2012年6月23日 星期六

2010 原力五十 POTENTIAL 50 / 參展作品介紹

藺燈
藺草做的燈,運用傳統的藺編工藝,在光線的透射下更顯天然材質的溫暖,也散發無可取代的淡淡草香。 
Grass lamp
Lamp shades made of Lin grass deliver the irreplaceable scent and warmth from the natural material. 








藺光-情境燈
藺草三角型的橫斷面,巧妙的提供了草體本身支撐的強度與柔軟的韌性,也是與其它草種的最大差異所在,取其三角形的輪廓,搭配多層次的編織手法,再結合「光」,賦予藺編工藝全新的生命。簡約具張力的線條、細膩編織產生的強韌,佐以溫和的情境燈光,揉合現代設計語彙與傳統工藝,能帶來全新的空間氛圍,也盼將編藺人的心意完整傳達。燈光的感染力結合藺編的傳統細膩手路,溫暖了空間的冰冷。環保的LED燈,不會過熱傷害天然的藺草,使用壽命長不需常更換又能提供充足的照明, 已然是未來燈具的趨勢。
The Rush Light 
Rush differentiates itself from other grass species for its triangular cross section which supports its body cleverly. The toughness of the triangular shape inspired the designer. Thus he combined the traditional rush weaving crafts with lighting to create a whole new lighting fixture-The Rush Light.

The Rush Light sports simple yet powerful look and features the toughness of the rush weaving. The ambient light also gives the product a warm feel. The designer integrated the modern design with traditional rush weaving crafts to deliver a unique aesthetic touch for home décor.








祈福風程
隨風啟程,心境福起   台灣的茶為世界的品茗為引,設計為台灣傳統的節慶天燈祝福的寓意,導傳統的紅磚傳承技術,隨台灣環海的幽幽景色,起風而情(心情)心福而請的台灣人情味,設計出此套依地方與人文感受的祈福風程. 系列組。利用紅磚吸水的特性,可以在杯外寫下祈福,水慢慢消失的過程就像是天燈冉冉乘載著願望而去。
Praying for blessings, journeyed with wind
Using the Tea of Taiwan’s proud and the traditional sky lantern, we make the local material-brick combine in our design. You can just write the praying words outside the cups or pot, because of the character of brick the word will disappear slowly, just like we using the traditional sky lantern. As the praying slowly fly upon the sky, our wish will come true.









點 . 滴
一支雨傘,一顆”點 . 滴”,一種屬於空間的器物型塑美學,如水晶般的面體雕塑感,裝飾的是門庭角落,以不同方向的面體對應著不同大小的圓孔,當面體的停駐,回應的是此時此刻的用傘,傘在直覺中,點進紅磚石裡‧‧‧透過磚石的呼吸,吸收著雨傘低落的水滴。
RAIN.DROP
One umbrella, One RAINDROP, together they will create an aesthetic idea for you living style.
Like gleaming, like crystal, it's not only A umbrella holder, but also a door holder that can also decorate your entrance.Each surface on RAINDROP has a hole for supporting the different sizes of umbrella.When a umbrella is in the RAINDROP, together they become a perfect "Geometric Line", and through this Line, the water will go directly into the RAINDROP, A perfect place for Water to stay.







囍餅製造
中式糕點的圖案卻又總是讓我愛不釋手,不論是綠豆糕、紅龜粿、月餅、喜餅,美麗的圖騰捎來的都是美好快樂的喜訊。餅乾因富含奶油,一經高溫即軟化膨脹,若沒有模型支持,是無法成特殊造型的。陶與瓷經過高溫燒製而成的陶瓷,可反覆進入烹飪用烤箱烘培,將中式的美麗圖文刻印在好吃的餅乾上;帶有吉祥圖騰的烤模,平時也可作為飾品容器,例如佐料碟,花器、紙鎮等,為生活增添一絲喜氣。  
Fortune Bakery
I love the beautiful patterns on the Chinese pastries; they always have good meaning of fortunate and happiness. I want to share the beautiful messages with friends through biscuits, which is easier for me to bake by myself. Pottery and ceramic has strong Chinese Culture image, however they are common material of bakery tools. Biscuits mold with fortunate and happiness meaning patterns, cannot only make delicious biscuits, but also to spread the joyful mood in our life.









雨後
將磚塊轉化成花瓶,就像生長在牆縫上的植物,持續不斷的生命力在冰冷的牆面注入一絲活力。作品回歸原始,沒有多餘裝飾,目的就是展現活躍的生命力,而雨後的一切即將開始。
AfterRain
The brick wall is like a vase. The plant in the vase is just like a sprout on the wall. The sprout’s flourishing vitality makes the brick wall alive. Life is in its purest form, made of its original material.
A new life begins after the rain...








叢生
在編織藺草產品時,都會剩下許多的藺草廢材。將這些長度不足以編織的廢材重新整合,設計成如豐收般的黃金稻穗,並融合現代極簡的線條以及素材,創造出樸質與摩登的完美結合。
Foison
During rush weaving usually produces a lot of leftover. By using these remaining rush strips although they are no longer long enough for weaving yet by adapting modern design transforms bunch of rush into a perfect equilibrium of simplicity, style and design.









杯仔腳
台灣早期有一種叫做”廚仔腳”的紅磚器具,置於餐桌腳的下方,可防止螞蟻爬上餐桌;現在我們將阿嬤的智慧,設計成現代人可經常使用的杯墊,將這樣的智慧繼續傳承。飲料杯上的水珠,成了護城河,流進了杯仔腳,甜甜的飲料,再也不會被螞蟻攻陷了!
Moat
In the early Taiwan a common device used underneath the table legs prevents ants climbing over the table. By applying this all-time wisdom transforms a leg moat into a cup coaster. Let the water droplets from the cup itself run into the trenches carved out from the coaster. It will form a safeguard of river to keep away ants from invading the sweet-toothed drinks on the table.








磚頭四兄弟
要完成一個磚頭可不是件簡單的事,磚頭四兄弟從磚頭的生命發想,塑造四種個性各異各有不同功能的文具組。名片架代表的是切割的工法,磁鐵代表堆砌的力量,印章代表的是雕刻工藝,最後的花器代表的是和生命的融合。
Brick 4
It's not an easy job to produce a brick. Brick 4 present a brick's life. There are four kinds of it and represent different characters. Namecard stand shows cutting skill,while using Magnets which is like laying bricks. Stamp represent craft of brick and Floral Organ represent the harmony of natural.










磚筆

記得小時候在家門口玩耍,隨意撿起小石子或磚頭就可以開心的在地上畫方格玩跳房子,讓想像力奔馳,磚筆讓你拾回小時候的記憶,走出家門,我們公園見!
Brick Pen
Let’s back to the childhood! In our memories, we always pick up stones and bricks, drawing on the floor and wall and making lots of funny games. We always felt happy while playing those games! Brick Pen is design for looking back our happy memories. Now, let us just bring this Brick Pen, getting out of the cold buildings, and having fun with friends at the outskirts! 








磚蓋房子

多材質的積木提供兒童玩出更多的創造空間,實際上搭建的積木城堡、用上了木材、水泥、與磚塊,不同質地與顏色,可能打開另一種不同的想像空間。
Brick Block
Multi material bricks provide much more creativity for children. We use woods,cement and bricks to let children recognize different materials. With so many materials, they can creat another fantastic world.








風味

藺草的香味具有一種高識別度的獨特氣息,讓人未見其物但聞其香 ,而它的獨特氣味能夠驅逐蚊子、跳蚤,也正是他無形的價值。因此在這裡將無型化有形,利用風扇防護網的視覺安全感,傳達藺草最原始的無形力量。
Intangible
There's a highly indentity secnt for rushes you can smell without seeing it. However,the most ingengible value is that it prevent Mosquitos  and fleas from biting with its special scent. Here we present the sense of safety by the fan safenet,in order to  transform the integible to tangible. to convey the most  origion power of rushes.







眼鏡套

藺你回味無窮的台灣古早味!

glasses case
 Lin- an all-time favorite “taste” of Taiwan you never want to miss!
    (Glasses bag made of Juncus Effusus, sounding like “Lin” in Mandarin Chinese)








“苗栗苑裡帽蓆在日據時代就相當聞名,一直以日本為最大外銷市場,1936年,年銷1600多萬頂帽子,佔台灣五大特產的第三位,僅次於糖及米,苑裡帽蓆成為當地最重要的經濟來源。”








文化姓氏徽章DNA系列 -1-香火傳承

此系列設計以姓氏徽章為形象主題,運用了傳統圖騰之獨特性與台灣民藝習俗之趣味性相結合,再以現代美學的觀點重新詮釋。把臺灣在各種文化交融下創造出的多元文化特性巧妙融入設計當中,意圖創造出“現代文化圖騰”的新價值。

據說古代人拜自己姓氏為對祖先的崇拜 !因此設計了傳達先人崇拜祖先意念的「姓氏徽章陶磚薰香爐」。 而在傳統的習俗中,供奉祖宗牌位的香爐,多數以方形為主,主要希望子孫能行為端正,所以在造型設計上以四方座椅「座的端,行的正」來表達傳承的意境。而後來文人雅士在附庸風雅之餘,也運用在生活空間中、而薰香的香爐便應運而生了。
Chinese surname’s badges Series -1- Ceramic incense burner crafted with Chinese surname 
Applying the traditional badge design and modern aesthetic viewpoint, the totem with family name in Chinese characters vividly depicts the traditional Taiwanese cultures and its modern life style.  The totem is trying to interpret the dynamic multi-cultural characteristics of Taiwan in the modern life. Underlying the totem is a renewed desire to depict the beauty of nature, and to unravel the axioms of aesthetics.

The Chinese culture worship ancestors.  Ceramic incense burner features the Chinese surname serves as an art work to worship ancestors.
 In the traditional custom, the incense burner for ancestor worship is in a square shape with the design of a square chair.  It symbolizes that the younger generations will have flat characters and will be well-behaved.  In the old days, the oil burner is for religious purpose.  In the modern days, it has been transforming to a décor serving nostalgia for classical age.  This outstanding oil burner generates an inspiring aesthetic Asian experience for you.








文化姓氏徽章DNA系列 -2- 刺

這特別的「姓氏徽章古早名片(夾)」設計是用竹子做成的,藉以傳達古代人以竹木片為名片的生活意境。
在漢初紙未發明前,古人用刀筆將姓名、鄉里等寫在竹片、木片上,用來自我介紹,即具通名的功能,是遠古時代的名片稱為“刺”。在竹片印上姓氏徽章,以新美學觀點轉換呈現,成為可收納現代紙張名片的傳統出新設計。而竹片的弧度放在口帶自然服貼,可身懷名片“自我表彰”。
Chinese surname’s badges Series -2-Ancient business card
This special business card holder is made of bamboo. Before the invention of paper in Han Dynasty, ancient people carry bamboo crafted with their names on it to present themselves to others.  This is the earliest idea of the business card.  Made of bamboo, this unique business card holder conveys the classical meaning of business card, both through the revival of ideas from antiquity, and through novel approaches to thought.  This item is a good way to identify yourself and your artistic sense.








藺相深刻

藺草編織工藝品是工藝家用手工慢慢編織而成的,但成品經常因不耐潮溼而損壞,本設計將藺草編織工藝的「手路」技藝,深刻壓印在陶瓷器皿上,讓手工藝技術編織的紋理長久保留,飲水思源,感受工藝師的編織手藝。








編織記憶

藺草編織的小動物是很有親和力的手工藝小品,本設計以賦予此工藝品更高的實用功能為發想,將磁鐵編入藺草小動物中,便成為一件具有觀賞與實用價值的記事小藝品,是件很能吸引遊客購買的工藝伴手禮。再與藺草編織的記事板結合成為一套實用的記事工藝品,記事板具有軟質的藺草墊可插入圖釘記事,還具有磁性白板,可書寫文字及貼上藺草磁鐵小動物記事。








Samurai

西裝革履的上班族,出門前最後一個步驟是用鞋拔將鞋穿上職場如戰場,如同武士般奮鬥不懈將武士刀轉化為鞋拔以延申其精神藺草有親膚性,透過編織表現在握把上讓無生命的產品有了手感與潤感。

Samurai
Putting on the shoes with shoehorn is the last step before going out for work for the suited up white-collar workers. Work field is battlefield. The fighting sprit of Samurai lies in the Cantana shaped shoehorn. The rush-weaving handle with its distinctive character provides the humanity touch to the product.








Hold on
構想是結合台灣傳統的桌蓋用途以及西方蛋糕架的優美設計,將傳統產物做新的詮釋及應用,並善加利用藺草的特性,以細膩的編織手路及藺草本身自然香氣減少蚊蟲的靠近且達到透氣的效果、利用自然環保的材質達到實用與美觀兼具的效果。設計分為兩個部份:藺草編織蓋&陶瓷底架,可依需求搭配使用。









蓆凳‧惜凳

板凳與草蓆曾經一直圍繞在我們周圍,卻漸漸消失在現代生活中。這兩者的結合,除了提升了使用的舒適感,也可以讓這兩件曾經照顧著我們的物品,重新回到我們的生活,讓那些曾經美好的故事,繼續流傳下去。
The evolution of grass mats
Developed Taiwan's most traditional grass mat into a sense of modern and elegant by combin with wooden bench. And with wooden bench, not only to break people rush past the "mat" the impression it back to modern life, also have good smell like memories in the summer and more comfortable sitting experience.








蓆息相惜
聞得到──淡淡的氣息;摸得到──樸實的手路。將資訊時代使用電腦不可或缺的滑鼠墊用最自然的素材取代,利用其特性讓它便於攜帶,不僅為冰冷的科技增添一絲暖意,也讓緊繃的神經在那樣的觸感及香味下稍微緩和。
Feelit
It's a mouse pad made by nature material.It's easy to carry with laptop. You can smell in summer breath and touch the memories, make your comfort  also remind you to take it easy.








裂縫鐘
台灣潮濕的氣候或是水管漏水,會讓牆壁發生了病變,人們開始疲憊地治療這個不治之症,東抓一個漏水,西抓個牆壁龜裂,這是一場沒有止境的療程。當你又發現壁癌時,不用再擔心要找誰來修理,本設計將這種驚艷感,轉化成生活趣味的時鐘與桌燈,用另一個角度欣賞惱人的壁癌。
Crack Clock
The Humid weather in Taiwan or leaking water from tube can cause the wall get sick easily. People will cure the wall’s cancer tiredly. Sometime it happened into leaking water or cracked wall. This is a no stop curing schedule. When you find a mold on the wall, don’t worry about call the some people to fix it. This design derives mold on the wall into the funny clock and table lamp. We can take another perspective to enjoy the annoying mold the wall.









藺草冥想椅
由透氣親膚的藺草編織而成的鵝卵石外型沙發。
A pebble shape sofa which is made by  nature's touch and ventilative Rush grass. 








靠蓆
藺草席一直是實用的配角,但是這個有傳統的配角, 幾乎被現代生活給遺忘了. 這設計利用藺草席和靠枕的結合創造出一個新角色,藉由後山社區編織師傅們的手工誕生出來, 稱之為靠蓆. 靠蓆在沙發上是配上手靠的好蓆子, 在椅子上是可撐腰的好坐墊, 最適合它的位置莫過於日式露台, 坐在露台邊緣靠著它, 放鬆了雙腳也放鬆了心。
Mat plus Cushion
The straw mat has been a useful supporting role, but this traditional role is almost forgotten by modern life. This design uses a combination of straw mats and cushion to create a new role, which produced by the experienced masters in Yuanli. I call this “Mat plus Cushion”. Placing on the sofa is a good mat accompanied by good hand-mat; when backing in the chair is a good cushion which can support your back; the most suitable location is in Japanese-style terrace, sitting at terrace edge against it, you can relaxed feet also relax the heart.








共生
筆跟筆袋各有其功能,由藺草編織成筆袋本身無法關合,當筆成為門栓將筆蓋栓住時,這樣相互依賴關係使得產品有著生命力般呈現。








足跡信件架
藺草拖鞋是現代人對藺草文化的深刻記憶,從傳統藺草拖演變成當今的人字拖,今昔兩者的結合,衝突的呈現時代的潮流。人字拖下點點的足跡落在走過的道路上,朋友家人的故事化成一張張的明信片和信件,在牆上成為令人回味的記憶和風景。點點的鏤空,配合固定件的設計,讓人字拖可自由的調整喜歡的位置、數量以及顏色,藉著傳統的工藝手法,除了流露出昔日的回憶與懷念的味道,傳統的工藝也被賦予了新的功能。
"The Tracks" Letter Rack
The rush slipper represents nowaday people's deep impression of the rush culture. The traditional rush slipper has trended towards today's flip-flop style. The conflicting combination of the old and new styles illustrates the trend of the time. The dotted footprints underneath the flip-flops fall on the past roads. The stories of friends and families have turned into each single postcard and letter, and become memorable remembrance and scenery on the wall. The dotted hollows tied in with the design of the fastenings allow the flip-flops to be adjusted freely according to users' favour of position, quantity and colour. By means of the traditional craftsmanship, the work not only reveals the old-time memories and the memorable scent, but the craft was also invested with a new function.








梅花鹿‧開花了
運用中國傳統吉祥象徵之福祿壽三星–【祿】,取諧音【鹿】為主體,以摩登幾何造型建構,腹部結合中國傳統縷空圖騰,鹿角處結合花器功能,延伸原有視覺,就讓它為你增添絢麗色彩吧!








磚盒
磚牆上的磚因為時間而鬆動, 產生非預期性的空間。賦予紅磚一個非預期性的空間,可放置個人物品。








揮蚊
蚊子迎面飛來,揮舞著手趨趕蚊子是人們的直覺動作。藉由揮動手而將防蚊的精油氣味散怖在空氣中。大量運用藺草成型產品也會增加藺草的廢材,善用廢棄的藺草纖維具有吸水的特性,將廢棄的藺草纖維當成手環的內填充材,用來吸取天然防蚊精油例如,香茅油、竹酢液、或其他精油。
Let's wave
By observing interaction of people’s behavior to mosquitoes, wave hands and stamp feet are people’s direct action to drive out mosquitoes. Integrating this action into bracelet design, the citronella oil will be successfully spread into air when people wave hands. Considering largely production increases the quantity of waste Schoenoplectus triqueter. In order to consume waste part simultaneously, it becomes filling in the bracelet for soaking up the citronella oil.








疼惜藺_ 手形草本熱敷包
多數人都有身體疼痛經驗(關節炎、生理期等),因此造成不舒服也難以入睡。選用止痛藥只是暫時舒緩疼痛,反而給身體其他的器官帶來負擔,其實身體的疼痛是可以透過比較自然的方式來得到紓解,例如一些中藥材的功效與紅豆做成可以利用微波爐加熱的熱敷包,搭配親膚性佳的藺草來隔絕過熱的熱敷包,是可以達到舒緩疼痛的效果。而手的造形意味著利用溫暖的手來呵護疼痛的部位。









疼惜藺_ 圓形草本熱敷包

多數人都有身體疼痛經驗(關節炎、生理期等),因此造成不舒服也難 以入睡。選用止痛藥只是暫時舒緩疼痛,反而給身體其他的器官帶來負擔,其實身體的疼痛是可以透過比較自然的方式來得到紓解,例如一些中藥材的功效與紅豆做 成可以利用微波爐加熱的熱敷包,搭配親膚性佳的藺草來隔絕過熱的熱敷包,是可以達到舒緩疼痛的效果。而手的造形意味著利用溫暖的手來呵護疼痛的部位。而圓 形笑臉似乎是朋友微笑的關懷。








“魚筷‧愉快”手工隨身筷系列
“魚筷‧愉快”隨身筷  --概念源自莊子與惠子的"魚樂之辯",故事由莊子的「鰷魚出游從容,是魚之樂也。」開始,形容對魚的感覺,故取"魚筷"之諧音"愉快",希望使用者能"愉快用餐",創新的結構功能亦期使用者感覺更便利與人性;  "魚筷‧愉快" 為結合木材工藝、台灣藺草手工藝及工業設計的手工製環保筷,以較為溫潤柔和的木質感中和不鏽鋼的冷調,並運用魚形輪廓同時符合手握人體工學的曲線,來做為筷子握把部分,再以耐用及易於清洗的食品級不鏽鋼為接觸食物的前端部分,筷袋部分則用藺草編成魚形鑰匙圈以方便記得攜帶。








稻米型藺草項鏈筷套
以藺草手工編織成稻米顏色、造型之隨身筷袋(原箸II代,L:76mm/W:7.1mm),以皮革串連玉石與藺草筷袋,可做為項鏈或吊飾,不易忘記攜帶,頂端開口的玉石除了有阻隔的作用外,象徵的是從稻穀中冒出的新米,帶來了新生,並承襲公司現有米粒矽膠筷套,從現代科技回到傳統工藝,亦有追本溯源之感。












稱心壺意
稱心壺意乃藉由古代秤子掛起百年鐵壺的姿態來表達這之間的美,樸實的檜木木座取代秤錘呈現一種平衡又搖曳生姿的風情。










仙屨奇緣
高跟鞋的神奇力量,讓一個小女孩變成小女人,讓一個女人擁有自信性感魅力,眼神中不自覺流露出性感氣息。看神仙教母施展魔法,編織出專屬灰姑娘的高跟鞋。圓鞋頭打造出時尚感,以藺草編織而成,清爽透氣,挑選不同顏色的藺草編織出浪漫憧憬的夢幻色澤,宛如一件藝術品,色澤簡約好搭配,帶出藺草新風情。

A new romantic show of the rushes
The miraculous strength of the high-heeled shoes would let a little girl become a woman and let a women own self-confident and sexy charm to show unintentionally sexy spirit within her eyes; just like the godmother of the fairy displays sorcery to weave the high-heeled shoes for Cinderella. The circle head shoes which weaved by rushes create vogue and becomes more ventilated. Kinds of the rushes chose by different colors make up the dreamlike color and luster like the romance imagines, just like an art object, color and luster make a new romantic show of the rushes.










四合院
當我看見『紅磚』與『陶』,在腦海中最先浮現的是一群收工的農人在四合院中泡茶聊天的歡樂景象;是台灣早期最樸實、真誠的原始感動。從此氛圍出發,用幾何形的陶杯表現具現代感的水泥鋼筋大廈,並以『紅磚』包覆來表現古老的美好傳承,當我們與朋友共飲時,能找回從前在四合院中人與人之間沒有距離的親近情感,這才是正港的台灣味。

SIHEYUAN
When I see Bricks and ,Ceramic, the first image that comes to mind is a group of farmers after work, relaxing in the yard happily chatting and drinking tea.  It gives you a sense of traditional Taiwanese Culture.  Starting from this perspective, the use geometry to represent the modern concrete building, covered by bricks to show the traditional ancient Chinese designs.  When we drinking with friends, we can feel a connection with people without distance.  This is the true taste of Taiwan.









草光
以保有藺草天然原貌為重點,並考量其畏熱的特性而選用無熱度的光纖線作為光源。








透氣抱抱墊
輕擁著沉睡的寶寶不捨驚動,但往往手彎與寶寶肌膚相貼處已一片悶熱汗濕。藺草的天然、吸汗和透氣,正能放心地在與寶寶細緻敏感的肌膚長時間接觸時使用。









掛戀

以藺草材質為基本概念,藉由肌膚的聯想,複合花布衫的衣領口緣,展露藺草與肌膚之間的緊密關連,設計出此款優美與實用兼備的首飾掛台,亦傳達了身體與材質所具備的親密感。

showcase

Using the rush is the basic concept of this design. By associating with the skin and the collar of the colorful shirts we can find the connection between the rush and the skin. This beautiful and practical Jewelry Hanging shows the intimacy which exists between the body and material.









用漆器表現原生鳥類豔麗的顏色及剪影。
The Silhouette of Birds
using lacquer to express the vivid color and elegant silhouette of native birds, the bird tilts on the stand with wind creating an ambient effect with surrounding movement.








窗子
櫃子是收藏記憶的窗戶。

window
open the windows &keep the memories in my mind.








練瓦坊
紅磚質地觸感,搭配白松木,簡單型體中牽引出材質層次感,自然質樸承襲過往三合院建築方式,天然材質隨時間流逝、光影、雨水和風,改變顏色以及外觀的損耗更加韻味,運用自然的元素,塑造出真正原始美。

Renga
In combination with red bricks and white pine wood layers of different materials give a simple gradual variation. As classic 3 blocks country cottages is being shaped in time, light, wind and rain. The natural wearing of exterior and colour sculpture a genuine aesthetic formation from all the surrounding natural elements.