情線成為現代人可以隨身配戴的精巧飾品,亦是個人的貼身幸運小物。</div>
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<b><span style="font-size: large;">Love String</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Taiwanese people carry red strings to bring good luck in relationships and health. These traditional red strings have been given a modern design by 22 Design Studio, and can be worn as jewelry or as a personal lucky charm.</span></blockquote>
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<span style="font-size: large;"><b>美麗時光 - 壓花玻璃杯墊 </b></span></blockquote>
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臺南,承載不同的文化背景和歷史痕跡,留存下許多典雅的老房子。除了建築體本身,裡頭也蘊藏許多美好舊時光的故事。踏進老房子內,便可以感受到舊時愉快的氛圍,讓人心生嚮往。這組杯墊是仿製臺灣具代表性的壓花玻璃的花紋製成,共有三種花色。每個花紋都承載著不同歲月的回憶。</div>
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<b><span style="font-size: large;">Good Old Times - Rolled Glass Coaster</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">There are a lot of well-preserved historical buildings in Tainan City, full of untold stories of the past. These embossed glass coasters are inspired by the embossed glass patterns once produced in Taiwan in the 1940s, during the period of Japanese governance. Every coaster contains a pattern representing an event in Taiwanese history.</span></blockquote>
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<span style="color: #999999;">歐洲人訪台經驗中,臺灣的社會是新鮮而創造性的。PeLi想要表現的就是臺南人情味的印象。珍珠奶茶結合古老與新奇的方式,藉此創造出一種新的文化涵養。不採取傳統塑膠杯,PeLi改造成比例勻稱與具價值的玻璃材質並加上了杯蓋與支架,取代塑膠的用盡即棄。</span></div>
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<b><span style="color: black; font-size: large;">BoBa</span></b><span style="color: #999999;"><span style="color: #999999;"><br /><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Experimentation is in the DNA of Taiwan, even though it can look back on thousands of years of cultural heritage. When visiting Tainan, designer PeLi was amazed at how easily old parts of the city were broken down to make way for few buildings. This spirit is also applied to everyday objects, which are constantly being reinvented. One could say the Taiwanese are natural-born designers. In this design, PeLi wanted to display the impression that this country (and especially this city) had made on him, so he created the bubble tea glass – “BoBa.” Bubble tea was invented at a Tainan tea shop (some claim it was Taichung, but no-one disputes bubble tea is uniquely Taiwanese). For PeLi, this bubble tea glass incorporates the very old, but does so in a fresh and playful way. Bubble tea usually comes in throwaway plastic cups. Instead, PeLi offers a valuable and well-proportioned glass with a lid (in which a glass straw is fixed), and a stand. The whole concept of making a bubble tea cup from real glass, places the bubble tea drinking on a higher cultural plane, and brings it closer to the ancient tea ceremony.</span></span></span></div>
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<span style="color: #999999;">停留在台灣的這段期間,三個方向觀察,啟發了這件作品:台灣致力於傳統工藝的保存,台灣蓬勃發展的製造產業和樂於分享的常民文化的。「手做」是工藝和工業大量製作之間的必要平衡,台灣正努力在保有及重新發現這樣珍貴的特質。透過動手組裝這件作品的過程,分享、拉近了人們與工藝師以及傳統工藝的距離。</span></div>
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<b><span style="color: black; font-size: large;">Myth Kit</span></b></div>
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<span style="color: #999999;"><span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Three things inspired this project; Taiwans preservation of traditional craft, Taiwans industry and the general culture of sharing that I experienced throughout my stay. Handmade in Taiwan is represents the necessary balance between craft and industry that taiwan has managed to maintain and rediscover. It also represents sharing, leaving some of the assembly tasks of the product to the end user which, in turn, brings them closer to the skill of the craftsman.</span></span></blockquote>
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<span style="font-size: large;"><strong>台南散步 </strong></span></blockquote>
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設計概念將以「臺南城市剪影」體現臺南城市氛圍與老街舊巷旅行探索經驗。此系列銀飾項鍊以優雅的線條勾勒台南景色,富含臺灣臺南的歷史文化意涵,融合中西式建築、時空與藍天、白雲、綠樹交織的天際,以及臺南人生活閒適的步調;喚起在臺南大街小巷散步的回憶與情感體驗,傳達出深刻的臺南文化意涵。</div>
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<b><span style="font-size: large;">Wandering in Tainan</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"> “Wandering in Tainan” is a project in jewelry design by Studio YCYC that is inspired by memories of Tainan. Beginning in 2011, they have attempted to transform the city’s abstract culture and physical appearance into physical artifacts, based on their own experiences of living, wandering, and observing in Tainan, as well as their interactions with local people. Inspired by the diversity of landscapes and cultural heritage in Tainan, Studio YCYC has used outlines of old buildings and local flora to create a set of silver necklaces. It is hoped these silver necklaces will evoke images of strolling around the city.</span><br />
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<span style="font-size: large;"><strong>檳榔木─牙刷 </strong></span></blockquote>
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檳榔與臺灣文化的歷史淵源甚深,檳榔成為生活中既神聖又親近的物品。而檳榔樹最密集之處為新市、佳里、麻豆、蕭壟、善化…等地。臺南為漢人早期來臺拓墾的重地,以木工的榫卯技法為人稱道。本設計以生活用品─牙刷為主要物件,以早期遍佈的檳榔木為材料,傳承榫卯的結合方式,表現出臺南老物件溫潤細膩的氛圍。</div>
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<b><span style="font-size: large;">Betel Wood Toothbrush</span></b></div>
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<span style="color: #999999; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Betel nut has long held strong cultural significance in Taiwan, and its use in early Taiwanese society was widespread and diverse. It was planted and consumed by the Ping Pu tribes as a means of keeping warm, and was also employed to treat malaria, and as a sacrificial offering. These days, Betel palms are most commonly found in Shinshr, Jiali, Madou, Soulangh, and Shanhua, in Tainan. Tainan was also the primary destination for early Han immigration to Taiwan. These Hans brought with them traditional skills in mortise and tenon woodworking. The toothbrushes displayed here incorporate these two historical and cultural elements. They are made from Betel wood, and constructed using the mortise and tenon technique. We hope they will embody the feeling generated by Tainan’s historical artifacts.</span></div>
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Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-48243167979368520752013-07-04T23:43:00.001-07:002013-07-04T23:43:20.929-07:002012 五十禮+ / 設計師「台南參訪之旅」<br />
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<span style="color: #999999;">2012 五十禮+ / 設計師「台南參訪之旅」</span><span style="background-color: white; color: #999999;">,安排了一系列參訪活動,讓參與的國內外設計師能更瞭解台南的在地文化與產業的脈絡。</span></blockquote>
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<b style="background-color: white;">國內設計師參訪活動</b><span style="background-color: white;"> </span></blockquote>
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<b style="background-color: white;">第一站 / </b><b style="background-color: white;">台南舊市區的糕餅產業</b><span style="background-color: white;"> </span></blockquote>
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<span style="background-color: white;"><span style="color: #999999;">首先登場的是由鄭道聰老師帶領大家遊走台南舊市區的糕餅產業。鄭老師首先從神農街出發,講述五條港的歷史以及糕餅產業與之共生共榮的脈絡,並帶大家實際走訪了水仙宮市場的寶來香餅舖以及位於西門商場的百珍喜餅蛋糕,除了讓設計師們更深刻瞭解糕餅的製造過程和各種傳統口味和祭祀活動之間的關係之外,也讓設計師們大飽了口福。</span></span></blockquote>
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<b style="background-color: white;">第二站 / 台南市</b><b style="background-color: white;">北區鄭仔寮福安宮</b></blockquote>
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<span style="color: #999999;">隨著生產方式與新式材料的演進,設計也追求以快速製成及低廉的材料,取代耗時費工、造價昂貴的工藝製作。在求新、求快的浪潮下,最能展現台灣傳統之美的廟宇建造, 易掀起了從工資低廉的大陸,進口現成品回台拼裝的風潮。最後流失了台灣的歷史、人文與傳統工藝的価值。</span><span style="background-color: white;"> </span></blockquote>
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<span style="color: #999999;">而台南鄭子寮福安宮, 則是堅持保存台灣的傳統工藝,邀請知名的幾位廟宇工藝大師,如陳三火、杜牧河、施弘毅、蘇天福等人,以手工製作廟宇的剪黏、泥塑、石雕及彩繪,共費時五年完成。<span style="background-color: white;"> </span></span></blockquote>
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<span style="color: #999999;"><span style="background-color: white;">2012 五十禮+ / 設計師「台南參訪之旅」</span><span style="background-color: white;">,特地邀請設計師們造訪這座保存了台灣傳統工藝之美的廟宇,在蘇總幹事細膩的導覽下,讓設計師們體會工藝師父們對在地文化的熱愛與堅持,期待設計師對台南的人文有更深層的瞭解。</span></span></blockquote>
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<b style="background-color: white;">第三站 / 台南市北區</b><b style="background-color: white;">開元寺</b></blockquote>
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<span style="color: #999999;">開元寺保留了傳統的各式毛玻璃、窗花與梁柱,在奉茶葉東泰老闆親自導覽下,從入口處的浮雕、門神到開元寺內的建築,讓設計師們瞭解到開元寺的歷史與特點。</span></blockquote>
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<span style="color: #999999;">其間一位熱心的修道師父更前來教導設計師們如何禮佛,從手勢變化到就地跪拜,讓設計師們體會到禮佛的程序與學佛者的虔誠。</span></blockquote>
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<b style="background-color: white;">第四站 / 台南奉茶茶席</b></blockquote>
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<span style="color: #999999;">奉茶台南總店是台南「老屋欣力」當中的一房代表,在保留老屋原有的架構下加入了些許的現代元素,流露著新舊交融的時代美感。</span></blockquote>
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<span style="color: #999999;">設計師們的茶席設置在二樓的和式座席,配合奉茶葉東泰老闆的「一事一茶」,設計師們席地而坐、與茶會談,以茶瞭解台南市的區域發展史。</span></blockquote>
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<span style="color: #999999;">茶席結束後,有設計師拿出筆墨請奉茶葉東泰老闆即刻書寫,詢問原由後,設計師表示漢字是台灣人最熟悉的文字,但以傳統的筆墨書寫起來卻顯得陌生,反映了現代人對傳統工具產生隔閡的現象,設計師計畫請一百個人書寫一百個筆墨漢字,紀錄這樣的人文變遷。</span></blockquote>
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Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-63622112511381411082012-07-20T23:31:00.002-07:002012-07-24T20:22:33.481-07:002009 奉茶五十 Tea Serving 50 / 主題說明<br />
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<b style="color: black;"><span style="font-size: large;">奉茶五十 / Tea Serving 50</span></b></div>
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台灣是個「富而好禮」的社會,處處充滿人情味與善意。即使在台灣還並不富裕的年代,善意的體貼與無私的付出,就是人情之常了。 昔日路旁鄉間的「奉茶」場景雖已少見,我們卻隱約覺得這般情意仍潛藏在台灣的許多角落。 </div>
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所以「點.心」今年就以「奉茶五十」,邀請五十幾位設計師,期盼將「奉茶」的精神,體現在生活的各個場景。透過種種入微的體察,為人為己為環境,種下善因。</div>
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Taiwan has traditionally been an affable and sociable society. This selflessness has been ever-present within the community even when the country was still considered impoverished a few decades ago. Back in the day people would offer strangers tea as a sign of goodwill. Although the act of “serving tea” is rare in Taiwan today, the spirit continues to live on in many forms.</div>
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In celebration of this tradition, we have chosen “Tea Serving 50” as the theme for this year. Over seventy designers will be invited to express this unique culture by presenting various facets of life in Taiwan. For the individual, for the people, and for the society, we hope to continue this legacy of giving for the many generations to come.</div>
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<br />Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-735294264398596252012-07-20T20:14:00.002-07:002012-07-24T20:22:50.853-07:002009 奉茶五十 Tea Serving 50 / 參展作品介紹<div style="font-family: Verdana,sans-serif;">
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<b><span style="font-size: large;">奉茶几</span></b></blockquote>
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<span style="color: #999999;">奉茶几設計,從原有擺放路旁的竹製茶壺架改良,結合現代時尚與復古風並俱概念。茶几用一體成形鏡面金屬,輔以花朵圖騰雕刻,映射出充滿歲月的老茶壺光輝。茶几下擺放著古董茶碗,概念來自唐代詩人盧仝《飲茶歌》中說由於茶味好,詩人連飲數碗,每飲一碗,都有一種新感受</span><br />
<span style="color: #999999;">……一碗喉吻潤。二碗破孤悶。三碗搜枯腸,惟有文字五千卷。四碗發輕汗,平生不平事,盡向毛孔散。五碗肌骨清,六碗通仙靈。七碗吃不得也,唯覺兩腋習習清風生。 </span></blockquote>
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<span style="color: #999999;">附身攜帶的3合1咖啡包或茶包,使用上常常忘記帶杯子或找不著杯子,此設計將杯子與隨身杯結合讓你隨時隨地,都可泡出幾杯暖呼呼的熱茶及咖啡,與朋友共享。</span></blockquote>
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<span style="color: #999999;">藉由主體的物理特性,發現客體的存在。時間的順時紀錄,也逆時顯影過往。茶水冷暖,杯墊知道!</span> </blockquote>
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<span style="color: #999999;">茶園裡長大的我,兒時最深刻記憶中,是採茶人揹著沉重的茶簍,從清晨到日正當中,小心翼翼的摘取適合製茶的茶葉放置到竹簍中。從竹簍口中看著聞著一點一點累積起來的茶葉和香氣讓我想到飲水思源,飲茶也應當感念採茶人的心意與辛苦。以此為啟發,在設計中以平面竹編的竹簍口為主加上透明半圓燈罩,希望透過光和影的結合去訴說這個故事性。</span> </blockquote>
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<span style="color: #999999;">在台灣,奉茶不僅是一種待客之道,更可以在泡茶的過程中,經由肢體、語言的接觸,讓客人與主人間消除緊張或增加互動。因此,此款茶磚的設計,以「小人手牽手」=「好客、歡迎、分享」的造型語彙,希望能增進泡茶時人與人之間的話題性與樂趣,在機能上,透過巧妙的計量設計,讓「一個人喝茶=一塊小人茶磚」的方式,讓喝茶磚不再是令人傷腦筋的事。</span> </blockquote>
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<span style="color: #999999;">奉茶是一種體貼、一種厚道,更是一種分享。分享,施比受更有福;葫蘆常被用來意喻福氣,同時也是早期生活中不可或缺的容器。葫蘆有著文化符號與功能應用,將葫蘆元素導入奉茶設計,從實質與精神層面完全網羅。奉茶!喝茶還是果汁? </span></blockquote>
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<b><span style="font-size: large;">小心燙 </span></b></blockquote>
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<span style="color: #999999;">茶,趁熱喝,茶入口香入心。人,修身怡情,奉上泰然自若沁涼意境。</span><span style="color: #999999;">通透冷冽的杯身,象徵時人對傳統茶文化似已不甚熱衷。沏入暖暖茶湯,浮現茶杯形象,再喚台灣人的愛茶基因。</span> </blockquote>
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<b><span style="font-size: large;">摘 </span></b></blockquote>
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<span style="color: #999999;">奉茶的果實,無私而甘美,引手摘取,心存無限感激。</span> </blockquote>
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<b><span style="font-size: large;">感恩(感溫)</span></b> </blockquote>
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<span style="color: #999999;">奉茶的記憶中所傳達的是一種人與人之間的人情味,一種溫度的感受。利用兒時記憶中奶奶手上捧著溫熱器(火烘)的透光性,結合竹編(隨意編)隔熱效果,將光影透過竹編光影變化,將竹細緻呈現,打開看見如銀的效果光點讓人感受溫暖,將曾經的美好記憶,溫暖置入。 </span></blockquote>
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<span style="color: #999999;">奉茶雖然在現今生活中已不常見,但提到這個名詞總能勾起人們藏在心中的那份愛心,本設計將這種用水杯與人分享的溫馨轉換到商店內的飲料杯蓋設計,外帶杯喝完後將杯蓋的投幣孔拔下,就可變成杯子造型的存錢筒,將你的的愛心零錢存在外帶的飲料杯中,之後可定期帶回到辦愛心活動的商店集結成大愛。</span></blockquote>
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<span style="color: #999999;">奉茶雖然在現今生活中已不常見,但提到這個名詞總能勾起人們藏在心中的那份愛心,本設計將這種用水杯與人分享的溫馨轉換到商店內的飲料杯蓋設計,外帶杯喝完後將杯蓋的投幣孔拔下,就可變成杯子造型的存錢筒,將你的的愛心零錢存在外帶的飲料杯中,之後可定期帶回到辦愛心活動的商店集結成大愛。 </span></blockquote>
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<span style="color: #999999;">記憶在喝茶的過程裡延續"層層"記憶架構了一篇篇故事,串連起屬於杯子與主人之間的故事,利用紙片層層堆疊出的杯子形態,在雙手緊握的杯子裡感受著來自紙片所建構出的造形張力,日積月累,記憶在經驗裡將不間斷的留下人生註記。</span> </blockquote>
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<span style="color: #999999;">拿著一只紙杯在街頭乞討....這些畫面是我們在國外隨處可見,根據美國政府相關部門所公布的一項調查報告,全美各地每天約有七十五萬四千人露宿街頭並過著乞討的生活,同樣的,在台灣遊民也是社會弱勢的一群,乞討的景象在你我生活周遭存在著,這其中的原因眾多複雜。為了幫助遊民的弱勢族群,我們有了HOPEcup的想法,但是我們希望觸角能延伸到台灣所有弱勢團體而不單只是遊民,同時也希望藉由HOPEcup的想法,回歸以前台灣無私奉獻,具有人情味的溫暖社會。</span> </blockquote>
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<b><span style="font-size: large;">一瓢飲</span></b> </blockquote>
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<span style="color: #999999;">一簞食,一瓢飲。簡單正流行。中國傳統文化中常見的葫蘆造型因為內部空心所以自然成為盛水容器;本設計靈感即是取” 虛實相生”的概念,以</span><span style="color: #999999;">漂浮在水上的葫蘆表現可以隨時舀起一瓢水飲用。希望忙碌生活的現代人每天都能有片刻時間喝一杯茶,讓心靈空出一個享受簡單生活的空間。 </span></blockquote>
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<span style="color: #999999;">設計靈感源自於中國青銅器〝爵〞,其三足而立的造形給人穩定莊重的感覺;在古代它曾經是天子敬天祭祀的禮器,本設計重新詮釋經典的三足造形並應用在茶杯的設計上,讓飲茶的同時更增添濃濃的文化風味。</span></blockquote>
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<b><span style="font-size: large;">茶葉垃圾桶 </span></b></blockquote>
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<span style="color: #999999;">奉茶,為他人設想所表現出來的行為,飲水思源。住在藍星上面,星球資源慢慢消耗,利用現有資源回收再利用,利用茶葉渣回收再利用,垃圾桶把茶葉渣壓縮成形。 </span></blockquote>
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<span style="color: #999999;">觀察傳統奉茶型式與使用情境,用現代設計思維,將其融入更貼近生活的茶壺中,以單純的幾何元素搭配俐落底面切削,創造出兩種截然不同的姿態,別具趣味性的使用方式,將「奉茶」體貼的心意,在每一次砌茶過程中反覆傳承。 </span></blockquote>
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<b><span style="font-size: large;">客來。奉茶 </span></b></blockquote>
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<span style="color: #999999;">『 奉茶 』是一種心意、溫情、人與人之間的真誠相待及關懷。透過了一杯茶,樸素的愛無聲的傳達出來,一種感同身受、體恤他人的美德溫暖了飲者的心。藉由此施與受之間的關係轉化為現代賣與買的行為,將體貼消費者的【隔熱杯套】融入東方茶具造型元素並加以設計,期望在接過雙手奉上的飲品時,也能感受到那濃郁人情味的傳遞。</span> </blockquote>
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<span style="color: #999999;">「奉茶」是一種愛,一種對於天地萬物的感謝而轉換的崇敬行為,小小的一碗茶水,隱含了人對人之間的關愛與體貼。本產品以雙手捧碗,拇指所留下的痕跡,來傳達每一位飲用「奉茶」的人所懷抱的感恩之心;杯蓋如彎月般的眼睛造型,就像是沉浸在充滿濃濃人情味的茶中,而蓋頂的愛心則是喜悅與感激的表現。以「奉茶娃兒」的設計,來傳達喝茶不只是喝茶,那是一種分享、一種人與人之間的愛,一種美好的生活體驗,一種人情味。</span></blockquote>
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<b><span style="font-size: large;">茶匙 </span></b></blockquote>
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每當用茶包泡茶時,總會面臨一種情形,就是為了避免茶包浸泡時間過久使得茶變得苦澀,我們總會在沖泡一定的時間後將茶包取出,但是溼答答的茶包卻從來都不知道該放在哪裡?</div>
<span style="color: #999999;">茶匙的設計概念就是為了解決此不便,它不僅是攪拌用的湯匙,更重要的是藉由特殊造型與材質特性,可將茶包固定於杯子的內壁並達到阻絕茶葉與水接觸的效果,讓你再也不用因為無處擺置用過的茶包而懊惱,能在沒有時間的壓力下好好品味一杯濃度適中的好茶。</span></blockquote>
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<b><span style="font-size: large;">茶電話 </span></b></blockquote>
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以”茶”為名的桌上電話。</div>
<span style="color: #999999;">“茶”一直以來都在亞州人的生,活中扮演著撫慰心情,讓自己安淨沉澱下來的重要角色。想把這樣的心靈療癒的特質帶進生活中常用的家電,利用琥珀色茶水般的透明質感和陶,木頭等材質的組合,創造出東方人特有氣質的家電系列。</span></blockquote>
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<b><span style="font-size: large;">棒棒茶 </span></b></blockquote>
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在步調快速,凡事講求效率的現代生活中,很多美好的事物都被簡化了。奉茶的行為是其一,泡茶的過程亦是其一。現代人飲茶的動作,常常是把茶包往杯子裡一丟,熱水一沖就完成了。以前泡茶時講究的心靜舒緩都跑到哪裡去了呢?</div>
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<span style="color: #999999;">棒棒茶為一長條型的茶包,造型靈感來自於日本茶道泡綠茶時的綠茶刷,在喝茶前先慢慢的攪拌一下,讓心情靜下來~折邊造型在存放時可折疊不佔空間,在茶水裡攪拌時便會膨脹開來,給茶葉更多舒張的空間。攪拌棒式的茶包,抽取時更衛生,同時不會有棉線掉進茶包或丟棄時纏捲不易的問題;省去加糖時攪拌的木棒,更有節約環保的意義。</span></blockquote>
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<b><span style="font-size: large;">茶中壺 </span></b></blockquote>
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<span style="color: #999999;">小時候在田邊,常常看到有隻大茶壺,不起眼但就像農家的忠樸,為在田裡工作的人解渴,為路過的人解渴,大大的度量,包容所有人、解所有人情味的渇。依稀還記得飲水機未普遍時,晚上媽媽會用大茶壺燒開水,以備明日爸爸上工時飲用。曾幾何時這樣的景象只停留在記憶中,就像奉茶一樣變成過往台灣人情味的歷史。</span><br />
<span style="color: #999999;">因此我用大茶壺的外型設計一款濾茶組,取名為「Deigo」,念起來音似茶壺的台語。朋友來訪時,泡杯好茶,解人情的渇,分享朋友關於奉茶的故事,讓台灣的人情味流傳下去。 </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">分享1/2 </span></b></blockquote>
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二分之ㄧ的濃度,帶來兩份的幸福。在每次泡茶的時刻,您可以選擇將茶包完整沖泡或是將其撕開分享給他人。今天想喝濃郁的茶?還是享受淡淡的芬芳?茶伴給您完全的自主權。</blockquote>
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<b><span style="font-size: large;">雙喜奉茶盤 </span></b></blockquote>
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<span style="color: #999999;">奉茶是分享和充滿人情味的貼心感。</span><br />
<span style="color: #999999;">要把一杯杯泡好的茶分享給大家,托盤就是一個可以承載滿滿好意的媒介。台灣訂婚的奉茶習俗是男方當天來到女方家下聘時,新娘要捧著甜茶向新郎家的長輩一一敬茶。而雙喜奉茶盤就是在讓新娘可以捧著美美充滿喜氣的托盤奉茶,也可是送客時的糖果盒,而婚後會有更多的親戚到家裡</span><span style="color: #999999;">拜訪,這時又更多奉茶機會囉~放再茶几上也是一個實用的center piece。 </span></blockquote>
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<b><span style="font-size: large;">人情味 </span></b></blockquote>
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台灣人以人情味聞名。但有人說現在社會人情味越來越淡薄,人與人的防備心越來越重,未來或許需要一些器具來訓練人們找回人情味。人們可以使用 goodwill mirror “試圖”去幫助不小心騎上禁行機車道的機車族阻擋警察對於違規的拍照行為,或者警察可以藉此發現自己的人情味,自行找尋被 goodwill mirror 阻擋到的完美角度,拍出失敗的違規照片。</blockquote>
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<b><span style="font-size: large;">華人的咖啡杯 </span></b></blockquote>
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當茶傳到了西方,西方人用他們的觀點重新創造了屬於他們的茶杯(英國人在中國茶杯上加了耳朵已解決燙手,好拿的問題),而後咖啡的發展,西方人還是習慣拿這樣的杯子來裝成這樣適合熱飲的飲品,流轉了百年之後,這個飲品傳回了東方,當然這時我們所使用的就是西方人創造而來的有耳朵的咖啡杯了。</div>
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<span style="color: #999999;">但是,我們質疑以西方的觀點創造出來的飲品物件(咖啡杯)是合乎我們東方的美感價值與精神文化的,若以咖啡這個外來飲品所延生的杯具必然要解決燙手,好拿等問題的話,我們也因該以我們自身的文化與美感來處理,那就絕對不會只是粗糙的加了個耳朵來便宜了事於是,我們將杯子落了足,使其達到一種對稱,和諧的造型,來表達我們的中庸思想與東方的美感,這無疑是對這個外來飲品所延生的物件做一次東方觀點的再詮釋。</span></blockquote>
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<b style="color: black;"><span style="font-size: large;">一起吃吧! </span></b></blockquote>
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我們發現深植在我們生活中的一種庶民文化,使得這塊土地上變得如此充滿人情味與善意,那就是,我們特愛與人一起分享我們的食物,就像是加雙筷子般的留客人下來吃飯,或是在吃鹹酥雞時將紙袋撕開的讓大家一起吃的行為,我相信這些都是一種展現我們好客,喜分享的特性而這其中又以鹹酥雞這種庶民美食,最能彰顯表達出我們在地的文化特徵了,我們發現,人們在吃鹹酥雞的過程中,如果是大家一起吃的話,通常我們會習慣性的將裝承鹹酥雞的紙袋撕開,當成盤子來使用,方便大家來夾取,但是自己吃的話則否,於是乎,對上述生活行為的觀察,似乎讓我們找到了可著力之處,那就是我們利用一個非常在地的一種庶民美食(鹽酥雞)的物件(裝成鹹酥雞的紙袋),將其被撕開的狀態作為造型,再用成瓷器來燒製,使其成為一個盤子來使用,來彰顯那獨特的分享的行為_____一起吃吧!</blockquote>
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<b><span style="font-size: large;">阿姆斯壯系列陶紙杯 </span></b></blockquote>
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奉茶,在過去是一種無私的分享,一種珍惜的情感。但時代變遷下,人們漸漸對安不安全,衛不衛生有了顧慮,於是我們自私的選擇了看似乾淨攜帶方便的外帶飲品。</div>
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<span style="color: #999999;">就這樣,我們讓台灣每年多了超過4億個廢棄杯,但其實我們始終懂得珍惜</span><span style="color: #999999;">現在只要我們手中換上,在使用的當下一切並沒有不同,但我們的未來卻已改變。 </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">奉君,天地一隅 </span></b></blockquote>
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隨著際遇走在山間,也許會遇上一壺茶,給予那當下放鬆的時刻。「奉茶」是一種心意,一個不用相互認識的默契,只透過媒介物本身傳遞訊息。那個當下,除了「茶壺與水」的形式,往往旁邊還會擺放把簡單的椅子,除了一飲,尚有一坐,所以我們嘗試使用椅子表達「奉茶」主題。選用一把形式最簡單的椅子,加上一個盒子。盒子裡面可以置放些零食、書本給過路人。過路人也可以在盒子裡留下些東西,和下一個未謀面的人<br />
分享。我們又分別把椅子放在一片風景中,或是巷弄間,或是台南市某個特別處,以攝影的方式記錄這個畫面,抱持分享的情意,奉上「一片景色,一個心情」給觀賞者。</blockquote>
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<span style="font-size: large;">共飲茶 </span></blockquote>
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<span style="color: #999999;">十年修德同船渡,多少年修德才能共飲一壺茶?因為奉茶,陌生人得以短暫相聚。圓底的茶杯,放不穩,拿不遠,躺也不是,立也不是,看似不合理的缺陷,卻讓喝茶的人必須聚在小小的木柱周圍,把杯子放回圓圓的凹槽上。無形中延長陌生人「一期一會」的難得緣分,也讓杯子總是歸回原位。</span></blockquote>
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<b><span style="font-size: large;">餘光 </span></b></blockquote>
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<span style="color: #999999;">奉茶的精神主要在於服務與奉獻 ,此作品便是以奉獻為出發點所設計出的燈具。在這講求綠色環保的時代 ,凡事都要求節能減碳隨手關燈 ,但當要關燈時,是否有想到要留一盞燈給尚未回家的人呢 ? 在不違反綠色生活的前提下 ,當開關關閉,燈泡熄滅時,藉由夜光材質所保留的能量繼續發光 ,為他人繼續照亮環境 ,當然也提醒關燈者多為他人想一想,留盞燈給最後回家的人。</span></blockquote>
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<b style="color: black;"><span style="font-size: large;">ㄨㄛˇㄒㄧㄤˇㄉㄨㄟˋㄋㄧˇㄕㄨㄛ </span></b></blockquote>
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回想起大掃除的時候媽媽忙上忙下的拼命著,而我上前想幫忙時媽媽總是說︰「不用,幫我倒上一杯茶就好。」這也成為我大掃除唯一的工作,說來還真有些慚愧。小時候再母親節的賀卡上一定要斗大的寫著「ㄨㄛˇ ㄞˋㄋㄧˇ」,而這句話大概也只有小時候才敢對媽媽說吧!想藉由倒給媽媽的茶,表達我真的很愛你!</blockquote>
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<b><span style="font-size: large;">分 </span></b></blockquote>
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<span style="color: #999999;">奉茶是一種分享,分享是一種捨得,捨得是一種態度 ,態度則改變生活。</span><span style="color: #999999;"></span> </blockquote>
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<span style="color: #999999;">以『分』為靈感,透過水泥堅硬吸水但又可折斷的特性,將分享的精神寄託在個杯墊之中。由兩個單體結合成若即若離的完整體,其形象來自於細胞分裂前藕斷絲連的那一刻。隱喻分享的善緣如同細胞分裂與複製一樣擴散。再留下伏筆讓人們自行決定是否折斷杯墊分送他人。而折斷後裂痕的唯一性也象徵情感的唯一性。每當看到自己手上缺角的杯墊,便想起當初送給了誰。</span> </blockquote>
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<b><span style="font-size: large;">敬 。 喜 </span></b></blockquote>
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奉上一杯崇敬的茶。</div>
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在台灣茶文化,晚輩向長輩奉茶、主人向客人奉茶、新娘向婆家奉茶…...恭恭敬敬的雙手奉上杯誠意的茶,崇敬的動作裡流露著彼此相互給予的敬意。<br />
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<span style="color: #999999;">一個禮儀,一種文化,"敬。 喜" 藉著使用的動作帶出恭敬的禮儀。在這樣的架構下,以紙容器連結著硬實的心瓣主體,捻手開起 如花瓣般的綻放……於是產生了讓人不得不以雙手用茶的茶杯,感受著該存有的是顆恭敬的心,以實際的行為感知,帶出台灣的奉茶文化價值。</span> </blockquote>
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<b><span style="font-size: large;">茶。園 </span></b></blockquote>
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『坐酌冷冷水,看煎瑟瑟塵。無由持一碗,寄與愛茶人。』為您斟上一杯好茶,請您淺嘗輕酌,別擔心,一切無須理由,我亦不求回報。<br />
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奉茶的精神在於人與人真誠的奉獻與接納。茶葉與水的纏繞,需熱、需沸,才能相融。正如陌路行人,需藉暖暖人情,才能化去心牆。透過水的流動,注入杯中,沏出一壺茶!心需沉靜,如杯中漣漪終歸平靜無波與茶器融為一體,如澆水入盆終將水土結合孕育盎然生機。<br />
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<span style="color: #999999;">一株蓬勃的植物,由母盆生長至子盆,繁衍相生,終有一天大地將滿是綠意。人情溫暖,不就是這麼傳遞出去、散葉開枝的嗎?喜悅感動,透過無私的分享,肯定能沖散疏離,尋回人心深處的那片柔軟淨土。 </span></blockquote>
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<b><span style="font-size: large;">賞茶 </span></b></blockquote>
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將先人在園林建築裡賞花飲茶的閑情雅緻,帶入現在繁忙的辦公生活中。其建築的美感在於空間的層次變化,帶入到茶具的設計上,營造在品茶的過程裡,能單純品味因茶葉甦展而綻放的自然色澤與其空間的交融美感。<br />
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<span style="color: #999999;">運用具有溫潤感的陶瓷與清澈感的玻璃做巧妙的搭配,使其溫暖傳於掌心,茶色映入眼簾 ,氣味為之撲鼻。人們將純淨的心奉獻給品茶的過程,感覺心開始甦醒了…… </span></blockquote>
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<b><span style="font-size: large;">茶經 </span></b></blockquote>
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<span style="color: #999999;">陸羽將文字揮灑於紙上,與世人分享茶道合諧之美,而我試著將茶葉揮灑於紙上,隨時與朋友分享悠閒的午茶宴,撕落的茶頁在清澈中渲染出茶香</span><span style="color: #999999;">,淡淡地我們將分享化作溫暖流入心底,我們將微笑化作弧線映照水面,茶涼了,心卻暖了,輕輕道聲:午 安! </span></blockquote>
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<span style="color: #999999;">在兒時的記憶中,鄉下榕樹旁總會有好心人準備的茶水,讓人們能喝口茶,休息一下;而長輩們也會提醒小孩,把水喝乾淨,珍惜奉茶人的心意。奉茶文化深植在台灣早期農民生活當中,藉以奉茶精神轉化為平常的行為觀念,當人們取杯飲水時,滴水珍惜,飲水而思源。</span> </blockquote>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-12786510239683548182012-06-27T06:31:00.002-07:002012-07-26T08:52:51.593-07:002011 五十禮 50 Manners / 主題說明<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://3.bp.blogspot.com/-N0WsXOwZxIM/T9Wlnln0SEI/AAAAAAAAAKU/6K3_jQU3HWM/s1600/%25E4%25BA%2594%25E5%258D%2581%25E7%25A6%25AE-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/-N0WsXOwZxIM/T9Wlnln0SEI/AAAAAAAAAKU/6K3_jQU3HWM/s640/%25E4%25BA%2594%25E5%258D%2581%25E7%25A6%25AE-01.png" width="630" /></a></div>
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<span style="font-size: large;"><b><span class="Apple-style-span">五十禮 / 50 Manners</span></b> </span></blockquote>
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<span style="font-size: small;"><b><span class="Apple-style-span">2011年起,「</span>點</b></span><span style="font-size: small; font-weight: normal;">‧</span><span style="font-size: small;"><b>心<span class="Apple-style-span">設計邀請展」將以台南這個城市,作為日後聚焦的場域。</span></b></span></blockquote>
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<span style="font-size: x-small;"><span class="Apple-style-span">由於感受到台灣設計的探索,不能失去與土地和民眾的對話,而且必須持續耕</span></span><span style="font-size: x-small;"><span class="Apple-style-span">耘,才能累積出厚實的基礎。有了去年在苑里的美好經驗,於是「</span></span><span style="font-size: x-small;">點</span><span style="font-size: x-small; font-weight: normal;">‧</span><span style="font-size: x-small;">心<span class="Apple-style-span">設計邀請展」決定自<span style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">2011</span>年起,持續以台南這個城市,作為日後聚焦與對話的場域。</span></span> </blockquote>
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<span style="font-size: x-small;">台南是台灣最早的行政中心,素有「台灣的京都」之稱。不但擁有全台灣最豐富的古蹟與文化底蘊,最近幾年來自工藝、建築、設計等領域的創作者,也開始呈現與這個城市發展脈絡的對話。透過對城市生活氛圍的感受,期盼重新展現這個都市性格的新面貌,並注入新的思考可能性。</span> </blockquote>
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<span style="font-size: x-small;">第一年在台南的題目定為「五十禮」,是希望每位設計師以一件作品,表達對台南人文資源與生活氛圍的某點記憶與感動,也希望能讓關心與喜愛台南的人產生共鳴。
當然單靠某件作品,絕無法說清楚對台南的印象與想像,但是五十件作品聯合起來,應該就能略窺設計師眼中這座古城的風華與魅力。這是「點.心」送給台南的見面禮,<span style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span>希望大家都可以從中看見現代府城的生活價值與美感。</span></blockquote>
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<span class="Apple-style-span" style="font-size: large;"><b><span lang="FR" style="color: black;">50 Manners</span></b></span><span lang="EN-US" style="font-size: small;"></span></blockquote>
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<span lang="EN-US" style="font-size: small;">The </span><span lang="EN-US" style="font-size: small;">Dian Shin Design Refreshment</span><span lang="EN-US" style="font-size: small;">
has been held since 2006. About 50 outstanding Taiwanese designers were
invited every year to create a work on a specific common issue to find
the Oriental modern living value and wisdom from the Chinese
civilization. From the ‘50 benches’ in 2007, the ‘50 Pleasures in the
Study’ in 2008, the ‘50 Tea Servings’ in 2009 to the ‘Potential 50’ in
2010, the key point and design inspiration of the exhibition was
changing from utensil and living field to living value and experience.</span> </blockquote>
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<span lang="EN-US" style="font-size: small;">Because
we found that the exploration of design in Taiwan shall not lose the
dialogue with the land and the public, we decided to set Tainan as the
field of highlights of </span><span lang="EN-US" style="font-size: small;">Dian Shin Design Refreshment</span><span lang="EN-US" style="font-size: small;">.
Tainan was the first administrative center of Taiwan and known as
‘Taiwan’s Kyoto’. This city has not only the greatest historic monuments
and cultural heritage but it has invited the artists from the field of
craft, architecture and design to develop some dialogues with the city’s
evolution context. We hope that we can manifest the new features of
this city and absorb new possibilities of viewpoint through the
sensation and experience of the ambience of urban life. This year the
theme of the exhibition was set as ‘50 Manners’ and we hope that every
designer will create an innovative ‘gift’ to express his or her own
sensation and memory about Tainan and explore further the living value
and aesthetics of modern Tainan. </span></blockquote>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-87714868431592723712012-06-27T04:29:00.003-07:002012-07-24T20:23:47.802-07:002011 五十禮 50 Manners / 參展作品介紹<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://4.bp.blogspot.com/-U3nKk-60ANg/T-lXRRQT7DI/AAAAAAAABEc/giIbXsxHjb4/s1600/01Tainan+Brick+T-shirt+-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://4.bp.blogspot.com/-U3nKk-60ANg/T-lXRRQT7DI/AAAAAAAABEc/giIbXsxHjb4/s640/01Tainan+Brick+T-shirt+-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">台南紅磚T恤 </span></b></blockquote>
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伴手禮是一種心意的表達,藉由送出的禮品進一步介紹其由來和文化,將心意變成深刻的紀念和回憶。我最深刻的台南印象是街道上充滿紅磚紅瓦的老建材,在夕陽照射下紅潤飽滿,夾雜著斑駁的紅牆、地磚和空氣中漂浮的古樸,更具有承載歷史的價值。以磚的形態發展出一個系列的商品:年輕人較能接受的伴手禮-衣磚,把T恤壓縮成磚塊的形態,呈現不同的風格質感;以及嘗試將茶葉壓縮製成”台南茶磚”。</div>
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<b><span style="font-size: large;">Tainan Brick T-shirt </span></b></blockquote>
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<span style="color: #999999;">I really like the idea of introducing or reminding a culture character through a souvenir, therefore I’d like to design interesting local souvenirs as handy gifts for this exhibition.</span><br />
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<span style="color: #999999;">My strong impression of Tainan was the friendly people and the orange brick walls all over the town. It’s a town of history and orange color. I decided to design a series of gifts/ souvenirs with a single brick form to well represent Tainan. </span></blockquote>
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<span style="font-size: large;"><b>台南茶磚 </b></span></blockquote>
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伴手禮是一種心意的表達,藉由送出的禮品進一步介紹其由來和文化,將心意變成深刻的紀念和回憶。我最深刻的台南印象是街道上充滿紅磚紅瓦的老建材,在夕陽照射下紅潤飽滿,夾雜著斑駁的紅牆、地磚和空氣中漂浮的古樸,更具有承載歷史的價值。以磚的形態發展出一個系列的商品:年輕人較能接受的伴手禮-嘗試將茶葉壓縮製成”台南茶磚”。</div>
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<b><span style="font-size: large;">Tainan Tea Brick</span></b></div>
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<span style="color: #999999;">Concept 2, T-shirt Brick: The weather in Tainan is rather warm and hot. A simple T-shirt can be wear through different seasons. I was thinking to make the t-shirts printed in selected Tainan historical tour sites as gifts for young audiences to get to know the town. Through a high- pressured vacuum forming , the t-shirts can be packaged like a brick.</span></blockquote>
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「遊南帖」的概念來源有二。今年四月我與內子到訪台南之時,恰巧走進一家毛筆店子,乍見滿室毛筆,琳瑯滿目、應有盡有。毛筆店的主人跟我們談笑風生。親切的交談、純厚的墨香、古樸的書法文化……一息間,這家位處台南的店子在我們的回憶之中留下了深刻的印象。因此,一直迷戀中國書法的我決意要把書法的元素包含在我的50禮之中。另一個靈感的來源是台南店舖的牌匾。遊南的第一夜,我在街上發現了一家「豪美醫鞋院」的招牌,才驚覺滿街的招牌匾額都十分有趣。在這兒,從傳統的樓閣到現代的店鋪都不乏有趣的特色牌匾。我一直對把書法融入設計甚感興趣。赫見如此新奇的漢字和詞組,真教我目不暇給。於我而言,這兒活像個遊樂場,是一個嶄新的天地!小時候,我們於習字簿上抄寫「上大人、孔乙己」,當時既不懂得「上大人」,也不認識「孔乙己」,抄寫時都沒有多大感覺。而「遊南帖」記載了台南富特色、濃趣味的牌匾,反映着台南人的風土人情。我希望能憑藉「遊南帖」宣揚台南牌匾上字體的結構特色,為中國書法開闢新方向。</div>
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<b><span style="font-size: large;">De Tainan Stijl</span></b> </blockquote>
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During our Taiwan trip in April 2011, my wife and I visited an old shop selling traditional Chinese ink brushes. The feeling of primitive simplicity filled the shop and this impressed upon my memory.<br />
In the first evening of that trip, we rambled around a street in the city and were attracted by a banner of a shop. The banner indicated the shop as a shoe hospital. In fact, the shop provides shoe repairing services for people. This was rather funny since we had not ever heard of a shoe hospital. After that, we started paying attention to the banners of other shops there. We found that they all looked very interesting and special not only because of their meanings, but also the style of the Chinese characters.<br />
We were used to write on copybooks when we were youngl. We might start with some very simple words or phrases. Yet since the phrases were mostly written in very old style, we might not even know what they mean. In De Tainan Stijl, the banners appear in Tainan are recorded. They all reflect the culture and living style of the city. I hope this little copybook will help promote the special typographies on the shops' banners in Tainan and lead to a brand new style of Chinese calligraphy.</div>
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當我踏足台南後 , 覺得那裡是個很適合騎腳踏車遊玩的城市,所以我就想設計一台專屬台南市的腳踏車。但是對外地遊客來說,帶台腳踏車回去,可能太誇張,所以想透過腳踏車的配件,呈現出這座城市的特色。在台南的考察途中, 我們經過一家製作帆布產品的老字號“永盛帆布”, 我就在想何不請這家老店來製作一個既可放置在腳踏車上又可取下隨身攜帶的休閒袋. 這樣就可以無拘無束地騎腳踏車作城市漫遊。</div>
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<b><span style="font-size: large;">Tainan Cargo Bag</span></b> </blockquote>
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When I first got to Tainan, the cycling culture made a big impression on me and I thought cycling was a great way for people to discover Tainan. as a result, I came up with the idea to design a bicycle specifi cally catered to ride the streets of this city. However, once I realized that it would be diffi cult for tourists such as myself to carry something as large as a bicycle home, I changed the design brief from designing a bicycle to designing bike accessories that highlight Tainan’s characteristics. During the trip, we went past the old charismatic “Wing-Shing canvas workshop”, which inspired me to work with this local canvas workshop in creating this canvas messenger bag specifi cally designed to be used on and off bicycles.</div>
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<b><span style="font-size: large;">牆的重生</span></b> </blockquote>
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台南的‘藍曬圖’牆讓人驚艷,也給了我設計的 靈感: 讓生命重現的契機無所不在。而台灣的朋友所呈現的,正是以靈思巧藝賦予老舊事物新的生命。 我希望能藉由這個‘紀念品’的 設計,來提醒我們人也 一樣具有重生的能力。透 過植物的生長,以及生 長所帶來的改變,來具體 展現重生的過程。就像藍 曬圖一 般,雖然曾經從光輝走入殘敗,但還是能夠得到重生。</div>
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I was very impress with what was done to this wall. This inspired me with the thoughts that there is always a way for renewal. My friends in Taiwan has shown me that there is always a way to make old thing new again with a touch of class. In this instant, I want to emulate the thoughts behind this inspiration. I wonder how I could create a gift that should remind us of the ability to renew oneself like what this inspiration has done. I am looking at a blatant translation of this work. Hence I thought about how I can embody this wall into something tangible. As I search for objects in Taiwan, it seems that planters make the most senses. Growth is always about renewal and with growth changes will occur much like this wall. I am sure it has seen many changes, from it glorious days to the decay and then renewal.<br />
Let’s work on and see if the results befit the idea when it was first conceive。</div>
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<b><span style="font-size: large;">"禮"之燭台</span></b> </blockquote>
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“禮”之燭台代表了我對台南的印象。台南人十分親切好客,讓我參訪期間留下美好的回憶。第一次的餐會,帶給我即興創作的靈感。我以平凡不起眼的素材-湯匙,來詮釋台南的那平凡中隱藏的最大驚喜-友誼,亮紅色則象徵它的歡樂與澎湃。我希望台南的朋友們和我對這燭光餐會所展露的友誼有著一樣深刻的感受。</div>
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The Candle Stand represents my first impression of my experience in Tainan. People in Tainan are so friendly and I had a great time. This candle stand is an interpretation of the friendship we shared over a meal. It is overflowing and cheery, as shown in the color and the texture. I hope that my friends in Tainan will feel the same way I do when we sit around the table for a meal over a nice candle light. </div>
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四個造型各異但和諧共存的容器,取材自豐富多樣的台南地道小吃,象徵台南謙和包容、東西融合 、多姿多彩的多元人文精神。</div>
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提起台南的人文特色,一定會談及台南豐富的飲食文化。為旅居異鄉多年的台南人,這些外觀樸實無華,卻散發著濃馥米香或芋頭香的小吃,是最能勾起思鄉情懷的溫馨回憶。粽子, 米糕 ,芋粿,碗粿 - 這四種普受歡迎的小吃,不僅風味獨特,形體更是迥異,將這些小吃的形體純化成具現代感的基本造型,再就其形態賦予合適的功能,從而組成一套‘文房組盒’。除了具備裝飾賞玩的功能和實用的價值,還能讓人憶起台南的飲食文化, 更能使送禮者和受禮者感受祝福的美意,成為集合了‘飾,賞,玩,用, 憶 ,寓’多重功能與價值的紀念品。</div>
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To a Tainan native living overseas, nothing is more reminiscing than the warm memory of savoring the humble yet aromatic hometown snacks. Rice dumplings, rice cakes, taro cakes and bowl rice puddings - not only are these popular snacks with distinctive flavors, but also with unique forms. The idea was to extract these varied forms, transform them into basic modern forms and infuse them with fitting functions. The outcome is an ensemble of desk containers which hopefully serves as a reminder of the rich Tainan food culture, while expressing the good-wishes from the giver of these gifts to the receiver.</div>
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將臺南地區傳統知名的宗教刺繡藝術,結合一般人書寫旅遊明信片的心理及需求,透過圖樣的設計及繡線的挑選及刺繡,輕易繡出祝福或是適當的遮掩曖昧,同時亦傳達府城文化傳統。</div>
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<b><span style="font-size: large;">Embroidery Card</span></b> </blockquote>
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The traditional embroidery in Tainan is not only present the elegant embroider craft but including the faith of peace and lucky. This design combines the postcard and traditional embroidery to represents the fancy greeting, and the unique handwork embroidery also reflects the traditional craft in Tainan.</div>
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小吃不僅是美食,更是臺南地區的生活與飲食文化的具體呈現,乃是正宗臺南之寶 !! 本餐具袋除 筷子及湯匙外並改良設計肉圓、粿及肉粽等常見小吃所需之竹刀食器,並結合臺南地圖,讓臺南小 吃 FANS 可以按圖索驥,加以紀錄完成自己的府城嚐寶圖。</div>
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The tasty local snack in Tainan is a symbol of culinary culture, the knife, spoon and chopsticks in this tableware set are designed especially for the Tainan local snack such as meat ball, rice cake and rice tamale. Moreover, there is a food map in the back of the pack to help the people find the local treasure food and record it!</div>
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質樸又厚實可靠的帆布書包,是台南重要的工藝產業,帆布書包的特質也呈現出台南最真誠的城市意象。將以往收納書本的帆布書包,這份質樸而簡單的感動收藏書中,讓收禮的家人朋友閱讀時也感受的到台南的城市特色。</div>
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<b><span style="font-size: large;">Canvas Bag Bookmark</span></b> </blockquote>
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The original and authentic canvas bag is an significant craft industry of Tainan. The characteristics of the canvas bag also represents the sincere image of Tainan City. The essential and simple touch of the canvas bag which is originally used for packing books, is now being packed in a book. Families or friends who receive the gifts will perceive the warmth from Tainan while reading. </div>
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選用磅數較重之紅包紙材,壓印裁切線,使其手工即可撕下圖形紅包組內數十種圖形以台南老街屋為概念,除了印有典故出處,孩童也可蒐集紅包老街屋,對兒童是禮情兼具的禮物。另可配合夜燈底座,蒐集後可作為擺飾。</div>
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Kids' cannot get more excited than receiving red envelopes during Chinese new year celebration ; what could the spirit of "red envelopes" bring to the society other than the " new year money"? The idea is about connecting the traditional Tainan houses with red envelopes, on the other hand, representing an extension of social and cultural heritage. </div>
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<b><span style="font-size: large;">來!飲茶</span></b> </blockquote>
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台南人的好客與熱情是眾所皆知的,希望透過台南老店雙全紅茶、奉茶茶行的合作,將富有台南精神的隨行杯化為禮品,讓在地台南的朋友可以推廣府城在地的文化;說古都的故事。 </div>
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It is very well known that people in Tainan is very friendly and enthusiastic. Through the cooperation between my cup design and a local teashop (Tea Serving), we converted those accompanied cups full of the spirit characteristic of Tainan people into presents, which allows residents in Tainan to spread local culture and the story of a historic city.</div>
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<b><span style="font-size: large;">【筆記布】</span></b> </blockquote>
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台南是台灣最早發展的一個城市,貿易進出口的商業活動極為活絡,各式的建築及商家因應而生,新與舊、西洋與本土,形成台南特殊又獨特的氛圍,台南的布街-舊淺草商城就是一個擁有這樣風情的地方,走在日治時代遺留下來的建築內,彷彿走進了那個年代,有種時間顛覆的錯亂感,周邊的規劃依稀可見往日的繁華,隨著時代變遷、商業中心的轉移,商城裡只剩布莊街的燈光相互呼應,在一片蕭條沈寂中展現它的生命力,靜靜的敘述著它的故事 。<br />
【Bigibu】以與城市故事相關的材質-布為發想,將代表台南的色彩磚紅色做為筆記本的外層,搭配不同風情的布包製成的紐扣,把布做為主要的特色呈現,筆記本上的繞線可隨意搭配纏繞於鈕釦上,在開與閤之間隨著每個人藉由五感的探索與經驗來紀錄每一段的旅程。</div>
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<b><span style="font-size: large;">【Bigibu】</span></b> </blockquote>
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Tainan is the first development city of Taiwan, has a tangible sense of history and traditions; it is a multicultural city, gathering different style of architectures and lifestyle, become a unique atmosphere city. Old Asakusa mall is a place with such style; it is the legacy of Japanese colonial era building, a commercial place for different trades, especially for cloths, walking inside, still can feel the prosperous back to the time. Now days, only few fabric shops with lights on, telling the stories and showing their vitality in the midst of the depression.<br />
【Bigibu】represents a story of Tainan by using fabrics which relate with the city history. The cover is Tainan’s symbolize colour brick red, place on buttons made of feature fabrics, with a rope can play around the buttons while open and close the notebook, the idea behind it, would like to encourage people to explore and experience Tainan via five senses, and recording down the journey by【Bigibu】.</div>
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<b><span style="font-size: large;">摺紙</span></b> </blockquote>
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手工紙包茶葉是百年老店振發茶行最醒目的特色,透過一個個包裹步驟,紙張往來的翻摺,傳達了對於茶葉與人的用心與誠意。透過茶具設計將摺紙特色呈現出來,即使包裝紙被拆開、丟棄了,茶具依然持續地傳達該茶行的精神。茶罐上方的矽膠茶葉有多款顏色可以拆卸更換以表示罐裏的茶種。將茶葉置入沖茶器並掛勾於杯內,沖泡後,沖茶器可收納於馬克杯握把內。</div>
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<b><span style="font-size: large;">Origami</span></b> </blockquote>
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The hand-wrapped tea is the most striking features of a century-old ZHEN FAT. Through the process/ steps of wrapping the tea, the expression of dedication and sincerity have been conveyed to the people. The design of the tea set has revealed the characteristics of Origami, even if the packaging has been opened and discarded, the tea set is still continuing to convey the spirit of the tea company/ house.</div>
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竹材製作的竹筷,有上下蓋保護,可攜帶,到處享用台南美食。</div>
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<b><span style="font-size: large;">懷古現裝書</span></b> </blockquote>
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台南是台灣的文化之都,台南孔廟更有「全臺首學」的稱號,有三百多年歷史,本設計結合台南在地的傳統帆布車縫工藝,以當時的線裝書為發想,外觀具有古代的書卷氣息,用帆布仿製線裝書做成現代流行的Pad電子書套,是件以台南文化氛圍為發想,結合當地老行業所設計出的現代生活用品。</div>
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<b><span style="font-size: large;">嘗</span></b><b><span style="font-size: large;">.</span></b><b><span style="font-size: large;">古蹟 </span></b></blockquote>
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台南的飲食是台灣最有名的,因此,本次設計希望能以食為出發點創作。將台南的古蹟及主要景點運用浮雕的方式結合在佐料碟上,這樣不但可以防止佐料沾太多,也可以看見台南古蹟及景點。不但可以放置在餐桌當食器外,也可以裱框在牆上當收藏品。</div>
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There is Taiwan's most famous food in Tainan, so we design tableware for food_sauce small dish. The design concept comes from food ideation, it combines Monuments and the scenic in Tainan, not only can prevent the sauce use too much, but you can also see monuments and scenic spots of Tainan in the dish, just like you can test Tainan scenic.</div>
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每當想要送人禮物時就會很傷腦筋,一來怕不實用,二來怕太貴重,所以選擇日常用品來做發想,香皂和毛巾在傳統回禮都是主要禮品,將香皂形狀改成三角錐體利用毛巾包覆成粽子外觀。三角錐體香皂倒圓角可洗澡時按摩身體。</div>
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It is quite troublesome when it comes to gifting since it might be impractical or just too expensive, that is why I design household supplies to slove this problem.<br />
Soap and towel are the traditional primary presents. I changed the shape of the soap to triangular pyramid, and transform the appearance into Zong Zi (rice dumpling) by covering the soap with towel. The angles of triangular pyramid could be used for massage purpose.</div>
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<b><span style="font-size: large;">窗椅</span></b> </blockquote>
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鐵窗是個跟隨台灣已久的城市景觀,它代表了台灣的景觀與台灣人在生活上很重要的一部份。台南街屋保留了大量的鐵窗.設計師把原本應該出現在室外的鐵窗元素融合了另外一個具有十分強烈台灣元素的“辦桌凳“,讓平凡又簡潔唯美的線條有機會融入在室內家居中。</div>
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Grille is an important, traditional symbol of Taiwanese life and has been an intergral part of the Taiwanese landscape for decades. In Tainan, one can still find and see many of these traditional grilles, but sadly, this type of custom-made grille is rapidly dissapearing in favor of cheap mass-produced grills. As a result, the craftsmanship of creating these grills is dissapearing.<br />
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The Designer has combined this usually outdoor element, the grille, with another distinctly Taiwanese piece, the Bando stool (used for outdoor banquets). By merging these two different elements, the designer has crafted a piece that has a simple, clean and beautiful aesthetic that fits well in indoor environments.</div>
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鐵窗是個跟隨台灣已久的城市景觀,它代表了台灣的景觀與台灣人在生活上很重要的一部份。台南街屋保留了大量的鐵窗.設計師把原本應該出現在室外的鐵窗元素融合了另外一個具有十分強烈台灣元素的“辦桌凳“,讓平凡又簡潔唯美的線條有機會融入在室內家居中。</div>
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Grille
is an important, traditional symbol of Taiwanese life and has been an
intergral part of the Taiwanese landscape for decades. In Tainan, one
can still find and see many of these traditional grilles, but sadly,
this type of custom-made grille is rapidly dissapearing in favor of
cheap mass-produced grills. As a result, the craftsmanship of creating
these grills is dissapearing.<br />
<br />
The Designer has combined this usually outdoor element, the grille, with
another distinctly Taiwanese piece, the Bando stool (used for outdoor
banquets). By merging these two different elements, the designer has
crafted a piece that has a simple, clean and beautiful aesthetic that
fits well in indoor environments.</div>
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<b><span style="font-size: large;">磨石毯</span></b> </blockquote>
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磨石子過去曾是台灣建築中流行的建材元素,無論經過多少歲月依然能保持不新不舊最初完工樣貌。 但磨石子漸漸不被使用在現代建築上面,設計師截取磨石子地板上紋路,將原本堅硬的磨石子,變成柔化的地毯,讓傳統建築紋樣的風華可以透過演化,繼續存在台灣家居生活中。</div>
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<b><span style="font-size: large;">台南好神之有求必應籤筆筒</span></b> </blockquote>
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台南為全台灣宗教密度最高的城市,不管佛儒道、無論東西方,都滲透在台南人的生活中,成為生活的一部分。全台南更有多所知名靈驗廟宇,多少人慕名而來只為參神禮佛,更成為台南除了美食之外另一項特色。因此我們集結了全台南最活躍的七種神明,打破成見齊聚一堂,不管所求何事,絕對有求必應、一次滿足!</div>
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<b><span style="font-size: large;">春袋</span></b> </blockquote>
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無論時代如何變遷,我們還是遵循著長輩留下的習俗,除夕當天貼的春聯將會一直保持到它們自然脫落或褪色為止。 故意將「福」及「春」字倒過來貼,因為這樣象徵著「福到」、「春到」。將春字與台南特色聯結設計出圖案,希望旅者將春袋到,福袋到,帶給最親愛的家人與朋友。 </div>
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<b><span style="font-size: large;">帶走台南好滋味</span></b> </blockquote>
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冰果店是老一輩台南人約會的好地方,水果切盤也是台南的特色,其中的薑糖番茄更是一絕,番茄沾上攪拌後的醬油膏、薑、砂糖、甘草粉,入口後的酸甜伴著些許的薑辛味,這樣的美妙只有吃的人自己能體會。<br />
於是我設計了一個環形的沾醬碟,上面有著沾醬的小配方,遊客可以看著上面的配方提示,在家就輕鬆做出台南的好滋味。<br />
幾乎沒有其他的水果沾料需要被充分攪拌,因此我用環形的碟子強化薑糖番茄的沾醬特色。</div>
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<b><span style="font-size: large;">Take Away Good Taste Of Tainan</span></b> </blockquote>
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Fruit store has been a great dating location for elder residents in Tainan. Cut fruit plate is a characteric dish in Tainan, especially the ginger tomato. When the tomato was dipped into the mixture of thick soy cauce, ginger, brown suger as well as licorice powder, perhaps only those who had taken a bite could experience the deliciousness of that sour and sweet with a bit of sharp taste of ginger.<br />
Therefore I designed a rounded dipping plate with special recipe, tourists could easily follow the procedures to reappear the good taste of Tainan.<br />
Almost none of the fruit dressing needs to be fully stirred, hence I used the rounded plate to underline the specialty of ginger tomato.</div>
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<b><span style="font-size: large;">台南藍帶</span></b> </blockquote>
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台南"碗粿"遠近馳名,是台南代表性的小吃之一。碗粿也是台灣小吃中唯一有專屬的盛裝容器,"藍邊陶碗",緣起於過去物資缺乏,陶碗是一般平民使用之食器,陶也特別具有保溫的特性,沿用至今,台南更發展出"藍邊"陶碗專盛碗粿。"台南藍帶"以台南特有的藍邊陶碗的特徵、材料、意象,衍生各式餐盤、碗、碟組,傳達此台南美食特有的印象。</div>
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設計元素來自以往的洗衣板與流水孔,將原本流水的意向以及在流逝的時光,轉化成幫助電腦設備循環散熱的實用裝置。</div>
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<b><span style="font-size: large;">台南一層一層</span></b> </blockquote>
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一百年一層,一層又一層。台南城的變與不變,在繪有地圖盤子的層層疊疊下,從地圖透視一個城市的歷史。</div>
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<b><span style="font-size: large;">Tainan in layers</span></b> </blockquote>
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Layer by layer, the glass plates manifest the changing lanscape of Tainan. By stacking the map-engraved plates, one can read the city history across the centuries.</div>
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<b><span style="font-size: large;">城門帆布包</span></b> </blockquote>
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台南古城多城門,背城門包遊府城,快樂逛城門。 </div>
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<b><span style="font-size: large;">Gate Bag</span></b> </blockquote>
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新馬路舊街道,老街屋新茶店,年輕人吃著老店舖的碗粿。新與舊、東與西,在同一個空間衝突但又協調的融合,彷彿有穿梭時空錯覺。這是我的台南印象。老房子用新的建築工法再利用,這裡的老空間不單純是為了緬懷老時光,更是為了當代的生活而延續下去,新的人在這裡的老空間創造新的想法、新的生活。這次的創作也是基於這樣的想法,用木頭與木工榫接的傳統素材,加入新的製作工法與材料。外型也是結合一點老桌燈的線條融入老鐵花窗般的簍空。將光線經由鐵花窗照在地板天花的印象,藉由傳統木工榫接的概念,並期望收禮者經由 DIY 組裝至燈光亮起的整個過程體驗台南的工藝與城市映象。</div>
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<b><span style="font-size: large;">蚵痕</span></b> </blockquote>
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取之於地,用之在地的惜地精神。得天獨厚的地理環境,是大自然給台南養蚵人家最珍貴的禮物。養蚵為台南極負盛名的在地產業,源遠流長形塑當地美食文化。取自在地資源,與同樣來自台南的環保水泥做結合,將廢棄的蚵殼磨碎再利用,獨特的反光色澤與樸實的水泥相互錯落,運用異材質地表現出流光歲月的沈積紋理。</div>
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From here to here. It’s right here. The nature has given the Tainan oyster culturers the most valuable gift and makes it the most famous and important cuisine business here. To honor the oyster culture in Tainan, we use the shining shells of oyster combined with eco-friendly cement from the local to perform the condensation of time for making the tiers of different materials.</div>
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遊晃於府城街道間,收集了一箱子的鐵花窗。那是一個城市的面孔,也是家的面孔。鐵窗花的樣式反映著家家戶戶對「家」的期盼:或富貴、或吉祥、或務實、或浪漫,除了安全,更增添一種城市個性的想像。</div>
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<b><span style="font-size: large;">Window's Face</span></b> </blockquote>
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I walked around the street at Tainan City and toke a collection of the grille on the windows. Those are the faces of the city, also the faces of home. The style of every grille reflect the dream of every family: wealth, lucky, pragmatism or romantic. The grille not only have the function of protection, but also the personality of Tainan City.</div>
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從文化與材料角度出發-台南具有豐富早期中西方古蹟遺留的文化遺址,充分表現在建築和老家具上兩元相容的氛圍。台南的帆布包,則是具有我們小時後的記憶,不論是自用或是送禮,都充分代表-【台南城市】樸質具有手感的文化的伴手禮精神。<br />
符合當代生活需求角度出發-將帆布包與具有支撐傢俱重量的腳架相結合,讓家私包幫妳分擔隨身的家當的重量,讓你隨時可以放下沉重的負擔。</div>
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kesi bag – A design concept derives from both the specific culture of Tainan and the my emotion with objects. Tainan is a place where deeply influenced by the western culture and still obsesses plenty of historic spots. Special cultural fusion can be easily found in Tainan such as architectures and furniture. Canvas bags from Tainan also recall our memories of childhood. It’s a symbol of simple style and a gift with craftsmanship that you will like to have one or share with your friends. I started to redesign bags which can meet demands in our daily life. With adding the legs of traditional furniture to a canvas bag, you can feel free to put the “kesi bag” on the ground and ease your burden anytime.</div>
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<b><span style="font-size: large;">甜蜜</span></b><b><span style="font-size: large;">.</span></b><b><span style="font-size: large;">瓶安</span></b> </blockquote>
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素有美食之都美稱的府城,讓來往的遊子忘不得的味道,隨著深刻的文化氣味,烙印在心裡那塊悸動的靈魂。於是我們回到這裡,想捎些味蕾上的記憶,給也許遠方或是過去的自己。帶著填裝安平蜜餞的小壺,以漆器重塑安平壺的造型,因著蜜餞甜蜜,安平倒置平安的意涵,伴手禮不再只是好禮,更充滿了豐富的意涵。甜蜜回憶,平安行旅。</div>
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<b><span style="font-size: large;">Sweet, Peaceful bottle</span></b> </blockquote>
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Tainan Castle Town is famous by the variety of fine foods. Makes every traveler can’t forget the specific taste. With deep culture smell, the touched burn on the beat of soul. So we come back here, want to deliver some memories of taste, to ourselves, maybe far away or pasted by.<br />
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The bottles filled with fruits preserves, using Lacquerware to rebuild the molding of the Pot of AnPing. Because of the sweet fruits preserves carry out and the pronunciation of AnPing to peace. Makes gifts not only gifts but full of great meaning. Sweet memories, Peaceful travels. </div>
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<b><span style="font-size: large;">稻禾</span></b> </blockquote>
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禮─傳達訊息的媒介物件,作品〝稻禾〞系列 表達的是最平實,但也是最重的送禮誠意。庶民送的禮往往是自家田裡辛勤照顧的農作物或做成的食物,充滿辛勤的汗水的禮尚往來,是極為誠意的禮。古老城市裡庶民飲食基調,最能夠代表在地飲食文化的、莫過於─米食:鄰居剛蒸好的,由矮牆上遞過來熱騰騰,充滿米磨過的香味,上面放了蚵仔的白嫩碗粿。巷弄裡真材實料的小吃是一種對客人的禮數,使用嘉南平原產的米做的肉燥飯、上面放著虱目魚魚鬆的米糕、湯頭鮮甜的米苔目,茶食零嘴的香甜米荖、酥脆米香、軟Q米麻薯、紅龜粿…等。日本技師八田與一在臺南;規劃嘉南平原的嘉南大圳灌溉系統,是送給南臺灣的大禮。它使作物得以因優良的灌溉規劃而長成,成為臺灣最大的糧倉,間接造就飲食的米食文化。作品〝稻禾〞系列,以紀實的語法,希望有低限主義(minimalism)的皮層型態。名謂:春耕~夏耘~秋收~冬藏,傳達的是內斂不浮誇,跨越不同種族、地域,來自內心真誠的禮。</div>
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Among these common people’s diet culture, the most representative one is rice: the delicious salty rice pudding with oyster on it, is just steamed. The traditional snacks which sell by the food stands in the alleys are etiquette for guests. The Japanese engineer, Hatta Yoichi, complete the Chianan Canal irrigation system of Chianan Plain of Taiwan, and the canal became a precious gift for South Taiwan. The Chianan Canal made agriculture grow much better than before, and made Chianan Plain became the largest granary in Taiwan, and indirectly leads to Taiwanese’ rice diet culture. The “rough rice” series is created with the on-the-spot-record-photo.The designer hopes the product could represent the minimalism. The name: “Spring Tilling, Summer Hoeing, Autumn Harvest, Winter Hide” present a sincere gift, which is reserved, cross different and multiethnic region. </div>
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送禮送到記憶裡。你曾在台南的街道裡遇見那有故事的老房子,你也曾在巷弄中嚐過那在地的好味道。將台南的地圖與建築帶上餐桌,是一份重遊台南的美好回憶。</div>
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A group including 4 cups or nine cups, when does not use the buckle puts in but actually the tea tray, floats by the base engraves is composed the Confucian temple, or Fort Zeelandia. And so on graphs, usually may, when suspends the decoration to use.</div>
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藉由單純物體的輪廓改變而不改變其本質,傳統認知的"物件"可以被賦予新的力量, 創造新的使用與消費行為。</div>
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By simply adjusting the profile of the traditional Lollipop, new power has been applied to the existing well-recognized object.</div>
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想用能代表台灣香味的材料來當五十禮的題材,溫厚的年輪觸感和獨一無二的香味。</div>
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The theme of my design is the aroma of Taiwan cypress that represents Taiwan’s fragrance. I wish to deliver the warm and kind of Taiwan cypress ring and the uniqueness of Taiwan cypress’s aroma.</div>
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臺南市靠近公園南路的一株菩提老樹,樹齡超過百歲,為全台最大最老的菩提樹母。台灣本無菩提樹,第一株是1901年日本政府由印度引進台南,當時以種植在一些寺廟的庭院居多。這株老菩提樹在台南公園尚未興建時就已存在,原本佇立在ㄧ座廟口前。後來因整地創建台南公園 ,廟被遷移後老菩提樹卻留下來守著這片土地。<br />
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菩提樹是印度佛教徒眼中的聖樹, 因佛祖釋迦牟尼在菩提樹下悟了道。唐初,禪宗六祖慧能寫道:「菩提本無樹,明鏡亦非臺;本來無一物,何處惹塵埃。」即是藉由菩提樹領悟「四大皆空」的禪意。 </div>
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Bodhi is fundamentally without any tree, The bright mirror is also not a stand. Fundamentally there is not a single thing, Where could any dust be attracted.</div>
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台南的廟宇文化讓我印象深刻,這不是宗教信仰而是一種文化與生活習慣,考試,會求一個"包中"的祝福,戀愛會求"紅線牽姻緣",出遠門會求"平安"。能將心意傳達給親友,這才是我送禮的目的。"我的設計理念即是,將祝福透過這些方便隨身攜帶的小品,貼心傳達。" </div>
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Temple culture in Tainan is pretty impressive. A unique product and the traditional lifestyle grow from the unique architecture as temple. A commitment to spirit is what people are looking for at Temple. Such as getting a lucky bamboo slip for people is going to have an exam as a good luck wish; praying for a good relationship by wearing a red thread; hoping to have a safe trip by carrying a lucky symbol. This is the local temple feature in Tainan as well as the Taiwanese characteristic. My design concept is: People’s blessing can be delivered easily through these carry on adornments. </div>
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以陶瓷與矽膠結合主要素材,內裝有台南產稻米讓旅人帶回作為小米甕,內含米粒食用完後,容器轉變為茶杯,台語稱為[茶米杯]。</div>
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<b><span style="font-size: large;">Tea Rice Mug</span></b> </blockquote>
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Made of porcelain and silicone, this urn like little Tea Rice Mug is a neat packaging box exclusively for Tainan rice. As the rice taken out of mug it can also be used as a Tea Cup of which the name of Tea Rice Mug is derived.</div>
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<b><span style="font-size: large;">台南 好甜</span></b> </blockquote>
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每當外出旅遊,總是想和不能一同前來的親朋好友分享旅遊的樂趣,習慣帶上「伴手」做為贈禮。在府城除了文化古蹟巡禮之外,還有令人食指大動的美食。從前,糖是貴族的象徵,「食物好甜」刻劃出你我對台南美食的印象,即便時代變遷,這種文化傳承也不曾改變。以螞蟻爬向食物的畫面帶出食物so sweet,同時收到「伴手」的心情也是so sweet。</div>
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<b><span style="font-size: large;">Tainan,so sweet</span></b> </blockquote>
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Whenever we go to travel, we also want to share the fun of travel with someone who can’t come with us, and usually bring some special stuff as a gift. In addition to historic monument and citizen lifestyle, there have many kinds of delicious food in the cultural capital. In the past, the sugar symbolizes nobles. “The food is so sweet” made a general impression in Tainan cuisine. Even as times change, the culture would be passing down. Using ants crawl toward the food means the food is so sweet and feeling so sweet when received this gift.</div>
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<b><span style="font-size: large;">包禮</span></b> </blockquote>
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伴手禮可以是隨興的分享, 所以一袋水果, 分一半的名產, 一條剛捕到的魚都可以是伴手禮。既然伴手禮都是不一樣的東西, 何不設計一個方便包裝這些伴手的袋子。把紅白塑膠袋換成設計過的袋子, 除了增加對伴手的重視, 也賦予了不同的趣味和意義。主要設計是利用日本的包袱為概念, 以台南有名的帆布, 設計出來的環保袋(包)。 配合不同主題的印刷和配色, 擁有不同的台南特色外, 也把伴手禮拉回成隨興的分享, 但保留了某種程度的慎重。</div>
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<b><span style="font-size: large;">Gift wrapper</span></b> </blockquote>
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The gift can be a casual sharing, such as a bag of fruit, sub-specialties, even a newly caught fish can be a souvenir. As souvenir can be anything, why not design a convenient and styled packaging . Not only design to replace the plastic bag or gift packaging, but increase attention and gives more meanings and personal identities.<br />
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The main concept is the use of the Japan's burden with canvas, to create a new reuseful package or bag. With different themes and color printing on it, can display the different characteristics in Tainan. Identifying the meaning of sending gifts back to casual sharing, but retains a degree of caution.</div>
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以自然輕飄的棉花糖為靈感來源,並轉化棉花糖絲狀構成的空氣感造型,讓平凡的容器增添奇幻的色彩。</div>
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<b><span style="font-size: large;">Float</span></b> </blockquote>
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Inspired from light-as-feather cotton candy, transforming its thread-like construct into a shape of airy texture, the vase sheds off its otherwise commonness and puts on magically glamorous appearance.</div>
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帆布為主體,以活動式的提帶來調整日期,連結了與內容物的時間關係或時效性。不論生日禮物、婚禮小物….等重要的日子,或是購物日期、保存期限…..等,均能達到記錄或提示的作用,尺寸輕巧,也可桌面置物當桌曆使用。</div>
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<b><span style="font-size: large;">time bag</span></b> </blockquote>
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Made of canvas, the Time tote bag features the adjustable straps that can tell time so it can hold diverse objects which link to the date shown on the straps. By carrying this bag, users can easily record or get reminded of all of their important dates, such as a wedding anniversary, birthday and so on. Thanks to its small size, the bag can be used as a desk calendar as well.</div>
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<b><span style="font-size: large;">囍</span></b><b><span style="font-size: large;">.</span></b><b><span style="font-size: large;">分享。八分之一的美味回憶</span></b> </blockquote>
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辦囍事,給塊餅分享喜悅,是臺灣人重要的風俗習慣…</div>
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小時候,奶奶收到南部親戚送來的囍餅總是特別歡喜, 她說:下港的餅就是比較好吃,尤其是臺南的大餅最具滋味了…(註:下港=南台灣 ) 奶奶拿起刀子,台下一雙雙咕溜溜的眼睛期待著那緊張的一刻,她俐落地將囍餅分成八等分,拿出其中一塊,慈愛地遞給身為長孫的我。油亮亮的餅皮與香氣四溢的餡料看起來美極了,品嚐當下的那份滿足感,交織出的豐富味蕾感受,這也成為我童年時期的深刻回憶。 本作品之發想,從童年回憶的美好氣氛出發導入故事性,譜出另一段關於婚姻的愛情地圖……。一對年輕的新婚夫妻,彼此從交往到結婚都在臺南留下不少回憶,透過繪製約會地圖,試圖將臺南具特色的八個景點,融入在囍餅的設計中,每一個景點都是八分之一的美味回憶,以故事情境結合景點的旅行地圖,並結合memo夾之產品功能,期望成為具臺南地方特色『 伴手禮 』的文創商品。</div>
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<b><span style="font-size: large;">Sharing Happiness. One-eighth of delicious memory</span></b> </blockquote>
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It is a local custom in Taiwan to share one’s happiness of marriage by giving out wedding cakes. <br />
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As a little boy, I remember my grandma being particularly happy when she received wedding cakes from relatives in southern Taiwan.“Wedding cakes from Xiagang (alternative reference to southern Taiwan) are just tastier, especially those from Tainan,” she said. Grandma would then draw a knife as we looked on with anticipation. Slicing the wedding cake into eight pieces, she would hand one lovingly to me, her eldest grandchild. The greasy sheen of the cake and the fragrant smell of its contents mesmerized me. The satisfaction of the bite and the rich sensation it stirred on my taste buds became a cherished childhood memory. Inspired by childhood memories of eating wedding cakes and the love story of a newly-wed couple, I map out in my design eight famous scenic spots in Tainan which witnessed the relationship grow from budding love into marriage. Each of the eight sites represents one-eighth of a delicious memory. Tracing their tracks and recounting their story through the form of a map, this piece doubles as a memo folder that captures the local scenery of Tainan. </div>
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人類的文明皆源自於河流,而「五條港」促使台南繁榮發展。時代變遷讓台南呈現出多樣的風貌,不變的是台南人對生活所抱持的獨特態度。到台南最想帶的莫過於當地的美食,希望能將這些美味的食物裝盛起來,以此心情設計出「禮‧盒」。設計中採用方形的外盒來表現台南這塊土地,盒內以五條港之地理位置分隔出區塊;藉著在這些區塊中置入物品,呈現台南的多樣文化。盒子的上蓋中央採用鑲嵌的方式處理,可隨個人的體驗鑲上對台南的感動。</div>
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<b><span style="font-size: large;">GIFT BOX</span></b> </blockquote>
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Human civilization are derived from the river and the "five ports" is the reason that making Tainan prosperity and development. As time goes by, Tainan presents diverse style and character ; however, it's never change the unique lifestyle and life attitude of Tainan people. People who visit Tainan, they all want to bring back the local cuisine for their family and friends and share those delicious food in a delicate box, and that is the designing inspiration of "Gift Box". The square box design represent Tainan and divided into five components represent the "five ports" showing the diversity cultures in Tainan. People can attach different items on the cover of the box in order to show their own personal feeling of Tainan.</div>
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<b><span style="font-size: large;">府城藏龍</span></b><b><span style="font-size: large;">.</span></b><b><span style="font-size: large;">龍生九子神獸有包庇</span></b> </blockquote>
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在台南府城,有許多兩三百年的古寺老廟,舊建築中有許多不同形體的神獸,古人認為神獸有著不為人知的神祕力量,有些可辟邪與擋煞,有些可祥瑞與求財,其象徵造型與文化故事充滿了趣味。其中「龍生九子」在台灣台南僅存最完整,傳說中它們各掌管其所好默默的守護著居民,成為台南當地的守護象徵。因此設計「龍生九子」化身為“土鈴”形象,成為台南地方鄉土小物 ,讓它們更貼近人間來陪伴護佑您。</div>
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<a href="http://3.bp.blogspot.com/-YEtTZ6WW1Kg/T-lhFwTuOgI/AAAAAAAABKM/ZXyMJmALZ48/s1600/44+micro+tainan-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://3.bp.blogspot.com/-YEtTZ6WW1Kg/T-lhFwTuOgI/AAAAAAAABKM/ZXyMJmALZ48/s640/44+micro+tainan-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">小台南</span></b> </blockquote>
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游走台南的大街小巷,總是不斷驚喜著;轉個彎,映入眼簾的是藏在大廈後方小古蹟,拐個巷,冒出了躲在一群新屋子中間的小牌坊;台南,像微縮相片一樣充滿了精緻可人的小風景,等待每個人的發現!<br />
這次,將台南豐富的小風景建築在戒指上,許多小屋小樹以不同的姿態依賴在手指上,一起跟著[小台南]悠哉地閒逛!</div>
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<b><span style="font-size: large;">Micro Tainan</span></b> </blockquote>
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In Tainan, taking a walk in small streets always has surprises. We can find temple, churches, and historic relics behind large buildings when turning around into a street. When we make another turn, we can see traditional shops and old monuments standing beside new houses. In Tainan, there is full of elegant and attractive landscape waited for people to find up.<br />
According to this beautiful landscape in Tainan, I create a set of silver rings built of many architecture and plants. Therefore, we can have an imagination of taking a walk in Tainan when we wear them.</div>
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<a href="http://4.bp.blogspot.com/-cV8O0W59rlo/T-lhNDif1sI/AAAAAAAABKU/Wad-Pf0eyNE/s1600/45+tote+to+hung+tong-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://4.bp.blogspot.com/-cV8O0W59rlo/T-lhNDif1sI/AAAAAAAABKU/Wad-Pf0eyNE/s640/45+tote+to+hung+tong-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">朱豆伯粗布袋</span></b> </blockquote>
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粗勇耐用的帆布袋與華麗的刺繡,正如洪通與他細膩繁複的畫,亦如府城臺南各文化與歷史間互相衝突卻又一起共存下的和諧。</div>
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<b><span style="font-size: large;">Tote to Hung Tong</span></b> </blockquote>
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Tainan is a place full with harmony formed by its diverse conflict; the clash between tough canvas tote and the delicate embroidery is just a way to pay the tribute to legendary naïve artist Hung Tong, Hung Tong lived his whole life exclusively at small fishmen village at Tainan, thus he never received the formal training in drawing, he has amazed the crowd with his one of a kind style that full is with vivid colours and detail lines. </div>
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光的記憶-包袋系列在台南的早晨,房間充斥著與台北生活全然不同的暖光透窗而來。隨著光線進來房間的還有一種清爽的半透明感。因此,我們希望能將這種透明感隨身攜帶,這是台南送給我們的無形禮物 也是我們想呈現給使用者的觀感。想隨身攜帶的窗,或許能打開在都會生活中的悶熱感,也可能為你打開新的生活景色。透過半透明的傳統玻璃花樣,讓生命所需要的暖光透出;即使你不在台南,也能戴著屬於台南的透明感,開啟一扇在心理的窗。</div>
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<b><span style="font-size: large;">Memory of Light</span></b> </blockquote>
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The first ray of sun into the room in Tainan County feels differently with what is felt in Taipei City. The translucent beam transpires sensation of freshness as a gift of Tainan to its visitors. Having a piece of portable glass window with the carving work of a traditional Tainan craftsmanship, Memory of Light can bring to the city dweller of a moment of clearness in the heart. </div>
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<a href="http://1.bp.blogspot.com/-umeR0xCmW5k/T-lhZRR93II/AAAAAAAABKk/BCi5DIZXt3Y/s1600/47+window+rilling-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://1.bp.blogspot.com/-umeR0xCmW5k/T-lhZRR93II/AAAAAAAABKk/BCi5DIZXt3Y/s640/47+window+rilling-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">鐵窗印象</span></b> </blockquote>
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台南保留了許多老房子, 也留下了許多風格各異的鐵窗文化。以最常見的老鐵窗元素為造型打造文鎮。 將鐵窗保護的、區隔內外的意象, 轉化成桌上包容的、穩定的用品。</div>
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<b><span style="font-size: large;">Window railing impression</span></b> </blockquote>
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Tainan retain many old houses, and also leave a lot of different styles of window railing culture. Use the most common elements of the window railing to create paperweight. Turn the image of protection and inside/outside into the image of accommodating and stable thing on desk.</div>
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<b><span style="font-size: large;">府城福袋– 祝福和好運貼身帶著走</span></b> </blockquote>
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府城,是曾被荷蘭人殖民與經歷過日據時代的古老城市,這些歷史氛圍的想法都來自於教科書本,然而,真正深植在我的生活與童年記憶裡的,是關於拜拜的體驗。<br />
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從小生長在拿香拜拜的環境裡,其中「聖母廟」是每年過年朝拜的廟宇,將過去整個年頭的壞運除去,招來屬於新年頭展新氣息的儀式。或許在異鄉受挫時,就會想回到台南(府城),回到這座從小照顧自己長大的廟宇祈求平靜,彷彿回到家中有著家人支持的力量一般。<br />
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拜拜,通常都是為了自己許下願望,祈求著、祝福著、保佑著身邊的人,讓願望能夠順利達成冀望。拜拜禮俗結束,可以去拿一只平安符被誠摯祝福過、能隨身攜帶保平安。最初都會隨身放在皮包或袋子裡,往往最後這平安符都會被遺忘在某個角落或不見了,失去了隨時都能感受到平安符帶在身旁的作用,也好像祝福失去了神奇的力量。因此,我心裡深處有個聲音,想有只能將祈求來的平安符或是求得愛情的姻緣紅線的袋子,能好好的收藏這份自己求來的祝福,真的可以貼身帶著走,貼近心裡,無論遇到挫折或害怕,也都能真的發揮心靈支柱的力量。</div>
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<b><span style="font-size: large;">Lucky Charm Sleeve</span></b> </blockquote>
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The lucky charm sleeve of historic city –carrying your good luck and blessings!</div>
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Tainan, an ancient city survived Japanese Colonial Period and colonized by Dutch, is surrounded by historic stories and antique buildings recorded in textbooks; However, what really embeds in my memory and my childhood is the experience of Bai Bai.<br />
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Since I was young, my family have been going to sheng mu miao praying for blessings annually that symbolizes bad luck going away and looking forward to a new year full of hope! When I feel frustrated in strange land, my hometown always supports me; it makes me eager to go back tosheng mu miao for peace in my mind just like being supported by my own family.<br />
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Bai Bai, is usually for personal wishes, praying for blessings, and making dreams come true. When you finish Bai Bai, you can have a lucky charm blessed earnestly and can be carried with you everywhere. At first, you would put the charm into your carrying bag, but it always is gone or lost eventually just like you lose the magic.</div>
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<b><span style="font-size: large;">記憶空間</span></b> </blockquote>
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一手可握持的體積,旅行外出時方便攜帶,藉由雙層設計可搭配裝盛不同茶葉或茶包內有特製茶勺。藉由鋅製品的特殊表面質感搭配麻繩點綴出樸質風味。</div>
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<b><span style="font-size: large;">Tea jar</span></b> </blockquote>
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Travel size for easy carrying, Double-layer design can be placed through the tea leaves or tea bag, and there are special tea spoon. Zinc products with special textures, and showing a primitive style with a hemp rope.</div>
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<b><span style="font-size: large;">送納</span></b> </blockquote>
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送禮,是關乎兩人的事。兩人之間藉由「禮」產生情感交流的當下,才是最重要的時刻。一人「送」、一人「納」,「禮」才完整,而禮袋本身何嘗不是如此?因此,藉由此概念,「送納」禮袋擁有兩只平行交錯的把手,一只為送禮者「送」,一只為納禮者「納」,希望藉由此設計將情感在兩人間延伸、傳遞。將禮袋打開後,兩只手把實為一肩揹帶,因此納禮者在收禮後可自在運禮,且在日後可重複利用此袋作為日常揹袋使用。</div>
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<b><span style="font-size: large;">give & receive</span></b> </blockquote>
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Presenting is an action between two persons. The moment when two persons have emotional communication by giving and receiving presents is what presenting is all about. One have to give presents, and the other have to receive presents. Therefore, "give & receive" is a present bag which has two parallel grips. One is for presenter, and the other is for presentee. By opening the bag, the two grips will combine into one, and the bag will transform into a shoulder bag. Therefore, it will be easy for presentee to carry presents, and the bag can also be reused as a shoulder bag for daily carriage.</div>
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<b><span style="font-size: large;">祈福杯</span></b> </blockquote>
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用深色瓷土來表現廟裡堂柱的隆重莊嚴,進而襯托出台南的歷史資源“繡彩”。而刺繡的內容可搭配不同的主題,像是結婚入厝時準備的的紅彩則為一例。除此之外,不論是向文昌君,孔子所祈求的金榜題名,向關聖帝君祈求的正義,向媽祖祈求的平安,都可將這些文化意像轉化到這塊繡布上。在搭配上一包適合的茶,像文昌配包種茶,來達到禮在形式與意義上的傳達。</div>
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<b><span style="font-size: large;">blessing cup</span></b> </blockquote>
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In order to represent the temple in the cup, I use the dark clay to symbolize the columns. The patterns on the side of the cup are influenced by the tradition when people will decorate red fabric with historical embroidery and place above the door to bring luck. Other classic types of embroidery will be used in my design, all are inspired by different traditions such as praying to Confucius for good luck in exams, praying to Kuan for justice, praying to Matsu for peace. In that way there is a cup for all occasions. Therefore, the blessing cup is a practical gift with strong culture meaning.</div>
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<b><span style="font-size: large;">包中祈求</span></b> </blockquote>
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送禮是台灣的習俗台南為禮俗城市,廟宇文化與台南有著密不可分的連結關係,因此設計上從台南孔子孔廟中考生祈求考試包中的諧音,設計包粽的文化義涵的設計思考。</div>
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<b><span style="font-size: large;">prey for victory</span></b> </blockquote>
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"Gift giving is a very important culture practice amount Taiwanese society; Tainan is “City of Etiquette” and with its abounded population of temples, there grows the strong linkage between the symbolic meaning of gift and religious belief. This souvenir is for temple of Great Master Confucius and its design is taking the spoonerism of Zongzi as good luck to student who is going to exam.</div>
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<b><span style="font-size: large;">從心看見老台南</span></b> </blockquote>
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從小就喜歡老東西,老東西延伸我的想像空間,讓我喜歡傾聽故事以及容易感動。很幸運地生長在老台南,這是一個到處充滿驚喜的又老又小的城市。台南最讓我記得的是,大街小巷裡的老故事堅持著傳統,教人用心與眼去體驗人生。長大後離開台灣後,老台南的簡單與深刻仍存活在我的記憶裡,記得滿滿的人情味,獨特的文化,生活哲學以及時光的痕跡。更幸運的是得到老公Chin Ko的支持,當我告訴他台南令我感動的人事物,他用獨特藝術風格將我的記憶詮釋更多采多姿。從心重新看見老台南,我們要分享的是老台南給我們的感動,讓更多人看見值得讓人慢下腳步的美麗人事物。</div>
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<b><span style="font-size: large;">Discover Old Tainan</span></b> </blockquote>
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I've always been drawn to old things, old things expand my imagination, and I enjoy listening to folk stories and being moved by them. I was lucky to grow up in Tainan, a historic and intimate place full of surprises. What I remember most about Old Tainan is the vibrant street life, full of tradition, where you can not only see but feel the energy of the the city.After I left Taiwan, Tainan remained strong in my memories, especially its friendly people, unique culture, rich history, and simple pace of life. Luckily, I have always had the support and understanding of my husband Chin Ko, and when I described my impression of Tainan, he created colorful artistic interpretations of my memories. Through these illustrations, I hope that you will take a moment to rediscover and enjoy this beautiful city and its people. </div>
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<b><span style="font-size: large;">早鳥茶倉《喜鵲篇》</span></b> </blockquote>
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台南雖然不產茶卻擁有多元的飲茶文化。<br />
此設計是一款以陶瓷為主體的「茶倉」,木製的鳥兒停在茶倉上,可當作取茶的「茶則」。早起的鳥兒有茶喝!晨起除了喝咖啡提神外之外,喝早茶也可以是健康醒腦的好選擇。</div>
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<b><span style="font-size: large;">Early Bird-the Magpie Tea Jar</span></b> </blockquote>
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Although Tainan does not produce tea, it boasts a multifaceted tea culture. This
“Early Bird” design is primarily a ceramic tea jar with a wooden magpie sitting on the
wooden lid. The magpie can be used to retrieve tea leaves from the jar.
“Early birds drink tea!” says the designer. Morning tea is an excellent choice of
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"敦"在中國古代是祭祀和宴會時放盛黍、稷、稻、梁等作物的器皿出現在春秋時期,後來逐漸演變出蓋。到戰國時多為蓋形同體,有時蓋子本身也能反過來盛物使用......至今台灣廟宇仍然承襲著貢獻祀品的祭祀文化, 只是器皿也隨著時代的需求而改變, 所以這次的設計希望能將貢禮可以更方便攜帶, 而分開時就是一盅一盅的擺盤呈現,如此一來便可以方便食物做分層分類收那.... 除了祭祀的使用情境外, 主要還是再於食物的攜帶功能, 比如健康概念盛行的現代, 推廣上班族能多攝取多元食物, 所以希望可以方便於攜帶一些水果堅果或是小點。</div>
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<b><span style="font-size: large;">Dui</span></b> </blockquote>
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<span style="color: #999999;">Dui is a type of Chinese bronze vessel that was used in the Warring States period of Ancient China. It's a special food container that used to be used in religious rites to show the respect for gods. Even in nowadays Taiwanese religious culture, when we worship gods, we still prepare some special dishes to put the various fruits and food just for the ritual. So I would like to use the idea of Dui into my design and develop a portable "Food Tower". Food Tower is a food container that is put up by several small containers, so you can put different food in different container, and when you take them apart, there are also beautiful small dishes that you can use for ritual or luxury lunch box.</span></blockquote>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-35188603785363256572012-06-24T00:04:00.000-07:002012-07-24T20:25:05.050-07:002010 原力五十 POTENTIAL 50 / 主題說明<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
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<span style="font-size: large;"><b><span class="Apple-style-span">原力五十</span></b></span> </blockquote>
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<span style="font-size: small;"><b><span class="Apple-style-span">重返文化原鄉,尋找屬於台灣的原創力量。</span></b></span></blockquote>
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<span style="font-size: x-small;">台灣這個移民社
會,積累了很多民眾在新建家園時與這方土地的磨合故事。這些包含了與在地風土、氣候、資源融合與抗衡的經驗,不但真實地塑造了台灣最初的城鄉面貌,也發展
出了台灣最初的經濟力。雖然這些材料、技藝隨著時代的轉變逐漸被取代,城鄉原貌也在工業化的腳步下變得模糊,但是潛藏的能量仍是當前台灣在深化文化競爭力
時可資利用的資產。</span></div>
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<span style="font-size: x-small;">2010</span><span style="font-size: x-small;">年的點心設計邀請展將帶設計師們離開都市,往鄉間探訪僅存的原鄉風貌與產業脈絡。透過實地體驗,讓設計師參與社區文化與產業再造之工程,透過設計,挖掘出令人感動的故事與力量。</span></div>
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<span style="color: #999999; font-size: x-small;">苗栗苑裡地區是台灣南北氣候交
會之處,有華陶窯這般匯聚台灣在地風土面貌的園林,也有藺編、紅磚、陶藝、木雕等富含手感之產業,加上三峽地區的藍染技藝,希望可以透過設計師的巧思,將
這些素材編織出符合自然與人文生態的生活想像。展覽產出之作品,將透過一定程序的篩選,透過現有的通路銷售。最終希望這股力量能回饋回地方,厚植台灣的在
地經濟力量。</span></div>
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<span style="font-size: large;"><span class="Apple-style-span"><b>Potential 50</b></span></span><span style="font-size: x-small;"><span class="Apple-style-span"><b>_<span style="font-size: small;">The
aim in revisiting local geography and history, and looking for long
practiced Taiwanese crafts, is to strengthen our own identity.</span></b></span></span></div>
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<span style="font-size: x-small;"><span class="Apple-style-span">Over
time, a number of different peoples have arrived in Taiwan to make up
its present population. As a result there are very many stories about
how people have adapted to local traditions and the climate when
starting their families. These experiences involve not only shaping the
original landscape but forming the foundation for future economic
growth. Materials and skills change over time and the local landscape is
transformed by industrialization. Untapped potential, however, is our
most valuable resource to deepen cultural competitiveness.</span></span></div>
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<span style="font-size: x-small;"><span class="Apple-style-span">Actively
participating in, and evaluating, Design Refreshment 2010 has led
designers away from cities. By participating in a community's culture
and industrial re-engineering designers have been drawn to the rural
landscape and industrial heritage. Consequently, designers bring about
design with powerfully moving stories.</span></span></div>
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<span style="font-size: x-small;"><span class="Apple-style-span">Yuan-li
Town of Miaoli County, between southern and northern Taiwan is where
two climate zones meet. In places like Hwataoyao gardens increasingly
dominate the local landscape, while there are traditional handiwork
crafts such as grass-weaving, brick- and pottery-making and woodcarving.
We hope that designers can make good use of these materials to reflect
the local natural and cultural features. Exhibits undergo rigorous
selection and are distributed through existing channels in an attempt to
strengthen local economy. </span></span></div>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-81200345840979783152012-06-23T22:42:00.001-07:002012-07-24T20:25:05.061-07:002010 原力五十 POTENTIAL 50 / 參展作品介紹<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://3.bp.blogspot.com/-3pBxAnps7n0/T-W2iX6QEiI/AAAAAAAAA_8/_i02rq0ifdA/s1600/01grass+lamp-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://3.bp.blogspot.com/-3pBxAnps7n0/T-W2iX6QEiI/AAAAAAAAA_8/_i02rq0ifdA/s640/01grass+lamp-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">藺燈</span></b> </blockquote>
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藺草做的燈,運用傳統的藺編工藝,在光線的透射下更顯天然材質的溫暖,也散發無可取代的淡淡草香。 </div>
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<b><span style="font-size: large;">Grass lamp</span></b> </blockquote>
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<span style="color: #999999;">Lamp shades made of Lin grass deliver the irreplaceable scent and warmth from the natural material. </span></blockquote>
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<a href="http://2.bp.blogspot.com/-t_BxK6wbwXc/T-W3KPq6wLI/AAAAAAAABAE/PNsCc256SL8/s1600/02the+rush+light-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-t_BxK6wbwXc/T-W3KPq6wLI/AAAAAAAABAE/PNsCc256SL8/s640/02the+rush+light-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">藺光-情境燈</span></b> </blockquote>
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藺草三角型的橫斷面,巧妙的提供了草體本身支撐的強度與柔軟的韌性,也是與其它草種的最大差異所在,取其三角形的輪廓,搭配多層次的編織手法,再結合「光」,賦予藺編工藝全新的生命。簡約具張力的線條、細膩編織產生的強韌,佐以溫和的情境燈光,揉合現代設計語彙與傳統工藝,能帶來全新的空間氛圍,也盼將編藺人的心意完整傳達。燈光的感染力結合藺編的傳統細膩手路,溫暖了空間的冰冷。環保的LED燈,不會過熱傷害天然的藺草,使用壽命長不需常更換又能提供充足的照明, 已然是未來燈具的趨勢。</div>
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<b style="color: black;"><span style="font-size: large;">The Rush Light </span></b></blockquote>
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<span style="color: #999999;">Rush differentiates itself from other grass species for its triangular cross section which supports its body cleverly. The toughness of the triangular shape inspired the designer. Thus he combined the traditional rush weaving crafts with lighting to create a whole new lighting fixture-The Rush Light.</span><br />
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<span style="color: #999999;">The Rush Light sports simple yet powerful look and features the toughness of the rush weaving. The ambient light also gives the product a warm feel. The designer integrated the modern design with traditional rush weaving crafts to deliver a unique aesthetic touch for home décor. </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">祈福風程</span></b><span style="color: black;"> </span></blockquote>
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隨風啟程,心境福起 台灣的茶為世界的品茗為引,設計為台灣傳統的節慶天燈祝福的寓意,導傳統的紅磚傳承技術,隨台灣環海的幽幽景色,起風而情(心情)心福而請的台灣人情味,設計出此套依地方與人文感受的祈福風程. 系列組。利用紅磚吸水的特性,可以在杯外寫下祈福,水慢慢消失的過程就像是天燈冉冉乘載著願望而去。</blockquote>
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<b><span style="font-size: large;">Praying for blessings, journeyed with wind</span></b> </div>
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Using the Tea of Taiwan’s proud and the traditional sky lantern, we make the local material-brick combine in our design. You can just write the praying words outside the cups or pot, because of the character of brick the word will disappear slowly, just like we using the traditional sky lantern. As the praying slowly fly upon the sky, our wish will come true.</blockquote>
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一支雨傘,一顆”點 . 滴”,一種屬於空間的器物型塑美學,如水晶般的面體雕塑感,裝飾的是門庭角落,以不同方向的面體對應著不同大小的圓孔,當面體的停駐,回應的是此時此刻的用傘,傘在直覺中,點進紅磚石裡‧‧‧透過磚石的呼吸,吸收著雨傘低落的水滴。</div>
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<b><span style="font-size: large;">RAIN.DROP</span></b> </blockquote>
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<span style="color: #999999;">One umbrella, One RAINDROP, together they will create an aesthetic idea for you living style.</span><br />
<span style="color: #999999;">Like gleaming, like crystal, it's not only A umbrella holder, but also a door holder that can also decorate your entrance.Each surface on RAINDROP has a hole for supporting the different sizes of umbrella.When a umbrella is in the RAINDROP, together they become a perfect "Geometric Line", and through this Line, the water will go directly into the RAINDROP, A perfect place for Water to stay.</span></blockquote>
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<b><span style="font-size: large;">囍餅製造</span></b> </blockquote>
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中式糕點的圖案卻又總是讓我愛不釋手,不論是綠豆糕、紅龜粿、月餅、喜餅,美麗的圖騰捎來的都是美好快樂的喜訊。餅乾因富含奶油,一經高溫即軟化膨脹,若沒有模型支持,是無法成特殊造型的。陶與瓷經過高溫燒製而成的陶瓷,可反覆進入烹飪用烤箱烘培,將中式的美麗圖文刻印在好吃的餅乾上;帶有吉祥圖騰的烤模,平時也可作為飾品容器,例如佐料碟,花器、紙鎮等,為生活增添一絲喜氣。 </div>
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<b><span style="font-size: large;">Fortune Bakery</span></b> </blockquote>
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<span style="color: #999999;">I love the beautiful patterns on the Chinese pastries; they always have good meaning of fortunate and happiness. I want to share the beautiful messages with friends through biscuits, which is easier for me to bake by myself. Pottery and ceramic has strong Chinese Culture image, however they are common material of bakery tools. Biscuits mold with fortunate and happiness meaning patterns, cannot only make delicious biscuits, but also to spread the joyful mood in our life.</span></blockquote>
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<a href="http://3.bp.blogspot.com/-N2h-GduPh8g/T-W39cR_NcI/AAAAAAAABAk/7yraQ4bEgrs/s1600/06afterrain-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="540" src="http://3.bp.blogspot.com/-N2h-GduPh8g/T-W39cR_NcI/AAAAAAAABAk/7yraQ4bEgrs/s640/06afterrain-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">雨後</span></b> </blockquote>
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將磚塊轉化成花瓶,就像生長在牆縫上的植物,持續不斷的生命力在冰冷的牆面注入一絲活力。作品回歸原始,沒有多餘裝飾,目的就是展現活躍的生命力,而雨後的一切即將開始。</blockquote>
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<b style="color: black;"><span style="font-size: large;">AfterRain </span></b></blockquote>
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The brick wall is like a vase. The plant in the vase is just like a sprout on the wall. The sprout’s flourishing vitality makes the brick wall alive. Life is in its purest form, made of its original material.<br />
A new life begins after the rain...</blockquote>
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在編織藺草產品時,都會剩下許多的藺草廢材。將這些長度不足以編織的廢材重新整合,設計成如豐收般的黃金稻穗,並融合現代極簡的線條以及素材,創造出樸質與摩登的完美結合。</div>
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<b><span style="font-size: large;">Foison</span></b> </blockquote>
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<span style="color: #999999;">During rush weaving usually produces a lot of leftover. By using these remaining rush strips although they are no longer long enough for weaving yet by adapting modern design transforms bunch of rush into a perfect equilibrium of simplicity, style and design.</span></blockquote>
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<a href="http://4.bp.blogspot.com/-vohf0fXdqaM/T-W4eExSCtI/AAAAAAAABA0/BS6zG342zL4/s1600/08moat-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="540" src="http://4.bp.blogspot.com/-vohf0fXdqaM/T-W4eExSCtI/AAAAAAAABA0/BS6zG342zL4/s640/08moat-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">杯仔腳</span></b> </blockquote>
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台灣早期有一種叫做”廚仔腳”的紅磚器具,置於餐桌腳的下方,可防止螞蟻爬上餐桌;現在我們將阿嬤的智慧,設計成現代人可經常使用的杯墊,將這樣的智慧繼續傳承。飲料杯上的水珠,成了護城河,流進了杯仔腳,甜甜的飲料,再也不會被螞蟻攻陷了!</blockquote>
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<b><span style="font-size: large;">Moat </span></b></div>
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In the early Taiwan a common device used underneath the table legs prevents ants climbing over the table. By applying this all-time wisdom transforms a leg moat into a cup coaster. Let the water droplets from the cup itself run into the trenches carved out from the coaster. It will form a safeguard of river to keep away ants from invading the sweet-toothed drinks on the table.</blockquote>
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<a href="http://3.bp.blogspot.com/-UG69zeFpwmk/T-W4jlqeeFI/AAAAAAAABA8/OBabvv4-Q4k/s1600/09brick4-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="540" src="http://3.bp.blogspot.com/-UG69zeFpwmk/T-W4jlqeeFI/AAAAAAAABA8/OBabvv4-Q4k/s640/09brick4-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">磚頭四兄弟</span></b> </blockquote>
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要完成一個磚頭可不是件簡單的事,磚頭四兄弟從磚頭的生命發想,塑造四種個性各異各有不同功能的文具組。名片架代表的是切割的工法,磁鐵代表堆砌的力量,印章代表的是雕刻工藝,最後的花器代表的是和生命的融合。 </blockquote>
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<b><span style="font-size: large;">Brick 4 </span></b></div>
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It's not an easy job to produce a brick. Brick 4 present a brick's life. There are four kinds of it and represent different characters. Namecard stand shows cutting skill,while using Magnets which is like laying bricks. Stamp represent craft of brick and Floral Organ represent the harmony of natural.</blockquote>
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<a href="http://4.bp.blogspot.com/-KkoYUPu0zuY/T-aX7mIiiBI/AAAAAAAABD4/zF4c2auiIjg/s1600/%E7%A3%9A%E7%AD%86-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="540" src="http://4.bp.blogspot.com/-KkoYUPu0zuY/T-aX7mIiiBI/AAAAAAAABD4/zF4c2auiIjg/s640/%E7%A3%9A%E7%AD%86-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">磚筆</span></b></div>
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記得小時候在家門口玩耍,隨意撿起小石子或磚頭就可以開心的在地上畫方格玩跳房子,讓想像力奔馳,磚筆讓你拾回小時候的記憶,走出家門,我們公園見!</blockquote>
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<b><span style="font-size: large;">Brick Pen </span></b></div>
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<span style="color: #999999;">Let’s back to the childhood! In our memories, we always pick up stones and bricks, drawing on the floor and wall and making lots of funny games. We always felt happy while playing those games! Brick Pen is design for looking back our happy memories. Now, let us just bring this Brick Pen, getting out of the cold buildings, and having fun with friends at the outskirts!</span> </blockquote>
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<a href="http://3.bp.blogspot.com/-y9WvWIr2W0g/T-W4rnMVNRI/AAAAAAAABBE/OirZWNaU6kg/s1600/10brickblock-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="491" src="http://3.bp.blogspot.com/-y9WvWIr2W0g/T-W4rnMVNRI/AAAAAAAABBE/OirZWNaU6kg/s640/10brickblock-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">磚蓋房子</span></b></div>
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多材質的積木提供兒童玩出更多的創造空間,實際上搭建的積木城堡、用上了木材、水泥、與磚塊,不同質地與顏色,可能打開另一種不同的想像空間。</blockquote>
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<b><span style="font-size: large;">Brick Block </span></b></div>
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Multi material bricks provide much more creativity for children. We use woods,cement and bricks to let children recognize different materials. With so many materials, they can creat another fantastic world.</blockquote>
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<a href="http://1.bp.blogspot.com/-c5jAywZ9kwg/T-W48YARD0I/AAAAAAAABBM/kfKb0S6EpZA/s1600/11%25E9%25A2%25A8%25E5%2591%25B3-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="502" src="http://1.bp.blogspot.com/-c5jAywZ9kwg/T-W48YARD0I/AAAAAAAABBM/kfKb0S6EpZA/s640/11%25E9%25A2%25A8%25E5%2591%25B3-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">風味</span></b></div>
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藺草的香味具有一種高識別度的獨特氣息,讓人未見其物但聞其香 ,而它的獨特氣味能夠驅逐蚊子、跳蚤,也正是他無形的價值。因此在這裡將無型化有形,利用風扇防護網的視覺安全感,傳達藺草最原始的無形力量。 </div>
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<b><span style="font-size: large;">Intangible</span></b> </blockquote>
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<span style="color: #999999;">There's a highly indentity secnt for rushes you can smell without seeing it. However,the most ingengible value is that it prevent Mosquitos and fleas from biting with its special scent. Here we present the sense of safety by the fan safenet,in order to transform the integible to tangible. to convey the most origion power of rushes.</span></blockquote>
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<b><span style="font-size: large;">眼鏡套</span></b></div>
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藺你回味無窮的台灣古早味!<br />
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<b><span style="font-size: large;">glasses case </span></b></div>
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Lin- an all-time favorite “taste” of Taiwan you never want to miss! <br />
(Glasses bag made of Juncus Effusus, sounding like “Lin” in Mandarin Chinese)</blockquote>
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<b><span style="font-size: large;">傳</span></b> </blockquote>
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“苗栗苑裡帽蓆在日據時代就相當聞名,一直以日本為最大外銷市場,1936年,年銷1600多萬頂帽子,佔台灣五大特產的第三位,僅次於糖及米,苑裡帽蓆成為當地最重要的經濟來源。”</blockquote>
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<b><span style="font-size: large;">文化姓氏徽章DNA系列 -1-香火傳承</span></b></div>
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此系列設計以姓氏徽章為形象主題,運用了傳統圖騰之獨特性與台灣民藝習俗之趣味性相結合,再以現代美學的觀點重新詮釋。把臺灣在各種文化交融下創造出的多元文化特性巧妙融入設計當中,意圖創造出“現代文化圖騰”的新價值。 <br />
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據說古代人拜自己姓氏為對祖先的崇拜 !因此設計了傳達先人崇拜祖先意念的「姓氏徽章陶磚薰香爐」。 而在傳統的習俗中,供奉祖宗牌位的香爐,多數以方形為主,主要希望子孫能行為端正,所以在造型設計上以四方座椅「座的端,行的正」來表達傳承的意境。而後來文人雅士在附庸風雅之餘,也運用在生活空間中、而薰香的香爐便應運而生了。</blockquote>
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<b style="color: black;"><span style="font-size: large;">Chinese surname’s badges Series -1- Ceramic incense burner crafted with Chinese surname</span></b> </blockquote>
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Applying the traditional badge design and modern aesthetic viewpoint, the totem with family name in Chinese characters vividly depicts the traditional Taiwanese cultures and its modern life style. The totem is trying to interpret the dynamic multi-cultural characteristics of Taiwan in the modern life. Underlying the totem is a renewed desire to depict the beauty of nature, and to unravel the axioms of aesthetics. <br />
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The Chinese culture worship ancestors. Ceramic incense burner features the Chinese surname serves as an art work to worship ancestors.<br />
In the traditional custom, the incense burner for ancestor worship is in a square shape with the design of a square chair. It symbolizes that the younger generations will have flat characters and will be well-behaved. In the old days, the oil burner is for religious purpose. In the modern days, it has been transforming to a décor serving nostalgia for classical age. This outstanding oil burner generates an inspiring aesthetic Asian experience for you.</blockquote>
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<b><span style="font-size: large;">文化姓氏徽章DNA系列 -2- 刺</span></b></div>
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這特別的「姓氏徽章古早名片(夾)」設計是用竹子做成的,藉以傳達古代人以竹木片為名片的生活意境。<br />
在漢初紙未發明前,古人用刀筆將姓名、鄉里等寫在竹片、木片上,用來自我介紹,即具通名的功能,是遠古時代的名片稱為“刺”。在竹片印上姓氏徽章,以新美學觀點轉換呈現,成為可收納現代紙張名片的傳統出新設計。而竹片的弧度放在口帶自然服貼,可身懷名片“自我表彰”。 </blockquote>
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<b><span style="font-size: large;">Chinese surname’s badges Series -2-Ancient business card</span></b></div>
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This special business card holder is made of bamboo. Before the invention of paper in Han Dynasty, ancient people carry bamboo crafted with their names on it to present themselves to others. This is the earliest idea of the business card. Made of bamboo, this unique business card holder conveys the classical meaning of business card, both through the revival of ideas from antiquity, and through novel approaches to thought. This item is a good way to identify yourself and your artistic sense.</blockquote>
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<b><span style="font-size: large;">藺相深刻</span></b></div>
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<span style="color: #999999;">藺草編織工藝品是工藝家用手工慢慢編織而成的,但成品經常因不耐潮溼而損壞,本設計將藺草編織工藝的「手路」技藝,深刻壓印在陶瓷器皿上,讓手工藝技術編織的紋理長久保留,飲水思源,感受工藝師的編織手藝。 </span></blockquote>
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<b><span style="font-size: large;">編織記憶</span></b></div>
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<span style="color: #999999;">藺草編織的小動物是很有親和力的手工藝小品,本設計以賦予此工藝品更高的實用功能為發想,將磁鐵編入藺草小動物中,便成為一件具有觀賞與實用價值的記事小藝品,是件很能吸引遊客購買的工藝伴手禮。再與藺草編織的記事板結合成為一套實用的記事工藝品,記事板具有軟質的藺草墊可插入圖釘記事,還具有磁性白板,可書寫文字及貼上藺草磁鐵小動物記事。 </span></blockquote>
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<b><span style="font-size: large;">Samurai</span></b></div>
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西裝革履的上班族,出門前最後一個步驟是用鞋拔將鞋穿上職場如戰場,如同武士般奮鬥不懈將武士刀轉化為鞋拔以延申其精神藺草有親膚性,透過編織表現在握把上讓無生命的產品有了手感與潤感。 <br />
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Putting on the shoes with shoehorn is the last step before going out for work for the suited up white-collar workers. Work field is battlefield. The fighting sprit of Samurai lies in the Cantana shaped shoehorn. The rush-weaving handle with its distinctive character provides the humanity touch to the product. </blockquote>
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<b><span style="font-size: large;">Hold on </span></b><br />
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<span style="color: #999999;">構想是結合台灣傳統的桌蓋用途以及西方蛋糕架的優美設計,將傳統產物做新的詮釋及應用,並善加利用藺草的特性,以細膩的編織手路及藺草本身自然香氣減少蚊蟲的靠近且達到透氣的效果、利用自然環保的材質達到實用與美觀兼具的效果。設計分為兩個部份:藺草編織蓋&陶瓷底架,可依需求搭配使用。</span></blockquote>
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<b><span style="font-size: large;">蓆凳‧惜凳</span></b></div>
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板凳與草蓆曾經一直圍繞在我們周圍,卻漸漸消失在現代生活中。這兩者的結合,除了提升了使用的舒適感,也可以讓這兩件曾經照顧著我們的物品,重新回到我們的生活,讓那些曾經美好的故事,繼續流傳下去。</div>
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<span style="color: #999999;">Developed Taiwan's most traditional grass mat into a sense of modern and elegant by combin with wooden bench. And with wooden bench, not only to break people rush past the "mat" the impression it back to modern life, also have good smell like memories in the summer and more comfortable sitting experience.</span></blockquote>
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聞得到──淡淡的氣息;摸得到──樸實的手路。將資訊時代使用電腦不可或缺的滑鼠墊用最自然的素材取代,利用其特性讓它便於攜帶,不僅為冰冷的科技增添一絲暖意,也讓緊繃的神經在那樣的觸感及香味下稍微緩和。</div>
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<span style="color: #999999;">It's a mouse pad made by nature material.It's easy to carry with laptop. You can smell in summer breath and touch the memories, make your comfort also remind you to take it easy.</span></blockquote>
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<b><span style="font-size: large;">裂縫鐘 </span></b></blockquote>
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台灣潮濕的氣候或是水管漏水,會讓牆壁發生了病變,人們開始疲憊地治療這個不治之症,東抓一個漏水,西抓個牆壁龜裂,這是一場沒有止境的療程。當你又發現壁癌時,不用再擔心要找誰來修理,本設計將這種驚艷感,轉化成生活趣味的時鐘與桌燈,用另一個角度欣賞惱人的壁癌。</div>
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<span style="color: #999999;">The Humid weather in Taiwan or leaking water from tube can cause the wall get sick easily. People will cure the wall’s cancer tiredly. Sometime it happened into leaking water or cracked wall. This is a no stop curing schedule. When you find a mold on the wall, don’t worry about call the some people to fix it. This design derives mold on the wall into the funny clock and table lamp. We can take another perspective to enjoy the annoying mold the wall.</span></blockquote>
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<b><span style="font-size: large;">藺草冥想椅 </span></b></blockquote>
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由透氣親膚的藺草編織而成的鵝卵石外型沙發。</div>
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<span style="color: #999999;">A pebble shape sofa which is made by nature's touch and ventilative Rush grass. </span></blockquote>
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<b><span style="font-size: large;">靠蓆 </span></b></blockquote>
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藺草席一直是實用的配角,但是這個有傳統的配角, 幾乎被現代生活給遺忘了. 這設計利用藺草席和靠枕的結合創造出一個新角色,藉由後山社區編織師傅們的手工誕生出來, 稱之為靠蓆. 靠蓆在沙發上是配上手靠的好蓆子, 在椅子上是可撐腰的好坐墊, 最適合它的位置莫過於日式露台, 坐在露台邊緣靠著它, 放鬆了雙腳也放鬆了心。</div>
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<b><span style="font-size: large;">Mat plus Cushion </span></b></blockquote>
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<span style="color: #999999;">The straw mat has been a useful supporting role, but this traditional role is almost forgotten by modern life. This design uses a combination of straw mats and cushion to create a new role, which produced by the experienced masters in Yuanli. I call this “Mat plus Cushion”. Placing on the sofa is a good mat accompanied by good hand-mat; when backing in the chair is a good cushion which can support your back; the most suitable location is in Japanese-style terrace, sitting at terrace edge against it, you can relaxed feet also relax the heart.</span></blockquote>
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<span style="color: #999999;">筆跟筆袋各有其功能,由藺草編織成筆袋本身無法關合,當筆成為門栓將筆蓋栓住時,這樣相互依賴關係使得產品有著生命力般呈現。</span></blockquote>
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<b><span style="font-size: large;">足跡信件架 </span></b></blockquote>
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藺草拖鞋是現代人對藺草文化的深刻記憶,從傳統藺草拖演變成當今的人字拖,今昔兩者的結合,衝突的呈現時代的潮流。人字拖下點點的足跡落在走過的道路上,朋友家人的故事化成一張張的明信片和信件,在牆上成為令人回味的記憶和風景。點點的鏤空,配合固定件的設計,讓人字拖可自由的調整喜歡的位置、數量以及顏色,藉著傳統的工藝手法,除了流露出昔日的回憶與懷念的味道,傳統的工藝也被賦予了新的功能。</div>
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<b><span style="font-size: large;">"The Tracks" Letter Rack </span></b></blockquote>
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<span style="color: #999999;">The rush slipper represents nowaday people's deep impression of the rush culture. The traditional rush slipper has trended towards today's flip-flop style. The conflicting combination of the old and new styles illustrates the trend of the time. The dotted footprints underneath the flip-flops fall on the past roads. The stories of friends and families have turned into each single postcard and letter, and become memorable remembrance and scenery on the wall. The dotted hollows tied in with the design of the fastenings allow the flip-flops to be adjusted freely according to users' favour of position, quantity and colour. By means of the traditional craftsmanship, the work not only reveals the old-time memories and the memorable scent, but the craft was also invested with a new function.</span></blockquote>
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<b><span style="font-size: large;">梅花鹿‧開花了 </span></b></blockquote>
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<span style="color: #999999;">運用中國傳統吉祥象徵之福祿壽三星–【祿】,取諧音【鹿】為主體,以摩登幾何造型建構,腹部結合中國傳統縷空圖騰,鹿角處結合花器功能,延伸原有視覺,就讓它為你增添絢麗色彩吧! </span></blockquote>
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<b><span style="font-size: large;">磚盒</span></b></blockquote>
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<span style="color: #999999;">磚牆上的磚因為時間而鬆動, 產生非預期性的空間。賦予紅磚一個非預期性的空間,可放置個人物品。</span></blockquote>
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<b><span style="font-size: large;">揮蚊 </span></b></blockquote>
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蚊子迎面飛來,揮舞著手趨趕蚊子是人們的直覺動作。藉由揮動手而將防蚊的精油氣味散怖在空氣中。大量運用藺草成型產品也會增加藺草的廢材,善用廢棄的藺草纖維具有吸水的特性,將廢棄的藺草纖維當成手環的內填充材,用來吸取天然防蚊精油例如,香茅油、竹酢液、或其他精油。</div>
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<b><span style="font-size: large;">Let's wave </span></b></blockquote>
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<span style="color: #999999;">By observing interaction of people’s behavior to mosquitoes, wave hands and stamp feet are people’s direct action to drive out mosquitoes. Integrating this action into bracelet design, the citronella oil will be successfully spread into air when people wave hands. Considering largely production increases the quantity of waste Schoenoplectus triqueter. In order to consume waste part simultaneously, it becomes filling in the bracelet for soaking up the citronella oil. </span></blockquote>
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<b><span style="font-size: large;">疼惜藺_ 手形草本熱敷包</span></b> </blockquote>
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<span style="color: #999999;">多數人都有身體疼痛經驗(關節炎、生理期等),因此造成不舒服也難以入睡。選用止痛藥只是暫時舒緩疼痛,反而給身體其他的器官帶來負擔,其實身體的疼痛是可以透過比較自然的方式來得到紓解,例如一些中藥材的功效與紅豆做成可以利用微波爐加熱的熱敷包,搭配親膚性佳的藺草來隔絕過熱的熱敷包,是可以達到舒緩疼痛的效果。而手的造形意味著利用溫暖的手來呵護疼痛的部位。</span></blockquote>
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<b><span style="font-size: large;">疼惜藺_ 圓形草本熱敷包</span></b><br />
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<span style="color: #999999;">多數人都有身體疼痛經驗(關節炎、生理期等),因此造成不舒服也難
以入睡。選用止痛藥只是暫時舒緩疼痛,反而給身體其他的器官帶來負擔,其實身體的疼痛是可以透過比較自然的方式來得到紓解,例如一些中藥材的功效與紅豆做
成可以利用微波爐加熱的熱敷包,搭配親膚性佳的藺草來隔絕過熱的熱敷包,是可以達到舒緩疼痛的效果。而手的造形意味著利用溫暖的手來呵護疼痛的部位。而圓
形笑臉似乎是朋友微笑的關懷。</span></blockquote>
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<span style="font-size: large;"><b>“魚筷‧愉快”手工隨身筷系列</b></span></blockquote>
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<span style="color: #999999;">“魚筷‧愉快”隨身筷 --概念源自莊子與惠子的"魚樂之辯",故事由莊子的「鰷魚出游從容,是魚之樂也。」開始,形容對魚的感覺,故取"魚筷"之諧音"愉快",希望使用者能"愉快用餐",創新的結構功能亦期使用者感覺更便利與人性; "魚筷‧愉快" 為結合木材工藝、台灣藺草手工藝及工業設計的手工製環保筷,以較為溫潤柔和的木質感中和不鏽鋼的冷調,並運用魚形輪廓同時符合手握人體工學的曲線,來做為筷子握把部分,再以耐用及易於清洗的食品級不鏽鋼為接觸食物的前端部分,筷袋部分則用藺草編成魚形鑰匙圈以方便記得攜帶。</span></blockquote>
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<b><span style="font-size: large;">稻米型藺草項鏈筷套 </span></b></blockquote>
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<span style="color: #999999;">以藺草手工編織成稻米顏色、造型之隨身筷袋(原箸II代,L:76mm/W:7.1mm),以皮革串連玉石與藺草筷袋,可做為項鏈或吊飾,不易忘記攜帶,頂端開口的玉石除了有阻隔的作用外,象徵的是從稻穀中冒出的新米,帶來了新生,並承襲公司現有米粒矽膠筷套,從現代科技回到傳統工藝,亦有追本溯源之感。 </span></blockquote>
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<b><span style="font-size: large;">稱心壺意 </span></b></blockquote>
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<span style="color: #999999;">稱心壺意乃藉由古代秤子掛起百年鐵壺的姿態來表達這之間的美,樸實的檜木木座取代秤錘呈現一種平衡又搖曳生姿的風情。</span></blockquote>
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<b><span style="font-size: large;">仙屨奇緣 </span></b></blockquote>
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高跟鞋的神奇力量,讓一個小女孩變成小女人,讓一個女人擁有自信性感魅力,眼神中不自覺流露出性感氣息。看神仙教母施展魔法,編織出專屬灰姑娘的高跟鞋。圓鞋頭打造出時尚感,以藺草編織而成,清爽透氣,挑選不同顏色的藺草編織出浪漫憧憬的夢幻色澤,宛如一件藝術品,色澤簡約好搭配,帶出藺草新風情。</div>
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<b><span style="font-size: large;">A new romantic show of the rushes </span></b></blockquote>
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<span style="color: #999999;">The miraculous strength of the high-heeled shoes would let a little girl become a woman and let a women own self-confident and sexy charm to show unintentionally sexy spirit within her eyes; just like the godmother of the fairy displays sorcery to weave the high-heeled shoes for Cinderella. The circle head shoes which weaved by rushes create vogue and becomes more ventilated. Kinds of the rushes chose by different colors make up the dreamlike color and luster like the romance imagines, just like an art object, color and luster make a new romantic show of the rushes.</span></blockquote>
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<b><span style="font-size: large;">四合院 </span></b></blockquote>
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當我看見『紅磚』與『陶』,在腦海中最先浮現的是一群收工的農人在四合院中泡茶聊天的歡樂景象;是台灣早期最樸實、真誠的原始感動。從此氛圍出發,用幾何形的陶杯表現具現代感的水泥鋼筋大廈,並以『紅磚』包覆來表現古老的美好傳承,當我們與朋友共飲時,能找回從前在四合院中人與人之間沒有距離的親近情感,這才是正港的台灣味。</div>
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<b><span style="font-size: large;">SIHEYUAN </span></b></blockquote>
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<span style="color: #999999;">When I see Bricks and ,Ceramic, the first image that comes to mind is a group of farmers after work, relaxing in the yard happily chatting and drinking tea. It gives you a sense of traditional Taiwanese Culture. Starting from this perspective, the use geometry to represent the modern concrete building, covered by bricks to show the traditional ancient Chinese designs. When we drinking with friends, we can feel a connection with people without distance. This is the true taste of Taiwan.</span></blockquote>
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<span style="color: #999999;">以保有藺草天然原貌為重點,並考量其畏熱的特性而選用無熱度的光纖線作為光源。 </span></blockquote>
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<span style="color: #999999;">輕擁著沉睡的寶寶不捨驚動,但往往手彎與寶寶肌膚相貼處已一片悶熱汗濕。藺草的天然、吸汗和透氣,正能放心地在與寶寶細緻敏感的肌膚長時間接觸時使用。 </span></blockquote>
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以藺草材質為基本概念,藉由肌膚的聯想,複合花布衫的衣領口緣,展露藺草與肌膚之間的緊密關連,設計出此款優美與實用兼備的首飾掛台,亦傳達了身體與材質所具備的親密感。</div>
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<b><span style="font-size: large;">showcase </span></b><br />
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<span style="color: #999999;">Using the rush is the
basic concept of this design. By associating with the skin and the
collar of the colorful shirts we can find the connection between the
rush and the skin. This beautiful and practical Jewelry Hanging shows
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<span style="color: #999999;">用漆器表現原生鳥類豔麗的顏色及剪影。</span></blockquote>
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<span style="color: #999999;">using lacquer to express the vivid color and elegant silhouette of native birds, the bird tilts on the stand with wind creating an ambient effect with surrounding movement. </span></blockquote>
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櫃子是收藏記憶的窗戶。</div>
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<span style="color: #999999;">open the windows &keep the memories in my mind. </span></blockquote>
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紅磚質地觸感,搭配白松木,簡單型體中牽引出材質層次感,自然質樸承襲過往三合院建築方式,天然材質隨時間流逝、光影、雨水和風,改變顏色以及外觀的損耗更加韻味,運用自然的元素,塑造出真正原始美。</div>
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<b><span style="font-size: large;">Renga </span></b></blockquote>
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<span style="color: #999999;">In combination with red bricks and white pine wood layers of different materials give a simple gradual variation. As classic 3 blocks country cottages is being shaped in time, light, wind and rain. The natural wearing of exterior and colour sculpture a genuine aesthetic formation from all the surrounding natural elements. </span></blockquote>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-26617324273778878382012-06-22T21:21:00.001-07:002012-07-24T20:26:33.286-07:002008 文房五十 50 Pleasures in the Study / 主題說明<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
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<span style="font-size: large;"><b style="line-height: 18pt;"><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><b><span class="Apple-style-span"><span class="Apple-style-span" style="font-weight: normal;"><b><span class="Apple-style-span">文房五十</span></b></span></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></b></span></div>
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</span></b></span></b></b></span><span lang="EN-US" style="color: #999999; font-size: small;"><span class="Apple-style-span">「文房」讓人可以直接聯想到「文房四寶」,讀書人或知識分子經世的「工具」</span><span lang="EN-US"><span class="Apple-style-span">;也能泛指「文人書房中的一切物品」(大至傢俬擺設,小至怡情小物);進而還能擴大到文人透過物質世界的刻意營造中,所要抒發的特定生活態度與人性價值。主題給了寬鬆的詮釋空間,讓受邀的設計師可以依個人的體會與企圖,自在地徜徉。</span></span><span class="Apple-style-span">最終展現的五十件作品,由傢俱、燈具到文具,品類繁多,件件都是設計師在思考過現代書房環境之後,所投射出來的需求與企盼。整體作品由對生活品質的具體追求,到審美意趣的表現,呈現出豐富多彩的面向。</span></span><span class="Apple-style-span" style="font-size: small; font-weight: normal;"><span class="Apple-style-span"><span class="Apple-style-span"> </span></span></span><br />
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<span class="Apple-style-span" style="font-size: xx-small; font-weight: normal;"><span class="Apple-style-span"><span class="Apple-style-span">繼</span><span lang="EN-US"><span class="Apple-style-span">2007年以「五十凳」探究庶民生活文化之後,2008年「點</span></span></span></span><span style="font-size: xx-small; font-weight: normal;">‧</span><span class="Apple-style-span" style="font-size: xx-small; font-weight: normal;"><span class="Apple-style-span"><span lang="EN-US"><span class="Apple-style-span">心」</span></span></span><span class="Apple-style-span"><span class="Apple-style-span">將主題拉到古代文人的生命格調與審美追求上。「文房五十」藉由講座、參訪與閱讀,親近明、清</span><span class="Apple-style-span">文人精雅的生活追求,與背後蘊涵的價值追求與人生態度。</span></span></span></div>
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<span style="font-size: large;"><b><span lang="EN-US"><span style="font-size: x-large;">50
Pleasures in the Study</span>_</span><span lang="EN-US"><span class="Apple-style-span"> Awakening the Design Power of Taiwan from Traditional Culture.</span></span></b></span></div>
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<span lang="EN-US" style="font-size: large;"><b>Blending traditional Chinese culture and modern design power</b></span><span style="font-size: large;"> </span></div>
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<span lang="EN-US" style="font-size: large;">“50
Pleasures in the Study” is the theme of the 2nd exhibition by Dian Shin
Design Invitational Exhibition. Study can be further extended as four
treasures in the study, writing brushes, ink sticks, paper and ink
stones as well as other unique Chinese stationery. In the same time, it
also means study of literati. 50 works plus 50 designers make 100
scores. “This is good and perfect”, said convener Hu Yu-tsung, smilingly
about the reason of 50. </span><span style="font-size: large;"> </span></div>
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<span lang="EN-US" style="font-size: large;"><b>Making designers seeds of publicity</b></span><span style="font-size: large;"> </span></div>
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<span lang="EN-US" style="font-size: large;">“50
Pleasures in the Study” is the exhibition with most participants and
works among the designers’ joint exhibitions. It is after deep
contemplation, according to Hu. He hopes to invite designers from all
over Taiwan in balance of northern, central and southern Taiwan with
half male and half female designers in major industries. 50 designers is
the amount for observation. The greater ambition is to take designers
as a point of expanding influence. Through words of mouth publicity, the
power can be expanded from points to lines and surface to expedite the
claim of returning to mother land culture.</span></div>
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<span lang="EN-US" style="font-size: large;"><b>In the traffic hub, Taichung will attract more exhibitions.</b></span><span style="font-size: large;"> </span></div>
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<span lang="EN-US" style="color: #999999; font-size: large;">“50
Pleasures in the Study” at TADA is to be anticipated. It will have
interchange with Taichung citizens and can be expressed in wider space.
Taichung boasts unique and leisure life atmosphere. All levels have
accumulated rich creation energy. It is expected to see Taichung as the
hub of design power in the entire Taiwan.</span></div>
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<span style="font-size: large;"><br /></span></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-24216638016419414232012-06-21T08:20:00.002-07:002012-07-24T20:26:33.158-07:002008 文房五十 50 Pleasures in the Study / 參展作品介紹<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://3.bp.blogspot.com/-po2ozOZdLxw/T-MjRyIhbKI/AAAAAAAAA6Q/CWK-EXYLfj0/s1600/%E7%99%BE%E8%BD%89%E5%8D%83%E8%BF%B4-01-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://3.bp.blogspot.com/-po2ozOZdLxw/T-MjRyIhbKI/AAAAAAAAA6Q/CWK-EXYLfj0/s640/%E7%99%BE%E8%BD%89%E5%8D%83%E8%BF%B4-01-01.png" width="640" /></a></div>
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<span style="font-size: large;"><b>百轉千迴</b></span> </blockquote>
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<span style="color: #999999;">每在案頭,思緒總是百轉千迴,百迴千轉,百千迴轉……中國文字之美,任憑組合亦有其意含,百轉千迴化為印章古文字,任君組合使用。百字為多,能納眾筆,轉字為化,植物與紙,轉化之間,千化為光,千頭萬緒,即見明朗,迴中有回,收納之用,用畢即回。 </span></blockquote>
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<b><span style="font-size: large;">100 Turn 1000 Return</span></b> </blockquote>
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<span style="color: #999999; font-size: small;">In each desk, we thoughts 100 turn 1,000 return, 100 return 1,000 turn, 100 to 1,000 return and turn……Beautiful Chinese characters, any combination also meaningful Let these characters into the seal by ancient writing, you can use any combination. "100" means a lot, can be collections a lot of pens. "Turn" means transformation,the relationship between plants and paper is a kind of transformation."1000" into a light, complex thinking express like a light."Return" inside "return" the box can be collecting small things; when you finished the use of accessories,take it return the box. </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">“讀我”</span></b> </blockquote>
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依慣性又從24hr書店抱回一趟份量不買遲買都會後悔的愛書。數天後桌面也再度出現熟悉的現場:1&3號書-閱讀>暫休>閱讀...>完成>歸架。5&6號書-閱讀一章>暫休>閱讀二章>暫休>…>中止並擇日繼續>歸架。2號書-草讀>暫休>休…>被遺忘>將於數週後被挖出直接歸架。4&7號書-等待>等待…>下批新書到位>被新書淹沒。目睹這一幕,深感只有被閱讀的書才是幸福的。這書架將書本的被閱讀狀態浮現出來,提醒我這書正被寵愛被冷落被遺忘,記起最初的熱情。</blockquote>
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<b><span style="font-size: large;">形變</span></b> </blockquote>
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此作品是延伸去年參加五十凳的的作品 -「咚咚鏘」的創作概念及特色,並演變化成另一種使用機能,將板凳變成一般用椅,可為辦公及用餐所使用。在結構上同樣是以六隻腳及一個軸心組合而成。並且強調其變形的簡單性,以一隻手、一個動作便可完成變形。</div>
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<b style="color: black;"><span style="font-size: large;">Transforming </span></b></blockquote>
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<span style="color: #999999;">Extending the concept and feature of “Dong-Dong-Chiang”, which was
designed for Dian‧Shin project last year, “Transforming” gives benches a
new function, they can be transformed to chairs. “Transforming” and
“Dong-Dong-Chiang” have the same structure; both of them are consisting
of six legs and one axle. Emphasize on easy-operating and facileness,
users can complete the transforming in one movement with
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<b style="color: black;"><span style="font-size: large;">墨趣</span></b> </blockquote>
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<span style="color: #999999;">小時候隨地刻畫的跳房子遊戲,散落的石頭成了石墨材質,拿起不同濃淡的材料,便可在紙上自由揮灑,呈現自我風格的墨趣。而每件色澤各異、個性不一的石頭靜置文房空間,透過觀想、神遊,進入內心最靜雅的山間竹林,一種充滿意境的東方美學於是韻然而生。 </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">那山這水</span></b> </blockquote>
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<span style="color: #999999;">文人在文房中常以藉物寄情的方式表達個人品味,以書畫中擱筆用的筆山為靈感,傳達置筆休息的意境轉化為現代生活中的情境,藉由器物形態反映想像中的意境,在器物中亦能加入自己的情境想像,使其具有不同的面貌呈現。 </span></blockquote>
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<b><span style="font-size: large;">文房之華</span></b> </blockquote>
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<span style="color: #999999;">宋朝時有琴、棋、書、畫稱「四藝」,品香、插花、鬥茶、掛畫稱「四般閒事」,但皆是文人重要活動,因此希望能創造一款放置書房內多功能兼具品香和書畫之產品,設計『文房之華』採用古典牡丹造型的鐵雕毛筆架,取用鋼材摟空雕花設計,點燃薰香燈後,可看見搖曳生姿的花瓣隨風起舞,能若隱若現發現光影之美,從affordance的觀點來看,可隨意吊掛各種規格的毛筆,內部可隨性置換薰香或蠟燭,利用毛筆架結合桌燈或薰香,節省書桌上許多不必要的空間。 </span></blockquote>
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<b style="color: black;"><span style="font-size: large;">轉好運</span></b><span style="color: black;"> </span></blockquote>
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中國人是個喜歡算命的民族。八字、命理、風水,求神問卜,這是我們文化,也是我們的生活。舉凡家庭、事業、婚姻、健康、運勢,生活中大大小小的事,我們都希望能夠受到庇佑。 "轉好運"是個可以為你帶來好運勢的筆座,利用日晷的原理,筆的陰影所指的地方,可以顯示今天是星期幾,然後再轉一下盤面,可以看出當天的運勢。不管你怎麼轉,天天都會是好日!! 神奇吧!希望為你的生活帶來多一點的信心與快樂。</blockquote>
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<b style="color: black;"><span style="font-size: large;">境</span></b><span style="color: black;"> </span></blockquote>
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"窗"在中國古代文人的眼裡,常是大千世界的縮影。透過窗, 遠處的山可以被借景進入室內,彷若一幅寫意山水;窗竹搖影,橫斜錯落,林間的清風亦彷若可聞… 藉由這扇桌上的小窗, 或可把現代人從繁忙的生活帶入內心寧境恬適之境;此時心境駕凌外在受限的環境,也希求能更接近陶淵明於飲酒詩中所言,「心遠地自偏」的精神境界! </blockquote>
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<b style="color: black;"><span style="font-size: large;">嘰嘰喳喳</span></b> </div>
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<span style="color: #999999;">小時候,經常看到小鳥在電線桿或樹枝上排排站,有安靜小歇也有交頭接耳用鳥語閒聊,喜歡享受這種輕鬆愜意的悠閒,於是將這畫面轉移至閱讀用的小書籤,書看累了想休息一下,把書籤插上,閉眼沈浸悠閒自在的片刻。</span></blockquote>
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<b style="color: black;"><span style="font-size: large;">花蝶 印章戒</span></b><span style="color: black;"> </span></blockquote>
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活動一開始,便選定文房中體積最小,具有十足藝術價值的「印章戒」做為構想來源,並帶入Louis I. KAHN『學習於自然』的觀點。自然造物,無一相同,而此價值卻與印章複製的機能相悖,在苦思許久後,產生出:何不設計在同一個【蓋】的動作中,產生不同圖案與藝術價值之印章戒觀點,就能猶如自然般,永遠都充滿著變數。而機能上更是以戒指的角度切入而並非印章,讓印章戒能有機會以新的樣貌存在於現代之中。</blockquote>
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<b><span style="font-size: large;">偷閒</span></b> </blockquote>
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<span style="color: #999999;">設計工作時常嚝日廢時,而長期的工作時間,使設計師忘了自己的生理和時間,而生理和時間的相互題醒,在長長的設計工作中,偷偷的把時間顯示在生理需求中,而在最單純的水杯線條中,多了一個小小的折角,也表達出在日以繼夜循環的工作中,能找一個不同的方法,讓自己的身心都好好休息一下! </span></blockquote>
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<b><span style="font-size: large;">角落</span></b> </blockquote>
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<span style="color: #999999;">在書桌前蓋一間房子,私藏一些玩味的角落。</span></blockquote>
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<b><span style="font-size: large;">啪啪走</span></b> </blockquote>
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<span style="color: #999999;">鉛筆成群在那,是在偽裝古代的竹簡吧!是不滿蔡倫造紙,或者打算站出來宣示東方人的智慧。竹簡是古代書籍,是書寫記錄工具;現在,文字離開竹簡,化身成為創作工具。使用時把它折下來(啪!),它是一段生命的開始,離開舊有形式的束縛,啪啪走!趴趴走!走出無限可能、創意。</span></blockquote>
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<span style="font-size: large;"><b>文 . 空間</b></span> </blockquote>
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從文人空間做為出發點, 如何產生文人的私領域卻不需多樣東西的堆疊。以城牆宣示領域的意相為造型,恰巧賦予了功能而產生了這個想法。融合了椅子和書架,任何坐在上面閱讀的人都會產生一個無形的閱讀領域。</blockquote>
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<span style="font-size: large;"><b>禪風庭園</b></span> </blockquote>
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文房是個人心靈休憩的空間,在這私密空間中的物件都有著獨特的文化符碼。本設計靈感源自中國庭園造景概念,以寫意抽象的手法勾勒出心靈的桃花源,嘗試營造兼具功能與美感的心靈遊戲空間。 </blockquote>
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<b><span style="font-size: large;">Zen Garden</span></b> </blockquote>
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<span style="color: #999999;">Study room is a space for personal private enjoyment. In this private precinct,every object can embody a certain unique cultural sign.The design is inspired by the landscaping design of Zen garden stemmed from Chinese Buddhism which emphasizes on lyricism rather than realism.It creates a haven for escape from mundane life and evokes the feeling of .peace of mind.The design is thus aimed at creating such a mind space that caters to both functional and aesthetic needs. Design points: 1.The light would be turned on when pen is removed from the seating.Not only can the lighting add an emotional touch to the study room,it also serves to remind user to put back the pen after usage. 2.The socket containing magnet can serve as a storage space for small metallic objects. 3.The metallic ring composed of magnet can hold message note. 4.The zen-garden inspired design serves as a tape holder. </span> </blockquote>
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<b><span style="font-size: large;">7.5゚</span></b></blockquote>
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遙想過往文人雅士的生活,顯得遙遠而不真實,生活的價值觀與節奏隨著時代的演進也逐漸與以往脫離。「享受過程」、「品味」、「雅」是個人對文人抽象的認識,要如何讓過往的觀念得以根植於現今的器物之中,使其自然且有意義,成為設計的主軸。以茶壺為題,藉由生活週遭所常見堆疊的紙杯做為設計的元素,試圖結合其造型所引伸出的結構特色,讓使用與收納的過程中,帶點淡淡的玩味之意,藉此與過往充滿使用情趣的生活器物作為呼應。</blockquote>
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<b><span style="font-size: large;">昊蝕</span></b> </blockquote>
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<span style="color: #999999;">這件作品以簡潔的明式線條構成,藉由現代語言描摹古今文人的閒情逸致,並用現代眼光探索中國家具的本質。以鐵的永恆取代硬木的溫潤,去除材料的物理限制,以更簡明俐落的姿態重新詮釋現代明式性格。在這件作品中,時間以鐵鏽的形式在表面鑿出深淺各異的刻痕,明代文房精緻典雅的風采雖不復清晰,但亙古的是人們追求閒適生活的想望。凝固在透明樹脂中的鐵鏽,完整呈現出明代至今變而依舊同質的生活態度,也是這件作品希望闡述的精神。</span></blockquote>
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<span style="font-size: large;"><b>Make Design Not War</b></span> </blockquote>
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<span style="color: #999999;">From history we should have learnt that brute force is never the best solution to any problem. Instead we should be using our words, our designs to empower us to obtain a resolution. </span></blockquote>
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<b><span style="font-size: large;">不起眼的精彩</span></b></div>
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一點點的簡單改變,就能妝點出不一樣的生活質感。一朵朵的鉛筆屑花、一支支的原子筆桿,隨意的散落桌上各個角落,透露著不羈的認真態度;入夜後,小物們紛紛含放光芒,給自己、主人、也給遺留下的情景微微的溫暖。 </blockquote>
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<b><span style="font-size: large;">黃色誘惑</span></b> </blockquote>
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<span style="color: #999999;">藉由探討明清文人對其『雅』、『趣』的生活態度與品味素養,找尋設計靈感並產出本作品。利用角色混和互換,試想將人類化身為老鼠,站在老鼠洞前看著黃色的乳酪發出誘人的光芒,但下方卻是致命的鼠夾,在想要卻又不能要的衝突下,利用趣味幽默的方式呈現這樣的矛盾。</span></blockquote>
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<b style="color: black;"><span style="font-size: large;">喜刷刷</span></b> </blockquote>
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喜刷刷是一個可讓使用者自行剪裁的布刷。依照每個人不同的需求, 剪裁布的寬度, 捲起來後即可得到適當粗細的刷子; 亦可將布折疊, 變成大面積的扁刷。因為布料有無限的可能性, 使用者可發揮創意, 自己去發掘喜刷刷的不同玩法。</blockquote>
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<b><span style="font-size: large;">Soft Brush</span></b> </blockquote>
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<span style="color: #999999;">Soft brush is a simple cloth with brush. User can cut the cloth to adjust the thickness of the brush,and the length of the handle.Rolling up the soft brush, user can use it as a pan-brush; by folding it up, user can get a flat brush instead.To storage the Soft brush, just fold up the cloth twice.The brush will be well protected and it is very easy to be stored away. </span></blockquote>
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<b><span style="font-size: large;">書僮</span></b> </blockquote>
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雜亂無章的桌面會影響閱讀的心情喔! 有可愛的書僮「page boy」陪伴,幫你收納文具,也可以靜靜在一旁陪伴著你,讓你每天都有神來一筆的好靈感!內外雙層筆筒設計,從頭部可直接往上拉起內筆筒,讓經使用變短的筆,容易取出。讓筆的收納沒有長短差異的限制。外觀取自於古代書僮造型,可愛圓滾的包頭,乾淨樸素的衣著,畢恭畢敬地在主子身旁等候差遣。<br />
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「註」:【書僮】中國古時在富人家中侍候主人或其弟子讀書,兼做雜役的未成年僮僕。 </div>
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<b><span style="font-size: large;">Page boy</span></b> </blockquote>
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<span style="color: #999999;">A cluttered desk will dampen one’s mood for reading. However, this
lovely page boy can help you organize the desk and unclutter your mind,
hence unlocking the door to daily fresh ideas. The desk tidy, thanks to its double-layered design, allows the easy
retrieve of shorter pens simply by pulling the inner layer upward. In
doing so, there will be no difference in the length of pens in the desk
organizer. The desk tidy was inspired by the look of the page boy in the ancient
times, with the cute updo and plain clothes, waiting on the master
respectfully.</span><br />
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<span style="color: #999999;">
NOTE: The duties of a “Page Boy” in Chinese ancient times were to attend
the needs of his master when his master was studying, and to do some
chores. </span></blockquote>
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<b><span style="font-size: large;">婢女</span></b></blockquote>
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延伸「書僮」的設計想法,讓我聯想到另一個相呼應的職業「婢女」。化妝台上各式長長短短的刷具,有時候還真令人眼花撩亂,讓婢女「servant girl」幫你好好收納吧!內外筒設計,從頭部可直接往上拉起內筒,方便拿取內容物,出門化妝不在手忙腳亂,並兼具防塵隨時保持刷具的清潔。外觀取自於古代婢女造型,可愛俐落的髮髻,乾淨樸素的衣著,畢恭畢敬地在主子身旁等候差遣。「書僮」與「婢女」的代表故事,我想應該是唐伯虎點秋香吧!唐伯虎對華府婢女「秋香」一見鍾情,因而以才子屈身入華府為伴讀書僮,最終贏得美人歸。讓這個故事為我們的生活增加一些樂趣吧!<br />
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「註」:【婢女】古時家中供使喚的女孩子,即今之女傭。</blockquote>
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<span style="font-size: large;"><b>個個孔明諸格(葛)亮</b></span> </blockquote>
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我們要做的就是再現我們的文化之美,重新找回我們自體對美學的發言權,那怕是一個深植在我們成長過程中的集體記憶裡的一個小窗扣,我們都能將他再現成一種創意的表達,並運用窗花這種老件,使之成為一個燈飾,讓我們雖身處在現今的水泥叢林裡仍能透過這樣的一個物件遙想與古代文人窗明几淨的對話,再現現代文人的文房場域的可能性。</div>
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<b><span style="font-size: large;">GE GE KUNG MING JU GE LIANG</span></b> </blockquote>
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<span style="color: #999999;">What we want is to find and show the beauty of our esthetics, so it can speak for itself.It doesn't matter if it's just a small collective memory from the past while growing up. We should develop it to the extent that we can show it in its most creative form, and decorate it as a "windsill decoration" and let it become a "lamp decoration" for us who have lived in the "concrete jungle"; to display modern arts through the use of memory-worthy collection and communicable thoughts of the past.</span></blockquote>
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<b><span style="font-size: large;">自失三部曲</span></b></blockquote>
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<span style="color: #999999;">本三連作:「撕了」「字味」「擦掉」是呼應策展人所提長物志給我的一整個文震亨在那邊自High到不行有感。長物既是多長之物,則且消之或失之,將如何?長物或乃至長事、長人等可比為色,多長之意乃不可能久久擁之也-色即是空;而消長物失長物,執著的想要空(如某良好之品而無印印者),空亦為色(為人怎可能毫無雜質)。空與色既如此糾纏不清,為免自High過度,若即若離方為上策。</span></blockquote>
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<b><span style="font-size: large;">窗前明月光</span></b> </blockquote>
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<span style="color: #999999;">知道題目是文房五十時腦海裡的第一個畫面就是古人十年寒窗苦讀,鑿壁取光的情景。於是以燈為發想主題,材質以金屬銅以及壓克力為主要素材,取中國傳統門窗意象為造形主體,在傳統的中國味裡融入一些現代感,呈現窗外明月的微光。希望能夠表現出 "三更開卷見星光,不覺雞鳴已五更" 的感覺。</span></blockquote>
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<b><span style="font-size: large;">風景畫</span></b></blockquote>
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源自中國文人雅士家中的縷空雕花窗稜和精巧安排窗中有畫的景致,勾勒出特有的人文藝術氣息,而畫中多是以庭院裡的假山、花鳥或姿態萬千的樹,營造出自然的風光。桌、椅和櫃已成為塞滿書房的基本配備,人們對於如此壓迫的空間,開始期盼有一大片的落地窗透透氣。看來,這是古今中外皆然,除了能有良好的採光,還有視覺穿透效果,得以減少壓迫感。當已經無法改變書房的空間時,以借物抒情的手法,引用窗稜的概念,不需大興土木,直接倚靠於牆面,橫桿上的樹枝和其倒影,便傳遞出大自然的意象。啊…深吸一口氣,我的書房也有一扇窗…</blockquote>
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<b><span style="font-size: large;">規矩</span></b> </blockquote>
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<span style="color: #999999;">天圓地方,取法天地,乃成規矩,是中國儒、道兩大思想體系的共同點。對內修養德行,對外順應自然,於是方圓之間,天地和合,萬物始生。而古老中國便以此不斷演繹、延伸出絢爛的文化。現在,我們延續了這股思想,藉水泥之剛毅、取木材之樸實、採玻璃之清透,讓簡約的素材重現出古代文人書房中的雅趣。讀首詩,啜口茶,古老的東方品味正重新發光。 </span></blockquote>
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<b><span style="font-size: large;">十字架迴紋針</span></b> </blockquote>
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<span style="color: #999999;">當迴紋針夾在書中,露出書本外的景色成為一個可供想像的場景,有數個構想,我們選了十字做為概念依附在這個物件上。屬於墓園的景色,藏在書中的意念或連想已經成為過往的事,可供回首,但不屬於當下;夾帶的便條紙像是棺木中的屍體,腐化消失,上面書寫的文字有同樣的處境。我們記得他(她/它),但漸漸遺忘。</span></blockquote>
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<b><span style="font-size: large;">12°</span></b> </blockquote>
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<span style="color: #999999;">“寫字,身體不要歪歪的。”我想起小時候總會這樣被媽媽念,好吧,不歪身體那只好歪筆記本。現在不歪筆記本歪筆記本的橫線厲害了吧。每個人手上的紙都有最舒服的書寫角度,我的是12°,你是幾度呢? </span></blockquote>
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<b><span style="font-size: large;">墨竹-工作桌</span></b></blockquote>
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<span style="color: #999999;">[墨竹圖] 為北宋畫家文同所繪,其巧妙利用「轉鋒」技法使線條產生粗細與方向上的變化,就像被風吹動時竹葉的翻轉,同時也透過濃淡不同墨色的交疊,製造空間的層次與幻覺。此作品名為 [墨竹],主要是想要把文同 [墨竹圖]中的抽象概念轉化為立體物件,整體造形以轉折的三角形為基本的構成,不僅滿足力學上的要求,同時表現竹子(葉)的挺拔、蒼勁 與堅定的精神意涵,材質全部以黑鐵薄板焊接為主,未經任何表面的處理,呈現自然的樸素面貌,豐富的光影變化就如同畫家筆下濃淡相間的墨色游移,未來出現的銹斑將完整記錄時間洗煉的痕跡,進而增加一種文化的沉澱感,期待在現代與歷史的邂逅中找到一個交會點。</span></blockquote>
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<span style="color: black; font-size: large;"><b>茭</b></span> </blockquote>
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茭是道教裡與神明溝通工具中的一種,遇到難題時可以擲茭詢問神明的意見。迷你茭杯形狀的橡皮擦,易於攜帶與收藏,當有重要決定,又不便於離開座位時,可立即擲杯徵詢神明意見;當然也可以帶進考場抱佛腳囉! <br />
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<b style="color: black;"><span style="font-size: large;">BUEI</span></b> </blockquote>
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"Buei” is one kind of Taoism tool for communicating with God. The miniature “Buei” shape rubbers can be carrying easily, so you can ask for God’s help whenever you meet up a difficult decision. Surely BUEI can be brought into examination room, they are “rubbers’, aren’t they? </blockquote>
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<b><span style="font-size: large;">輪回</span></b> </blockquote>
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<span style="color: #999999;">總是,我們習慣便利的一切,迷失在快走的效率裡…然而有時候我們應該品味慢下來的悠閒,我將傳統筆硯磨墨的意像導入磨削鉛筆的行為,逆時針轉動著似曾記憶,緩緩看著研磨出來的木屑,那是種自然的悠哉,一種逆向輪回的復古怡然…</span></blockquote>
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<b style="color: black;"><span style="font-size: large;">微笑的蟑螂</span></b><br />
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有沒有這樣的經驗?翻開許久未讀的書本時,一隻壓扁的蟑螂屍體映入眼簾。夜裡在書房讀書時,角落的蟑螂似乎又在窺視及竊笑著。可惡的蟑螂,乾脆把牠夾入書中壓的扁扁的,當作書籤吧!長長的蟑螂鬚,就像是辭海書裡像書籤功能的紅色細繩,循著蟑螂鬚,就可找到上次未讀完的書頁。</blockquote>
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<b style="color: black;"><span style="font-size: large;">該死的老鼠
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<span style="color: #999999;">同樣的,把討厭的老鼠壓在杯子底下,壓的扁扁的!!
用該死的老鼠做成的杯墊,既可吸水,還可以拿來擦拭桌面。該死的老鼠總算有些貢獻了!!</span></blockquote>
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<b><span style="font-size: large;">一筆 </span></b></blockquote>
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<span style="color: #999999;">一筆,一隻雙頭彩色簽字筆,取中文字“一”為符號,以“一”筆劃頭尾不同的特徵,直接指示雙頭簽字筆不同粗細筆頭的筆蓋位置。“一”筆“一”畫、 “一”筆勾銷、天外飛來“一”筆。 </span></blockquote>
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<b><span style="font-size: large;">竹之光</span></b> </blockquote>
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<span style="color: #999999;">文房五十,可解讀成書房文具用品,也可以擴大成書房裡的用品,自己對書房空間的定義除了文具書籍類,最不可或缺的,除了書桌,就是光線。就讓我跨越時空給上一盞宜古宜今的竹之光吧。古代匡橫和車胤為了要讀書,一個鑿壁借光,一個搜集螢火蟲來發光。這兩例雖是家貧使然,但也可以了解光線對於讀書人的重要性。前面的例子,兩位都利用了天然光源;而現在我們可以利用太陽能板來蒐集光源。既然場景是拉回古代文房,那就用代表古代君子的竹來表現這次的作品。單節的竹型容器在白天吸收日光,夜晚釋放出光,當然,也能任意帶著其中一個竹節到需要燈光的空間。當各竹節相疊成為一完整竹子,是裝飾也是立燈,靜靜的在空間裡,最能襯托出文人雅士的品味。 </span></blockquote>
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<b><span style="font-size: large;">表裡合一 </span></b></blockquote>
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<span style="color: #999999;">始於唐末的經折裝,是將一幅長卷沿書文版面間隙,一正一反地折疊形成長方形的一疊。這種裝訂形式,經過長久時間的演變來到現代仍一直被採用。在【表裡合一】這系列記錄紙本的創意表現上,選擇以經折裝的裝訂形式作為發想原點,利用內頁折疊與封面的固定方式,嘗試提供一種新的記錄方式。一張折疊成長疊的紙張,結合可調整左右翻的封面,運用經折裝的特性,讓公與私、公開與非公開、文字與塗鴉…等因人而異的使用方式,將記錄的內容同時於記錄紙本的表、裡分開記錄,卻同時存在於同一本記錄媒材中,互不影響,各自有各自的空間。延續同樣的想法,發展出一系列的記錄紙本,除了賦予更多的功能性以外,也豐富了記錄方式,讓一紙兩面發揮更多的創意。</span></blockquote>
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<span style="color: black; font-size: large;"><b>設計有感,已逝與來日 </b></span></blockquote>
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從畢業之後算起,職場生涯加上任性晃盪的時間,也將近五年。有些感想,過去的、未來的。做些簡單的小東西,放在文房案上,提醒自己。 <br />
<br />
■PULL ME 鬆緊之間:初當產品設計師,自己想要做什麼,其實也搞不清楚,而實際設計條件中卻是有種種限制,環環相扣,了解已佔去太多時間。自己也抓不定主意的在想要(不敢說是理想)與限制的千頭萬緒中鑽來鑽去,摸不太清楚該如何取捨,只待結案時間點到,蒙眼奮力一抽,成品出爐一切成定局。稍事整理殘局後,又是一個新的開始,青澀的設計師生涯,於是乎在這一鬆一緊的循環當中度過。<br />
<br />
■HOLD ME 方/球體:提醒自己,事情沒有絕對,可以是方體也可是球體,試著去尋找其中的平衡點,這是設計好玩的地方。過程中保有自己構想的初念,那會是追尋過程中的定位點,讓自己不會迷失的那條準線。另一方面也提醒自己要有堅定的內心,但溫潤的去待人處世。 </blockquote>
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■SHAKE ME 頑石之中:現實很頑強,期盼自己未來能努力在其中凝聚一股力量,有所突破…… </blockquote>
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</blockquote>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.comtag:blogger.com,1999:blog-1442176053890357947.post-65038699158296608602012-06-21T03:32:00.001-07:002012-07-24T20:28:34.915-07:002007 五十凳 The ideal 50 Benches / 主題說明<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://2.bp.blogspot.com/-4H5ODT9yx2w/T9SxZTfTKFI/AAAAAAAAAHU/zD7abZ36dGE/s1600/%25E4%25BA%2594%25E5%258D%2581%25E5%2587%25B3logo-01-01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="299" src="http://2.bp.blogspot.com/-4H5ODT9yx2w/T9SxZTfTKFI/AAAAAAAAAHU/zD7abZ36dGE/s640/%25E4%25BA%2594%25E5%258D%2581%25E5%2587%25B3logo-01-01.jpg" width="640" /></a></div>
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<span style="font-size: xx-small;"><b><span class="Apple-style-span"><span style="font-size: large;"><span style="color: black;">五十凳</span></span><span style="color: black; font-size: small;">_「2007 點.心設計邀請展」以民間常見的「長凳」,作為邀展的主題</span></span></b></span><br />
<span style="font-size: xx-small;"><br /></span><br />
<span style="font-size: x-small;">相較於博物館中收藏的眾多文物,在中國出現超過千年歷史的長凳,至今都還在生活中隨處可遇。早在北宋張擇端的清明上河圖中,就可看見長凳出現在生活的各個
角落,與人產生各種互動,而且形式幾乎與今日無異。長凳是坐具,卻又不只是坐具。長凳可以登高,可以支撐,可以當成雜耍的道具,也可以充作工匠的機床‥。
長凳在民間幾乎可以說是萬用的。可惜這麼一件處處顯露民間「隨機置宜」智慧的器物,總不得人青睞。</span><br />
<span style="font-size: x-small;"><br /></span><br />
<span style="font-size: x-small;">於是我們邀請近五十位台灣年輕的設計師,透過他們的生活經驗與真實感受,為「長凳」娓娓道出五十個混合著熟悉與想像的故事。受邀的設計師來自國內知名企業
與具代表性的設計公司,「五十凳」這個題目希望能讓設計師在傳統與生活中,找到一個能探索文化、發揮設計能量的具體平台。重新回歸自我創作價值的設計師,
或也可找到一個與自身平日工作不同之關照點,進而與其企業中的設計工作,產生積極的對話效果。</span></blockquote>
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<span style="font-size: small;"><b><span class="Apple-style-span"><span style="font-size: large;">The ideal 50 Benches</span>_ Dian Shin / Design Refreshment Design Exhibition 2007 took "Bench" as the main theme.</span></b></span></div>
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<span style="font-size: small;">Comparing with museum collections, benches were playing a big part of
more than thousand years in the ancient Chinese history and still exist
until today's everyday living. Back then, Zhang Zeduan (1085-1145) -a
painter from Northern Song period-often illustrated benches in his
famous painting "Along the River during Qingming Festival" as a part of
people's daily lives and social interactions which are still the same
until now. Bench is not only a piece of furniture designed for sitting,
but also can function as an elevator, supporter, bed and even a useful
tool for variety shows. It also can be said that bench is a ubiquitous
and multifunctional tool. Unfortunately, people never really pay
attention and appreciate it.</span></div>
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<span style="font-size: small;">There were fifty young designers invited to participate in this
exhibition to share their life experiences and emotions through
designing these fifty benches. These designers come from prominent
design companies all around Taiwan. "The ideal 50 Benches" is meant to
give these designers freedom of exploring the culture and expressing
their design, as well as to be a platform for developing design skills.
Through giving such chance to be involved in personal creative process,
they may discover some new, fresh perspectives that are different from
what they usually encounter in their working days and eventually will
spark a reinvigorated dialogue in their design.</span></div>
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<b><span style="font-size: small;">參展設計師名單</span></b> </blockquote>
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<br /></div>Anonymoushttp://www.blogger.com/profile/16428986310498411608noreply@blogger.com0tag:blogger.com,1999:blog-1442176053890357947.post-43533602525336331962012-06-20T08:29:00.001-07:002012-07-24T20:28:34.909-07:002007 五十凳 The ideal 50 Benches / 參展作品介紹<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
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<b><span style="font-size: large;">咚咚 鏹…!</span></b> </blockquote>
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因
為是長板凳,所以直覺想到廟口景象,老人泡茶、聊天下棋、廟會、拜拜、等等。這把椅子概念的成形並非靈光一現,而是希望在原始的板凳中加入人的記憶,板凳
本身就已有記憶,所以只能讓它加深記憶。在設計上給它個椅背如同大榕樹下的躺椅,聊天、下棋、嗑瓜子的一把椅子,但在設計的過程中卻必須多生出了兩隻腳,
變成六腳板凳‥。原本對於多出來的兩隻腳還感到頭痛,但在無意間反過來看時,越看它就越像隻動物,於是聯想到踩著板凳跳來跳去的舞龍舞獅,還覺得有點好笑
滑稽;既然如此就乾脆給它披上一件獅子披風,就變成了這副滑稽模樣。披著獅皮的板凳‥!因此賦予了這椅子自己的生命,且更親近了我的記憶。</div>
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<b><span style="font-size: large;">Dong dong chiang</span></b> </blockquote>
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<span style="color: #999999;">Bench,
reminds me of the scene of the Taoism temple,the seniors gathering
around the temple, having tea together,chatting, playing chess, and
there are fairs sometimes. It is not a sudden idea. The bench has its
own memory,and I want to strengthen the memory. Giving it a piece of
back as a deck chair, which we usually have under a tree for taking
rest, chatting or commerce with friends. During the design process, to
support the structure,two extra legs come out. It bothered me a lot.Once
when I turned over the bench, I found it looked like an animal, and
associated it with lion dance.It is interesting and funny; therefore I
gave it one more cloak with Taiwanese floral pattern. A bench with
floral lion cloak! The bench has its own life now, and it is closer to
my memory too.</span></blockquote>
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以
靜物記錄人的活動。當純白的板凳被啟用,使用者如同在白色的宣紙上作畫,即開始了此物的創造過程。經年累月的使用造成局部的磨損,每張板凳以獨特的花紋顯
現互動的線索。似指紋與木紋,人的活動經過時間創造獨一無二的「人紋」。磨損的過程許漫長,但如赤壁賦所述:「蓋將自其變者而觀之,而天地曾不能一瞬;自
其不變者而觀之,則物于我皆無盡也。」板凳數十年的使用年限,當磨損殆盡,復回歸白色胚體。</div>
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<span style="font-size: large;"><b>Moving still:A continuous record of motion</b></span> </blockquote>
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<span style="color: #999999;">The
state of the bench reflects the motion of its users in a continuous
process of interaction. The bench starts out as white. From the moment
they begin to use it, its users participate in a creative process as if
painting on a piece of paper. As time goes by, everyday use causes
patterns to appear on the bench from scratches and natural wear. The
pattern of each bench provides clues of its history of use and forms a
unique "user"print, similar to a finger print or wood grain.</span></blockquote>
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<b><span style="font-size: large;">火凳</span></b> </blockquote>
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俗
稱的椅條在老一輩的記憶感受層次裡已被歸納為一種自然的物件,順應著人的思想而改變使用型態。沒有靠背和扶手的設計加上適當允許跨坐的寬度似乎就隱含著這
些可以為所欲為的暗示,這或許是板凳的隱性與隨性。保留板凳的尺寸是本設計的基本概念,並透過線條的位移延伸來抓出屬於現代的感覺。</div>
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<b><span style="font-size: large;">Lighting bench object</span></b> </blockquote>
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<span style="color: #999999;">The
so called Chinese traditional bench, or the [ben-deng], was categorized
as a natural object in the memory of the previous generation. It is
gradually changing its usage by people's wisdom, and the material from
the Bleech makes the chair sturdy and lightweight for better endurance
and protability. The designs of no back, no arm rest and the width for
easy to spraddling imply the attitude and degrees of freedom the chair
could offer. This re-design project, 火凳, keeps the size of the original
[ben-deng]. It has been created with a touch of contemporary styling
through the modern straight lines and symbols.</span></blockquote>
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<b><span style="font-size: large;">手談椅</span></b> </blockquote>
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板
凳對我來說是一個留下許多空白的物件,這個空白代表著不同的使用反應,反應出不同的屬於台灣早期屬於坐的一種文化。它的留白還可以跟方桌搭配,而成為吃的
文化,這些存在不同面向的可能性,是我所謂留白空間的特殊情感,這個情感從坐而衍伸出來的行為;如在板凳上對坐下棋便是其中一種表現。</div>
<div style="color: #999999;">
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<b><span style="font-size: large;">Go bench</span></b> </blockquote>
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<span style="color: #999999;">The
"Go" bench has a "go" board fused into its main structure. Drawers for
storing the "go" pieces are placed directly under the board. The past
time of playing the game "go" complimented the original historical use
of the classic Chinese bench as a source of relaxation and passing the
time. The "go" board is made by a CNC machine and its main structure has
been constructed by a master carpenter.</span></blockquote>
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把板凳拆解分離–「這是個有支撐點,座落在膝蓋附近高度的平面,而這個平面能提供給我們什麼?」這樣一想,單純的板凳,似乎出現很多有趣的思考點。我的設計基於此,希望使用者們自由的使用它,它可以坐,可以擺放雜物、收納用品,甚至我還希望它可以拿來養魚。</div>
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<b><span style="font-size: large;">Untitled 5</span></b> </blockquote>
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<span style="color: #999999;">With
two traditional-patterned pottery plates on the top of the bench, I try
to make it like an antique to remind us the beauty of Taiwanese
temples. Otherwise I put a little drawer under the bench for people who
might like to have different uses besides sitting.</span></blockquote>
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<a href="http://2.bp.blogspot.com/-gPGUiPdIjLU/T-GLn9Yy46I/AAAAAAAAA4s/DfWOUDelwbw/s1600/Bring+a+natural+piece-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-gPGUiPdIjLU/T-GLn9Yy46I/AAAAAAAAA4s/DfWOUDelwbw/s640/Bring+a+natural+piece-01.png" width="640" /></a></div>
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<b><span style="font-size: large;">Bring a natural piece</span></b> </blockquote>
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Bring
a natural
piece,如題,讓住家沒有庭院也不住公園附近的都市人,能隨時享受自己的一片綠地。延續長凳的精神,在材質的選擇上,除了原有的木頭,採用帶有香氣的
草皮做搭配。因為回想人們或坐或站或跑或跳,最貼近人們的是綠地。所以融合兩者,為生活空間注入更多的自然元素,使用上也不擔心下雨之後的草皮有著潮濕的
泥濘。</div>
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<b><span style="font-size: large;">Bring a natural piece</span></b> </blockquote>
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<span style="color: #999999;">People
used to take wood to be their furniture because of material is easy to
get in the past. If bench happens in today it might be interpreted in
different material. So I think it's also a concept to bring a natural
piece in your every day life. For continued the bench spirit, I choose
the material which most closes to people's life except wood then I think
it is grass. We can imagine that people sit to read a book or talk with
friends, dog chases the ball or kids ride a bicycle or play baseball on
the grass. The concept I want to show is people can have their own
green land even they are not living near park or having no lawn in their
home.</span></blockquote>
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<a href="http://1.bp.blogspot.com/-9rrsg0L3Oyo/T-GJ5pl9ThI/AAAAAAAAA4k/TXuAdTv8jLM/s1600/%E9%A6%AC%E5%8D%A1%E6%9C%A8%E7%9A%84%E6%97%85%E8%A1%8C-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://1.bp.blogspot.com/-9rrsg0L3Oyo/T-GJ5pl9ThI/AAAAAAAAA4k/TXuAdTv8jLM/s640/%E9%A6%AC%E5%8D%A1%E6%9C%A8%E7%9A%84%E6%97%85%E8%A1%8C-01.png" width="640" /></a></div>
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<span style="font-size: large;"><b>馬卡木的旅行</b></span> </blockquote>
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回
憶起小時候‥,星期六、日總會搬動著板凳、背著書包,坐在庭院中看書。板凳也因此成為我的書桌,桌上滿滿的書本與文具,找不到多餘的使用空間,一人一張板
凳,看著書。依太陽的照射角度變換著閱讀的位置,直到太陽西下,才收起板凳。當搬動著厚實的板凳,總是這麼的費力,總幻想著加裝輪子,可以不受限制的至庭
院中的任一角落,花園中、大樹下、河岸邊、‥,閱讀環境可有所選擇。</div>
<div style="color: #999999;">
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<b><span style="font-size: large;">Traveling bench</span></b> </blockquote>
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<span style="color: #999999;">It
was my childhood memory, we move a bench, grabbed our backpack, and
read in the courtyard on sunny afternoons. It was a time when, every kid
has their personalized reading benches,my bench was then my reading
desk, covered with books and pencils... In a time of my life when wooden
bench was heavy, I dreamed of a mobile reading bench, so I could read
in the garden, under the tree, by the riverside or everywhere in our
courtyard... Now is the time when I can actually make things, I make the
bench in solid wood with mortise and tenon, As a resonance to my
childhood. And a fulfillment of my early reams.</span></blockquote>
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<span style="font-size: large;"><b>Childhood</b></span> </blockquote>
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<div style="color: #999999;">
小時候坐在板凳上雙腳總是懸空,與板凳的相對比例,使板凳不只是板凳,可能是餐桌、書桌或是恐龍與機器人的戰場。“Childhood”概念是重新體驗小時候與板凳互動的比例關係,讓板凳和我們一起“長大、長大再長大”,成為陪伴我們生活的新朋友。</div>
<div style="color: #999999;">
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<b style="color: black;"><span style="font-size: large;">Childhood </span></b></blockquote>
</blockquote>
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<span style="color: #999999;">My
feet swung from the old bench, when I was a kid. It's not just "Bench"
when we find the scale between kids and it. It may be a table, a desk or
a cockpit where a dinosaur fights with a robot. Welcome to relive the experience of "When a Little boy/girl meets a Big Bench". Let "Bench" be
our new friends to "Grow up" with us.</span></blockquote>
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<b><span style="font-size: large;">耕[根]</span></b> </blockquote>
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<div style="color: #999999;">
翻土耕地的鋤頭,轉變成為凳腳穩穩地踩在地上,負載人們的重量,讓人與這片土地有了連結;提醒人們承襲前人的踏實精神,並珍惜我們腳下的土地。</div>
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<b><span style="font-size: large;">Root</span></b> </blockquote>
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<span style="color: #999999;">The
foundation of Taiwan is laid on agriculture; therefore the agricultural
iron tools were important in former days. The traditional iron forging
handmade crafts are applied to the structure. And the form of bench is
from the image of hoe. "Root" tries to link the emotion of people and
the homeland, and remind people of keeping practical, honest and cherish
our homeland just like people of former times.</span></div>
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<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">量化關係</span></b> </blockquote>
</blockquote>
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<div style="color: #999999;">
關
係可否量化?數據可否質化?在過往,答案似乎肯定。18台吋代表大吉、62台吋可以添丁,尺度代表著某種涵義,或許是個迷信、也或許箇中有理。如果人與人
的關係也可劃為數據,凸顯了之間的距離,就會驚覺到彼此的關係。觀察到,人與人之間總會保持著某種距離,而距離的遠近關連到彼此的角色關係。商場的同事、
要好的朋友、親密的情人、嘔氣中的情人,每種關係所顯露的距離皆有所不同。而相較於椅子的強迫隔離,長板凳是種延伸無間隔的架構,每人間的距離控制在個人
的意願之下,甚至是種潛意識下的表現。設計的切入點,即為以刻度的特徵凸顯彼此的距離感,或許當你不經意的發現了之間刻度的存在,才會驚覺到彼此之間所處
的關係為何。</div>
<div style="color: #999999;">
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<b><span style="font-size: large;">The relationship of quantification</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
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<span style="color: #999999;">Can
relationship be quantitative? Can data be qualitative? In the past, the
answer seemed to be "YES". In Taiwan, the measuring number of 18-inch
means to have good luck, and 62-inch means to have more new born boys
for the family. The number of the length represents some kind of
implications, it may like the superstitious, or it can really implicate
something. If the interaction</span><br />
<span style="color: #999999;">between
peoples can be recorded in data, hence that may significantly manifest
the gap between peoples, and they will be amazed by the mutual
relationship. It is observed that there seemed to have some kind of
distances between peoples. The length of the distances could relate to
the roles that peoples played to each other. Colleagues at work, good
friends, intimate lovers, fighting lovers, the distance between
different relationships are totally distinct from each other. In
comparison with the compulsive isolations with chairs, the long bench is
the extension of no-gap framework. The distance control could depend on
individual willingness, and it is also the representation of a certain
kind of subconsciousness. The entering point of the design is to
significantly reveal the sensation of distance with scales. However,
when you unconsciously realize the presence of scales, you will be
amazed by the real meaning of the relationship between each other.</span></blockquote>
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<blockquote class="tr_bq">
<b><span style="font-size: large;">櫺格椅</span></b> </blockquote>
</blockquote>
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<div style="color: #999999;">
中國古典家具與建築的關係十分密切,建築的尺寸常以家具為度量依據,家具的造型又常受到建築的影響。櫺格椅將窗櫺結構優美的呈現出來,椅腳與椅面承接處的榫接方式源自樑柱與屋頂的結構,將傳統工藝之美作了嶄新的詮釋。</div>
<div style="color: #999999;">
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<b><span style="font-size: large;">Lattice chair</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">The relationship between Chinese classical furniture and Chinese traditional buildings is very close.</span><br />
<span style="color: #999999;">The
classical furniture is often a condensation of the whole building.
Lattice Chair took the image of window mullion structure, which is a
very beautiful and important part in traditional wood building, and made
an exquisite joggled joint in the connecting place of chair feet. With
new material and simplified form, Lattice Chair has made a brand new
interpretation of beauty of the traditional crafts.</span></blockquote>
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<blockquote class="tr_bq">
<b><span style="font-size: large;">妙手回春</span></b> </blockquote>
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<blockquote class="tr_bq">
<div style="color: #999999;">
若
從未見過漂亮知名的家具,你會如何完成設計?台中一位木工師傅專用回收匾額做成家具,充滿著創意方式、熟練的技能、豐富的經驗,以及連我們都缺乏的資源再
生的觀念,創造新價值!他的技藝宛如「妙手回春」!而設計的價值不正是「妙手回春」!我們自以為是地不斷設計創造新事物,然而比較起那些為他人犧牲奉獻的
工作,設計工作實在微不足道,是我們任性妄為的喜樂工作。因此,我們更應以對於他人及環境都有利的方式來進行設計。「妙手回春」用傳統製作家具的方式上漆
與金筆裝飾,是傳統的現代家具,代表對於設計這件事的詮釋,隱喻著對設計工作的潛在看法,也希望表達出一點點的省思。提醒著自己在設計時多為生活的環境著
想(特別是我正在製造汽車),提醒自己的工作恣意妄為而且沽名釣譽,然而當我把它擺在大家面前時,卻又只會讓人指指點點‥只會讓你看笑話‥這一切是你我所
期盼的嗎?</div>
</blockquote>
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<blockquote class="tr_bq">
<b><span style="font-size: large;">Miao shou hui chun</span></b> </blockquote>
</blockquote>
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<blockquote class="tr_bq">
<span style="color: #999999;">In
Taichung, a carpenter has the knowledge of recycling discarded
inscribed-board. He makes new furnishing out of these material that
transcends essences of design. Being original, skillful, experienced and
environmentally consciousness are the main elements here; although the
designer might be short of recycling consciousness, origin, skill or
experience. What designers may have thought to be great or valuable
could actually be discounted by the general public's hand. These
creations that come out of these thoughts could easily be seen as
unimportant objects only to be laughed upon. This creation envelopes
such a thought.</span></blockquote>
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<b><span style="font-size: large;">洗衣板</span></b> </blockquote>
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<div style="color: #999999;">
這
是兩個記憶符號的結合,試圖喚起我們對於舊有事物的認同感,我想做一張板凳詮釋出她的默默耕耘與付出。洗衣板是最接近的記憶符碼,是板凳的所指
(signified),自身也可視為一個能指
(signifier),喻意著辛勞與奉獻,喻意著一種家庭甚至母愛的象徵。板凳在歷史痕跡上扮演者多用途的家具,我相信她存在的成分,自於充滿記憶的家
庭關係。</div>
<div style="color: #999999;">
<br /></div>
<b style="color: black;"><span style="font-size: large;">Washing board </span></b></blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">This
project pursuit integration of two symbols that which recalls our
identification with old house-wares in the past. Bench is a versatile
furnishing in the history. I believe that bench has the elements of
home. I want to design a bench which shows the subtleness of motherly
love. I think washing board has this quality. Washing board is the
signified but also the signifier. It represents the family relationship,
its caring, mother's loving and forgiving.</span></blockquote>
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<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">Mémoire</span></b> </blockquote>
</blockquote>
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<div style="color: #999999;">
五
歲.距離現在已經25年了,但是這些時期的記憶卻是會深藏在你的心理,直到某個時刻又會被再度的喚醒。我爸媽直到現在仍然常說:五歲的時候,你最愛拿著小
板凳到我們家旁的樹下和那些老人家下棋,輸了還會回家問你老爸問題。於是乎一想到要重新設計一個板凳,這幕的場景就不由自主的浮現上腦海!設計應該要表現
出個人的生活經驗和特質。我是個出生在嘉義鄉下的小孩子,而這次,我用我的兒時記憶來詮釋這個歷史悠久的發明物。</div>
<div style="color: #999999;">
<br /></div>
<span style="font-size: large;"><b>Mémoire</b></span> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">It's
all about joy and innocent memories when I was five. My mother always
said that I was not a boy but a wired little young man who like to
play Chinese chess with the elders under the tree, on a skinny old
bench. Even though I am way from the childhood, I can't help wonder,
what kind of bench would it be, if I do have a perfect model of my own?
There it is! The grand pa next door, making his next move to wipe me
out, while the sun is shining, the sparrow is singing, and the leaves
keep falling. What a wonderful afternoon! Design should always be about
memories, either to create or recall one. I'm from Chiayi, a small town
with the Tropic of Capricorn crossing through, I'm giving you my very
own bench, to tell you about the stories of a little five-year-old boy.</span></blockquote>
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<blockquote class="tr_bq">
<b><span style="font-size: large;">長凳。獨處中</span></b> </blockquote>
</blockquote>
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<blockquote class="tr_bq">
<div style="color: #999999;">
您是否也覺得,獨坐著一板長凳,有點孤單,幾人一同盯著單人凳,無從坐起?<br />
於是依著一閃直覺,最少步驟,保持原始外觀,重組適合獨居生活的長凳,也傳統也現代也沉靜也熱鬧,獨坐擁有自在,同坐擁有好友的交心。</div>
<div style="color: #999999;">
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<b><span style="font-size: large;">Stay alone bench</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">I
like to sit on the long side of bench together with my friends, shout,
laugh and drink to share our lives. After they go, I rotate it to the
short side, turn on music and open my book to enjoy my own fun. I made
this bench for my friends and for myself, for my joy and for my peace.</span></blockquote>
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<a href="http://1.bp.blogspot.com/-8nDJbfwof90/T-F0MCr4CVI/AAAAAAAAA3Q/dhbQTcjzdgw/s1600/Dual-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://1.bp.blogspot.com/-8nDJbfwof90/T-F0MCr4CVI/AAAAAAAAA3Q/dhbQTcjzdgw/s640/Dual-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">Dual</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
過
去的一千多年,中國人的生活與休閒與凳子的關係非常密切,吃飯、下棋、聊天、打盹可能都發生在凳子上。隨著生活型態的改變,家中的坐具也在改變,不變的
是,它仍然具備多種可能性的樣貌。希望運用現代的設計手法結合傳統的優點,創造可以融入現代生活的新傳統傢俱。運用傳統工藝榫接的優點,坐具更持久耐用以
及安全。藉由傾斜椅面角度可置換椅面為桌面,是桌子也是椅子。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Dual</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Bench
has been essential to Chinese way of living in the old time, people
could have meals, play chess, chat, or take naps on it.. As time
changes, the styles of chairs may have been transformed, but the nature
still remains the same. This project is expected to learn from the past
and create a piece of furniture with new spirit which merges into our
modern life. Detail / Function: Using traditional tongue-and-groove
joint method to enhance durability and safety. Transforming between
chair and table simply by adjusting the parts.</span></blockquote>
</blockquote>
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<a href="http://3.bp.blogspot.com/-WTZp0zU1PhA/T-Ftx1K3AWI/AAAAAAAAA3E/GgJYTEoceKU/s1600/%E8%AB%8B%E4%B8%8A%E5%BA%A7-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://3.bp.blogspot.com/-WTZp0zU1PhA/T-Ftx1K3AWI/AAAAAAAAA3E/GgJYTEoceKU/s640/%E8%AB%8B%E4%B8%8A%E5%BA%A7-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">請上座</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
板凳成為了一種趣味的媒介,加了三個旋椅,但卻保留了原始板凳的那份隨意。你可以把它當矮凳、扶手、高腳椅、梯子、雜誌架、邊桌‥,還是愛怎麼用就怎麼用吧!</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Please yourself</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">After
adding three adjustable stools on the bench you can still use it in a
variety of ways. The bench has been turned into an interesting object.
You can use it as a stool, an armrest, a high chair, a ladder a magazine
rack or a tea table. Just use it as you please!</span></blockquote>
</blockquote>
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<a href="http://2.bp.blogspot.com/-E2UmFdJVxLk/T-FrQ7C5TLI/AAAAAAAAA24/-NprriwEWNc/s1600/%E6%97%A0-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-E2UmFdJVxLk/T-FrQ7C5TLI/AAAAAAAAA24/-NprriwEWNc/s640/%E6%97%A0-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">无</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
在
中國民間超過千年歷史的長凳,至今在你我生活中仍隨處可見嗎?傳統文化的式微,或許還存些根莖深埋土壤中,惟地表上的枝幹樹葉已被優勢西方文化及地域主體
文化所鏟除殆盡,不復存在,有感而發,遂將傳統板凳埋入水泥中,喻為文化葬送,待其腐蝕殆盡取出,以殘餘部分加工為座椅,承載用途仍在,但傳統價值之式微
令人不勝唏噓。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Void</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Chinese
bench, a prominent part of Chinese culture and daily life in the past
is now scarce. The dominant, global western culture demolishes local
ways of living; tradition becomes frail. Thus, inserting a Chinese bench
into a concrete block symbolizing the burial of traditions. The bench
erodes, removed from the concrete block,the concrete block then becomes
the bench. Functions remain, but the decaying tradition is hidden in the
void.</span></blockquote>
</blockquote>
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<a href="http://2.bp.blogspot.com/-Xv97XuLAsFg/T-FpQovLroI/AAAAAAAAA2w/x_40AwBWr_o/s1600/Connect-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-Xv97XuLAsFg/T-FpQovLroI/AAAAAAAAA2w/x_40AwBWr_o/s640/Connect-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">“聚”系列之《橋》</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
板
凳留給我最深的印象為“苦難中的凝聚與扶持”,所以我以“聚”為主題,在保留板凳原本意象的前提下,轉換成形。又由於本作品用意在於連結人與人之間的情
感,而好的設計則是連結人與產品之間的互動,兩者有異曲同工之妙,故以「橋」為副標題。不論什麼產品,“人”都應該是主角,“設計”只是扮演橋樑的角色,
讓使用者與產品能有順利的溝通。所以,設計應消失,只留下「互動的感動」。本作品以傳統家具工法製作,期望落實文化生根,打開承先啟後的大<br />
門;
並希望藉由此作品傳達凝聚、共生的力量,呈現不同樣貌的生活記憶,繼往開來的設計價值。由於早期的困苦,這個島上的居民有著超強的適應性,加上中國人特有
“知福惜福”的儒家思想,揉合這兩者產生出來的結果:不完美的外表下有著完美的溫暖,成就這“不完美的完美”。這就是我找到的“台灣精神”。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Connect</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">The
strongest image of bench for me is "connection", connecting people and
people, people and products. And this is also what "design" means to me.
So I kept the original image of bench, but developed into a concept to
create a space for connection. We can chat with friends, drink tea, or
play chess in this space. I tried to put the spirit of Taiwan into this
product that called "the perfection of imperfection".</span></blockquote>
</blockquote>
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<a href="http://2.bp.blogspot.com/-pP6CFR5c5-I/T-FnhdaIjiI/AAAAAAAAA2o/Jts6R9GFLU8/s1600/%E7%B4%8D%E6%B6%BC-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-pP6CFR5c5-I/T-FnhdaIjiI/AAAAAAAAA2o/Jts6R9GFLU8/s640/%E7%B4%8D%E6%B6%BC-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">納涼</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
炎炎夏日,坐在樹蔭下乘涼、聊天、喝茶,好個愜意的午後。將如此悠閒美好的場景帶入自己家中,即使在陽台,或庭院裡,都能享有這份寧靜的悠閒。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Under the tree</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">In
the torrid summer day, sitting in the shades of trees, the breeze
blowing gently, chatting with friends, having tea together, what a
lovely day. With this bench, you can enjoy a peaceful and comfortable
mood at your own balcony or backyard.</span></blockquote>
</blockquote>
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<a href="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s1600/line-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="20" src="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s640/line-01.png" width="640" /></a></div>
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<a href="http://2.bp.blogspot.com/-b2604eQDZXU/T-FlTjA4jRI/AAAAAAAAA2g/Kb6WsAws64Y/s1600/Chair-34-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://2.bp.blogspot.com/-b2604eQDZXU/T-FlTjA4jRI/AAAAAAAAA2g/Kb6WsAws64Y/s640/Chair-34-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">Chair-34</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
物
資缺乏的年代,長板凳就像‥小叮噹的百寶袋、瑞士的萬用小刀。物資不乏的現在,長板凳的存在,已經不再是百寶袋與萬用小刀‥。利用長板凳下面的空間,轉化
成一個收納空間,板凳面板轉化成一個蓋子組合起來,整體保有長板凳的印象‥。真話介紹:板凳現在誰還想用啊,送我都嫌佔位子,房子已經夠小了,還要擺一張
這麼大的板凳。那‥下面是個收納空間‥您要用嗎?‥那我勉強考慮一下。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Chair-34</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Chair-34
is the 34th design of Y.H.Chen's chair series. Chen used solid wood and
dyed acrylics to give the bench a harmonized feel between natural and
modern. A practical storage space under the seat for storing toys,
magazines, personal collection, etc. It would be beneficial to organize
and minimize our home space. After all, "Where" is the money.</span></blockquote>
</blockquote>
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<img border="0" height="504" src="http://4.bp.blogspot.com/-nIZPtEILbIQ/T-FiqWWVFZI/AAAAAAAAA2U/IGcFsjou87c/s640/Why+don%27t+you+keep+me+well%3f-01.png" width="640" /></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">誰叫你不把我好好留下來</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
如果千古不化的長板凳,都能被再設計成各式樣貌,哪麼那些或許曾經被坐在長板凳上閱讀的,如今從舊書店清理出來,即將送往廢紙場,被市場再次淘汰的「書」,當不再轉介資訊,也不再提供閱讀,存在世上的這最後片刻,還可以保有什麼樣的姿態,還能顯露何種的表情呢?</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Why don't you keep me well?</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">If
benches that have existed through all ages can be redesigned into
various styles, what about these books that were read by the people who
sat on benches? They were cleaned away from secondhand bookstores later,
stopped conveying information to people, and did not offer people
chances of reading anymore. After this, what posture or look can these
books maintain or reveal? </span></blockquote>
</blockquote>
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<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">生。凳子</span></b> </blockquote>
</blockquote>
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<blockquote class="tr_bq">
<div style="color: #999999;">
很少人會注意自己坐下的樣貌,創作初衷希望人能多花點心思觀察身邊的物。以鏡子反射出坐者與環境,凳子與環境的巧妙融合與互動,賦予其生命,以不同的角度觀察,可以窺見身邊不同的反像景色,也可窺見自己,此刻,人為凳,凳為人。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Living stool</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Have
you ever keep your eye on the status of sit? The concept of original
intention is: that you can keep your eye to look around your world in
different point of view. Mirrors flash back you and environment, combine
stool and condition to animate the object. Difference angles difference
view, look around and look your self.Now you are the stool, and the
stool can be you.</span></blockquote>
</blockquote>
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<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">水上漂</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
「魚兒魚兒水中游,人啊人啊凳上坐」。坐在凳上的感覺,應該就像魚在水中一樣地輕鬆自在。作一張凳子,作一張透明凳子,剪一片水,剪一片清澈的水;城市在裡面,廟會在裡面,榕樹下場景都在裡面。端坐水上,景置凳中。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Sit on the water</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Swimming
in the water is the fish. Sitting on the chair is the man. I would like
to sit on the chair as easy as swimming in the water. Therefore, I made
e a chair, made a lucid chair, pretending that I was cutting a piece of
water, cutting a piece of clear water. Now, we see the city in the
chair, the temple in the chair, the trees, the people, and the scenes
all in the water. Sit on the water with the scenes in the chair.</span></blockquote>
</blockquote>
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<a href="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s1600/line-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="20" src="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s640/line-01.png" width="640" /></a></div>
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<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">有影無</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
“用
水把凳子弄濕也會有影子?!”有光才會產生影子,這是一般常有的概念,當我們可以用水和混凝土,在乾跟濕之間產生影子的變化,並結合環境中的光影與圖像,
模糊傢俱與空間的界線,在不確定中讓使用者以一種新的視野看待既有的環境並獲得意外的驚喜。“有影無”真正“有影啦”。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Shadow bench</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Light
makes the shadow. This is the common sense for everyone. But when we
can produce the shadow by wetting the concrete, that may be something
different. If we can do so, that will confuse people's eyes. And we will
feel surprised and discover something unusual between the reality and
the illusion, especially when we put the real one and fake one together.
The blurring is what this piece of work is trying to say, and that
reminds us that we can always have different perspectives of the world.
We can start from my little bench.</span></blockquote>
</blockquote>
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<a href="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s1600/line-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="20" src="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s640/line-01.png" width="640" /></a></div>
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<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<a href="http://4.bp.blogspot.com/-DSIIFv2t9Sk/T-FZTIrgkKI/AAAAAAAAA1w/p4pGbJ2HTxQ/s1600/%E8%B2%B4%E5%A6%83%E6%9D%BF%E5%87%B3-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://4.bp.blogspot.com/-DSIIFv2t9Sk/T-FZTIrgkKI/AAAAAAAAA1w/p4pGbJ2HTxQ/s640/%E8%B2%B4%E5%A6%83%E6%9D%BF%E5%87%B3-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">貴妃板凳</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
兒時記憶中晚上全家人總會聚在院子泡茶聊天,而我最愛抱著那檜木條凳聽大家談天說地直到睡著;引發想設計出可以或坐或臥兩用的條凳,因此設計中融合中國古典捲曲的椅腳和可臥躺的機能,採粉白色系處理,營造出一款帶有中國風的現代貴妃板凳。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Concubine Yang's recliner chair</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="font-size: small;"><span style="color: #999999;">My
families were always chatting and making tea altogether in the yard
after a whole day's working in my childhood. Holding the wooden bench
made of Chinese juniper in arms, I enjoyed listening to their stories
till falling asleep, which inspires me to design a chair that people can
sit and lie down. Therefore, to create the modern Chinese image which
is similar to the Concubine Yang's recliner chair, this is painted white
and integrated curving shape with its four legs.</span></span></blockquote>
</blockquote>
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<a href="http://1.bp.blogspot.com/-QlgjNo10-xw/T-FWx-z2poI/AAAAAAAAA1o/hPHrDpjheUg/s1600/%E7%B2%BD%E6%A8%B9-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://1.bp.blogspot.com/-QlgjNo10-xw/T-FWx-z2poI/AAAAAAAAA1o/hPHrDpjheUg/s640/%E7%B2%BD%E6%A8%B9-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">粽樹</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
以台灣本土包粽子文化的情節為發想,運用種樹的構想延伸轉化,讓包粽子不用再是繁複的搬東搬西,這過程可以輕易的垂掛粽子、吃粽子。好似結實纍纍的粽子樹,享受隨手可得的果實。</div>
<div style="color: #999999;">
<br /></div>
<b><span style="font-size: large;">Rice dumpling tree</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">By
one of the Taiwan culture "wrap rice dumpling" to be the origin. By
using the concept of planting tree to entend and change the idea. It
makes "wrap rice dumpling" to be not an heavy work. You can easily hang
and eat rice dumpling during this process. It looks like a flourish rice
dumpling tree. Enjoy the fruit.</span></blockquote>
</blockquote>
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<a href="http://1.bp.blogspot.com/-RP83MfxbmKg/T-FQJvm7f0I/AAAAAAAAA1Q/2MPzoue6I7Y/s1600/Sit-up+chair-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://1.bp.blogspot.com/-RP83MfxbmKg/T-FQJvm7f0I/AAAAAAAAA1Q/2MPzoue6I7Y/s640/Sit-up+chair-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="font-size: large;"><b>Sit-up chair</b></span> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
記
憶裡‥‥,阿公的長板凳,阿嬤的嫁妝花布棉被,融合成我的Sit-up
chair,現在與過去的結合,古味新時尚,一份代代傳承的心意,一份父母對子女的心意,在這張長板凳上,寫上新生家庭的開始與回憶。Sit-up
chair主要有三大功能,調整扶手高度,便可達到椅背、仰臥起坐、枕頭等功能。</div>
</blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">Sit-up chair</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">Memories
bring back...grandpa's bench and grandma's print duvet. The inspiration
together cultivates the creation of Sit-up chair, a infusing the
present and the past, and tingeing the latest fashion with nostalgia.
Intentions of passing to the next generations together with feelings</span><br />
<span style="color: #999999;">parents
have for their offspring are memories etched on the bench and herald
the beginning of a newborn family. Sit-up chair has three major
functions: chair, sit-up and pillow, all of which can be achieved simply
by adjusting the height of handrails.</span></blockquote>
</blockquote>
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<a href="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s1600/line-01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="20" src="http://3.bp.blogspot.com/-rJ-mfZkdaok/T_vQN9jyoKI/AAAAAAAABO4/fo1CQLvb3S0/s640/line-01.png" width="640" /></a></div>
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<a href="http://4.bp.blogspot.com/-ClXTXOZHYJQ/T-FNH8f9d_I/AAAAAAAAA1E/eRah3Mu2zIk/s1600/%E7%99%BB%E7%87%88%E5%87%B3-01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="504" src="http://4.bp.blogspot.com/-ClXTXOZHYJQ/T-FNH8f9d_I/AAAAAAAAA1E/eRah3Mu2zIk/s640/%E7%99%BB%E7%87%88%E5%87%B3-01.png" width="640" /></a></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<b><span style="font-size: large;">登燈凳</span></b> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
登
燈凳,在世界都忘記繁體字的同時,用中國傳統文字的博大精深,試圖表達生活中的『物件』與『人』之間的互動性。當中『登;動詞,表人的行為與生活』。『燈
與凳;名詞,乃生活中不可或缺之物』。且整體造型安排上採用(形聲字)的原則,將燈(左形右聲)、凳(上聲下形),做靜態的陳列,待人們登坐其上,即構成
一完整的意涵。坐上有燈的凳享受生活。</div>
</blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: black;">
<b><span style="font-size: large;">I Love traditional Chinese</span></b></div>
</blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="color: #999999;">In
a time when the world is forgetting the traditional Chinese characters,
my design is trying to strengthen the interaction between "Objects" and
"human beings" in a profound and traditional way. In Chinese, Mount, a
verb, represents humans' behavior and lives. Light and Stool, nouns, can
be the essentials of life. And the figure of my design is formed from
the principle of pictophonetic characters. The light and the stool are
combined together to create a brand new pictophonetic Chinese word. It
also means when people sits on the stool, the sitter completes the
significance of my design. And an enjoyable life mounting on a stool
with a light can hence begin...</span></blockquote>
</blockquote>
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<img border="0" height="504" src="http://2.bp.blogspot.com/-1FcqZ8NGcM0/T-FKOWkOYyI/AAAAAAAAA04/TPKgSQ2RkZA/s640/Am-shadow-01.png" width="640" /></div>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<span style="font-size: large;"><b>Am-shadow</b></span> </blockquote>
</blockquote>
<blockquote class="tr_bq" style="font-family: Verdana,sans-serif;">
<blockquote class="tr_bq">
<div style="color: #999999;">
長板凳真實的意義,不在於“長”“板凳”的實質形態、功能或解決問題,實體投射內在隨著時間變更的本質,每分秒都存著各自的符碼,當物件純粹抽離形式的既定存在便成永恆。</div>
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<span style="font-size: large;"><b>Am-shadow</b></span> </blockquote>
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<span style="color: #999999;">The
real meaning of long bench is the substance of internal of physical
projection which will be dynamic formed with time, and it will be
subsist on particular symbol with every second instead of the form of
substance, function or solve problem of "long" "bench". The existence
will be forever even the form of substance which is fixed was drew out.</span></blockquote>
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<b><span style="font-size: large;">Pure</span></b> </blockquote>
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<span style="color: #999999;">將板凳的意象再簡化,成為一塊平板與兩塊空心磚的結合,平板採用</span><span style="color: #999999;">超過百年的木頭,代表歷史。椅腳採用空心磚,代表近期的現代工</span><span style="color: #999999;">業。在兩者的結合下,希望能引發更多的自然板凳出現。</span></blockquote>
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<img border="0" height="504" src="http://1.bp.blogspot.com/-ndtgKZ_goLI/T-FHpJvl57I/AAAAAAAAA0o/DpTsBAW_Q_E/s640/land-01.png" width="640" /></div>
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<span style="font-size: large;"><b>Land</b></span> </blockquote>
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作品概念是以在板凳尚未產生,甚至連具體的坐具都還沒有出現以前,古人「席地而坐」的行為衍生而來的,讓坐具由地而生,以鮮綠色的草皮表層傳達大地的意象,意謂著土地孕育萬物。</div>
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<span style="font-size: large;"><b>Land</b></span> </blockquote>
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<span style="color: #999999;">The
work was designed based on a concept when benches or any kind of
concrete seating devise were not yet in existence. It is a concept
derived from our ancestors' natural habit of groundsitting. It adopts
the fresh surface of green grass to imply the earth, which gives life to
all creatures of the world.</span></blockquote>
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<b><span style="font-size: large;">長圓凳</span></b> </blockquote>
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<span style="color: #999999;">我所熟悉的圓凳,擱在你老家的長凳,交疊在一塊兒,共同喚起不同</span><span style="color: #999999;">人的不同記憶,並延續新的生活故事‥‥。 </span></blockquote>
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<span style="font-size: large;"><b>Shape of memory</b></span> </blockquote>
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<span style="color: #999999;">As
the combination of the traditional bench and the round stool, the
"Stoolbench" evokes memories of people's past life time and lets people
explore the shapes of their own memories...and it becomes part of the
new life.</span></blockquote>
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<b><span style="font-size: large;">阿公</span></b></blockquote>
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<span style="font-size: small;">看
著不對稱的支撐桿、粗糙的木板與角條、不精緻的刷漆,這是阿公以前自己釘的板凳。隨性、廢物再利用,這是在那樣的窮苦節儉年代最理所當然的設計。現在的我
看了這樣的椅子,簡便、再利用是我最想延續、傳達的。千年不壞的金屬椅腳有著夾具的功能,搭上路邊撿來的木板就變成一張我要的板凳。長的、短的、方的、圓
的、硬的與軟的,各式各樣身邊的板材,只要簡單的旋緊動作,就能變出長凳、單椅、邊桌或茶几,簡單、多變、隨心所欲最適合現代人的生活模式。這些是我從阿
公那張椅子體會到的,這也是我的板凳取名為“阿公”的原因。</span></div>
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<b><span style="font-size: large;">A-gone</span></b></blockquote>
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<span style="font-size: small;"><span style="color: #999999;">Uneven
structure, rough board and painting, those are characteristics of my
grandpa's handmade bench. Easy, handmade and reused things were the most
reasonable designs in those years of deficiency. According to these,
easiness and reuse are what I want to present in my design. Two strong
metal stands with grippers, they are the basic structure of my design.
Only by gripping an old board which was found along the roadside, my
design was accomplished. You can have a bench, a stool, or a coffee
table according to gripping a long, short, square, circle, hard, or soft
board. Easy but with great variety, these are not only the modern
people's life style but also characteristics of my design.This design
shows what I learned from my randpa's bench, and that's why I called my
design "A-gone" which means "grandpa" in Taiwanese.</span></span></blockquote>
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<span style="font-size: large;"><b><span style="color: black;">吃飯皇帝大,人人平凳</span></b></span></blockquote>
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<span style="font-size: small;"><span style="color: #999999;">此作品概念為『吃飯皇帝大,吃飯時人人平等。』中國舊時「大桌」</span><span style="color: #999999;">四邊,均放一張長板凳俗稱「椅條」,作為用餐座椅,因而衍生出作</span><span style="color: #999999;">品之概念。透過小板凳環環相扣成為長板凳的趣味組合,讓板凳成為</span><span style="color: #999999;">一高一低的造型,使得小朋友在吃飯時,也可以跟大人們『平起平</span><span style="color: #999999;">坐』一起享用美食的樂趣。板凳腳部設計,採用銅線編織圖騰,經過</span><span style="color: #999999;">時間的風化,銅線產生鏽化的化學反應,讓作品在時間的催化下,呈</span><span style="color: #999999;">現不一樣的風格質感。</span></span></div>
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<span style="font-size: large;"><b>Equality?My stool</b></span> </blockquote>
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<span style="font-size: small;">The
concept of this creation is everyone in the dinning table is equal
regardless of adult or kid.In old time of Chinese culture the each side
of big dinning table has one wooden bench beside for meal
together.Developed by this idea the form of stools are some high and
some low for combining to form a wood beach. The main reason is follow
the time trend change the kids are the little treasured in parents mind.
Through the creation of high and low stools let kids are equal high<br />with
the parents for funny meal together.The design of stool foots is
adopted copper wire weaved totem with.Follow the time goes by, the
copper wire has rusty chemical reaction.</span></div>
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