見本 Fundamentals－參展作品
Utilizing a short leg wooden sitting stool. that has been refurbished, a short wooden shovel handle has been attach to provide a backrest and handle, for ease of movement and placement it can be used as a stool or end table.
婆娑
結合傳統竹才包管技術，配合現代材質，創造傳統工藝的新想像。
Utilizing traditional bamboo technology, designing modern.
直接讓改變發生在老物件上，希望藉由日常生活中，人們真實的使用，讓老或新，皆能繼續這份單純而美好。
I have tried to make objects have a relationship with daily life. By making aged windows lived in our daily life, we can make the scene with tranquility and beauty be preserved.
上善若水
淨空你的心靈
縹緲 無形
像水一樣
你將會發現真實的本我
Empty your mind
Be formless , shapeless
Like water
You will find yourself .
月洞竹影
靈感源於紅樓夢中的《月洞窗》，書中描繪月洞窗上籠着薄紗，上面掛著回念詩的鸚哥，窗外千桿竹影翠潤，書香、木色與雲霧懸繞在牆上，猶如一片景致。柾割－兩道竹的剖面，仰賴竹匠師傅精準的切割技藝，在日本被廣泛使用於建築領域。 我們思考的是如何把經典意涵與傳統工藝結合，詮釋簡約本質。隨性將絲巾、領帶、配件或待穿衣物掛上，或者留白。望過月洞，皆成風景。
This product serves as a causal hanger to drape over your scarves, neckties, accessories, and prepared clothes. Its form was an implication of moon lattice which was a type of window widely used in traditional Chinese architectures. Instead of implanting a lot of design into a product, we choose to present the simple and beautiful cross section of bamboo to act as holders. This manufacturing technique of bamboo has been used in interior decorating in Japan for several years. Whether you put some accessories on it will always be a picturesque scenery.
衣角，掛窗
繁複的鐵花窗，是城市裡不可或缺的一幅美景，設計師試著將這美麗的風景帶入室內，以虛實、現代的手法將鐵花窗的意像重生。讓室內多了許多美好的記憶。
Complicated Tiehua windows, is an integral part of the city beautiful, designers try to bring these beautiful scenery indoors to the actual situation, modern techniques will Tiehua window imagery rebirth. Let Indoor many more good memories.
軌跡
經由點，線，面所構成的不只是實用的城市地圖，更是一段段令人感動的歷史軌跡。
產品的本質在於使用，圖案的本質在於觀賞，將這兩種特質整合並轉化出兼具實用與美感的家飾品設計。
Map of the city is not just a practical point, line, surface posed, it is touched the historical section after section the track.
Nature of the product is used.Nature of painting is ornamental.Integrate the two qualities.Design both practical and beauty design home accessories.
見本，以人為本，運用人的姿態發想，設計出有趣且多功能的衣架。
Look for the essenceof human, create a posture for the hanger.
座日見影椅
座日乘離蔚, 見影照古今。
傳承木工藝技法，保留具歷史文化價值的圖案，同時品研將其整合至新產品設計上。
功能一：可以坐在上面. 。
功能二：可以欣賞椅面上的傳統圖案. 。
功能三：三張椅子連在一起可以組合成一張大圖。
Passing down the woodwork techniques and the traditional patterns into chair design.
These seat surfaces is a complete traditional pattern when these chairs put together, but each one still a good chair with it own unique pattern.
藍
將旅店淘汰的浴巾、毛巾藍染成不同層次的藍色。再用各種不同的綑繞方式只做成各種不同圖樣的圓凳的坐面與鐘面。
Reuse the old white bath towel from hotels, and make its to different level of blue by nature indigo dye. Then binding and sewing its to seat top or clock face with special pattern.
凸餅便利吸
凸餅頂上的圖案各式各樣，有的是品牌LOGO，有的則是吉祥字彙。把凸餅化身小小便利吸，可固定文件或照片，亦可作為MEMO吸鐵。每顆凸餅字款不同、不同涵意，可作為MEMO內容的分類或提醒。
The Puff Bun has been shrunk into a small memo magnet, it firmly fix notes, photos and even documents onto the memo board. It comes in variety of graphic printing on top of Puff Bun; some are the logo of the companies, some are the Chinese characters with meaning of good fortune.
辦桌，伴桌－餐桌
「辦桌」是台灣婚禮中非常重要的一環，大家一起慶祝喜事，象徵著昭告天下的堅定信念。
讓「辦桌」成為家的一部份，每一頓飯都是慶祝。
原來，只要家人聚在一起，就是最大的喜事。
Originating from the table in Taiwanese traditional weddings, the "X" structure is easy for folding and storage, creating a flexible living space.
藝見
藝見－看清編織工藝的材質細節與技法。
顏水龍先生一九四O年定居台南，在學甲、北門、關廟等地設置南亞工藝社，用自身的示範、製作來推展竹、草、舊絲線、芭蕉絲、鳳梨刈等纖維編織、染色工藝。本作品以兩片設計過的鋁圈夾住放大鏡片，再用膠圈固定，膠圈外可結合各種編織工藝媒材如，竹、藤、皮、麻甚至是最近超流行的彩色橡皮圈編織，以達到拿起放大鏡的防滑效果!作品展出時，現場以各種編織工藝對顏老師的工藝推廣致意!!並藉由本放大鏡可讓現場民眾拿起來看清作品的細節!!
竹本杯墊
傳統竹編運用在不同的器物上會有不同的編織方式與功能，將竹編簡化成為幾何圖案，加工於竹集板上，呈現單純的數理美感。
In tradition, different objects apply to different bamboo weaving technique and functions, not just present the wisdom of ancestors, also the beauty of geometry and logic.
線杯系列
玻璃杯底部的線條。
靈感為圖學裡面的基本線條。
實線 虛線 中心線。
三種線條有各自要表達的意思。
鴛鴦
鴛鴦臉盆是台灣生活的共同記憶，新的型態解構其為圖案、器皿及色彩，透過人們的重新解讀，探討它的根本，延續它的內涵。
Deconstruct the Yuanyang washbowl which imprinted on Taiwanese's memory and reinterpret it.
竹鋼筆
竹材搭配天然漆與黃銅件，做成可長久使用的鋼筆。竹材與製作皆在南投，以在地工藝創作貼近生活的實用工藝品。
The bamboo fountain pen is made of natural bamboo, finished with natural lacquer, and brass parts. The bamboo material is sourced from central Taiwan, and hand crafted by a local studio.
小椅子
為成長中的小孩設計的椅子。隨著小孩一天天長大，要更換的物品很多，對環境資源都是很大的挑戰，如果物品不使用後，希望可以有其他的利用價值。
This little chair is designed for children. As kids grow up, many items need to be replaced. Resources are limited in our global environment and we would like to find a better way to utilize what we have.
銀鼎新芽杯壺組
銀鼎載新芽, 綠葉沁芬芳。
融合傳統銀工藝與現代設計手法, 老工藝新詮釋。
可以當茶杯與茶壺使用, 並且在放入飲品後, 可以欣賞銀工藝透過液體曲面折射產生的變化。
Traditional silver craft combine modern desing technique make the old craft with new face.
This product is a teapot set, when the color of tea put into the cup, users will enjoy the refraction between silver craft and glass.
竹手環
此設計為採用環保素材的“竹手環”構造，竹皮的質感不亞於“皮革手環”，把竹手環的風雅帶著走吧。竹，四君子之一，淡雅高潔，以它的雍容大度，折服古今文人的心。
此設計為採用環保素材的“竹手環”構造，竹皮的質感不亞於“皮革手環”，把竹手環的風雅帶著走吧。
Bamboo is a symbol of the harmony between nature and human being in ancient China. Chinese designated the plum, orchid, bamboo and chrysanthemum as "four gentlemen”.
The bamboo is considered a gentleman with perfect virtues. It combines upright integrity with accommodating flexibility; it has the perfect balance of grace and strength, or the Yin and the Yang.
Bring in the bamboo spirit with you by wearing this bamboo bracelet.
水影杯
風掠樹影, 水映南柯.
傳承保留具歷史文化價值的圖案，同時品研將其整合至新產品設計上。
分成蓋子,茶膽 與 杯身三部分, 放入茶葉沖泡後, 可一邊品嘗茶飲, 一邊欣賞茶膽與杯身上的傳統圖案。
Pinyen Creative Inc. integrate the patterns which are historical and cultural into new product design for passing down and retention.
This product is a tea cup, when the color of the tea covers the illustrations surrounding the cup, that means your tea is ready and you can taste the tea and enjoy the beautiful traditional patterns.
光蕈
光蕈是用來盛置光的容器。以蕈為名，以三足鼎立，以溫潤的瓷胎滲出溫柔的光，滿溢的明亮從倒置的器口流淌出來。在桌上擺置幽浮般的小蕈，木質的腳吸取來自土地的能量，傳到蕈冠。如一株雨後土中冒出來的小植物，默默地照亮一桌的寧靜。
Light Mushroom is a container for light. The glowing Mushroom illuminates through the translucent porcelain and stands on three wooden legs, like an ancient Chinese container “Ding”. Placing on a table, Light Mushroom sprouts from where it is rooted, as a fungus absorbs energy from the root to the cap. The cap lights up the table and creates a miniature scene.
線加工
台南早期為成衣加工業的重鎮，針車線扮演著很重要的角色．利用早期綑織帶的手動機具，將線透過加法式的塑形結合製生活產品上。
Tainan was a main city of garment processing in Taiwan, and thread played an important role during the time. Using an old machine that was used to bundle ribbon to combine thread and lifestyle products together.
米量
「米量」表示米的數量，也是煮米的容器。包裝設計強調個人亦可輕鬆享受台灣各種米，以大家熟悉的電鍋造型吸引消費這青睞。
Rice Cup is the container for measuring, cooking, and serving rice. packaging design emphasized a person can easily enjoy different verity rice of Taiwan, and the Rice Cup can be cooked in the rice cooker.
氣
氣是一個線香的容器, 利用擺動的方式創造氣流讓線香的香氣和煙霧能隨著這個氣流流動。
Qi is a device for incense. When gently swaying Qi creates airflow to release the incense fragrance and helps suffuse the desired space.
平衡之翼
在天願做比翼鳥, 美食當前各分飛。
以沖壓方式打造三支叉子大略的型體，再以手工細修其邊角與曲面。使用時可以讓三人共分享一份食物。叉子的尾端較大的圓弧面，可用來食用冰淇淋類或是膏狀的甜品。這組食具可以組合成一隻平衡鳥，在視覺上以及使用上提供無限玩味。
趣味設計小食具, 三支叉子&湯匙可以組合成一支平衡鳥。
This design idea of the fork set is from Taiwan folk game: balance bird. Each part is a small fork for fruit or icecream, and compose the three parts will become a balance bird.
傳承
磨石子地板常見於舊式建築中，雖然現代已少見，但在傳統映像中仍是一種對"家"的記憶。將這素材放入太陽眼鏡不僅是擷取它的冰涼感，也是對家的依戀。
外盒〝家書〞一樣是取自遊子對家的思念之情，古蹟的線條象徵家鄉，台灣眼鏡製造起源於台南，這都有其歷史意義，也是傳承的開始。
Terrazzo, used to be in old Taiwan buildings, is a symbol of home in many people's memory. So we put this emotion in our designed sunglasses. Besides its cool material feature, it also symbolizes people's homesickness.
The overwrap "Letter From Home" is from the same idea. The lines of Tainan historical buildings are our homeland. The beginning of glasses manufacturing is in Tainan. So this design has its historical meanings.
來去七桃
那條巷弄、那間餐點、那個微笑，旅途中總是充滿驚奇與未知，讓我們帶著一台相機、一只錢包、一隻手機，就能裝載滿滿的回憶。
留住味道－醬油碟
早期玻璃窗所使用的是壓花玻璃，將壓花玻璃的紋路重新詮釋，轉化運用在醬油碟上，透過沾醬的動作讓紋路更加浮現，讓早期的文化美學與歷史記憶能夠保留下來。
Early windows used is embossed glass, patterned glass lines will reinterpret, conversion and application in the soy sauce dish, sauce through the action so that more lines emerge, so early cultural aesthetics and historical memory can be retained.
輕盈隨行
藺草編織與皮革結合，可收納鑰匙、錢包等重要物品，懸掛在腳踏車橫桿，也可接上背帶隨身攜帶，將運動時的負擔減至最低。
Leather and rush weaving frame bags attach directly to your bike without a rack, so you obtain the benefits of moving weight from your body to your bike. Frame bag is an ideal place to store wallet, keys, and phone, and it is easy to put on and to take off as you zip around the city or head off the beaten path.
微笑君
使用親膚性與隔熱性佳的藺草材質製作暖暖包，達到溫熱舒緩身體不適的效果，為了讓大家加深對藺草特色的認識，包裝取用堅韌的三角結構凸顯出藺草特徵。
Miss Smile is a heat insulation bag which is hand weaved with skin-friendly material-Triangle Rushes. An inner cotton bag filled with red beans can be placed in a microwave oven and reheat many times. Heated cotton bag should be placed into Miss Smile. For the reason to deepen people's impression of Triangle Rush, The packaging design emphasized the tough characteristic of Triangle Rush.
童趣屋
想找出小時候玩香時的記憶，將香舉起然後快速下拉，就可製造出煙圈狀白煙，常常看著煙圈形狀的變化。
煙圈結合房屋外形，煙囪冒出一朵朵白煙，宛如置身於童話故事中。
層盛
設計概念是解決餐桌、茶几或書桌上的物品，可容納入書籍、ipad、手機等等日常用品，將其錯落有致擺放，使其一目了然。
運用不鏽鋼與皮革所設計出多層次的盛裝空間。盛裝物品之後呈現出「豐富」、「豐盛」的多層次樣貌。
